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It may seem both unnecessary and out of character for a man of my calling to acknowledge these chance sensations, but only by doing so can I account for the minutes which elapsed before I summoned sufficient self-possession to draw aside the closed curtains of the bed and take the quick look inside which my present doubtful position demanded. But once I had broken the spell and taken the look just mentioned, I found my manhood return and with it my old ardor for clues. The bed held no gaping, chattering criminal; yet was it not quite empty. Something lay there, and this something, while commonplace in itself, was enough out of keeping with the place and hour to rouse my interest and awaken my conjectures. It was a lady's wrap so rich in quality and of such a festive appearance that it was astonishing to find it lying in a neglected state in this crumbling old house. Though I know little of the cost of women's garments, I do know the value of lace, and this garment was covered with it.

Interesting as was this find, it was followed by one still more so. Nestled in the folds of the cloak, lay the withered remains of what could only have been the bridal bouquet. Unsightly now and scentless, it was once a beautiful specimen of the florist's art. As I noted how the main bunch of roses and lilies was connected by long satin ribbons to the lesser clusters which hung from it, I recalled with conceivable horror the use to which a similar ribbon had been put in the room below. In the shudder called up by this coincidence I forgot to speculate how a bouquet carried by the bride could have found its way back to this upstairs room when, as all accounts agree, she had fled from the parlor below without speaking or staying foot the moment she was told of the catastrophe which had taken place in the library. That her wrap should be lying here was not strange, but that the wedding bouquet—

That it really was the wedding bouquet and that this was the room in which the bride had dressed for the ceremony was apparent to the most casual observer. But it became an established fact when in my further course about the room I chanced on a handkerchief with the name Veronica embroidered in one corner.

This handkerchief had an interest apart from the name on it. It was of dainty texture and quite in keeping, so far as value went, with the other belongings of its fastidious owner. But it was not clean. Indeed it was strangely soiled, and this soil was of a nature I did not readily understand. A woman would doubtless have comprehended immediately the cause of the brown streaks I found on it, but it took me several minutes to realize that this bit of cambric, delicate as a cobweb, had been used to remove dust. To remove dust! Dust from what? From the mantel-shelf probably, upon one end of which I found it. But no! one look along the polished boards convinced me that whatever else had been dusted in this room this shelf had not. The accumulation of days, if not of months, was visible from one end to the other of its unrelieved surface save where the handkerchief had lain, and—the greatest discovery yet—where five clear spots just to the left of the center showed where some man's finger-tips had rested. Nothing but the pressure of fingertips could have caused just the appearance presented by these spots. By scrutinizing them closely I could even tell where the thumb had rested, and at once foresaw the possibility of determining by means of these marks both the size and shape of the hand which had left behind it so neat and unmistakable a clue.

Wonderful! but what did it all mean? Why should a man rest his finger-tips on this out-of-the-way shelf? Had he done so in an effort to balance himself for a look up the chimney? No; for then the marks made by his fingers would have extended to the edge of the shelf, whereas these were in the middle of it. Their shape, too, was round, not oblong; hence, the pressure had come from above and—ah! I had it, these impressions in the dust of the shelf were just such as would be made by a person steadying himself for a close look at the old picture. And this accounted also for the overturned chair, and for the handkerchief used as a duster. Some one's interest in this picture had been greater than mine; some one who was either very near-sighted or whose temperament was such that only the closest inspection would satisfy an aroused curiosity.

This gave me an idea, or rather impressed upon me the necessity of preserving the outline of these tell-tale marks while they were still plain to the eye. Taking out my penknife, I lightly ran the point of my sharpest blade around each separate impression till I had fixed them for all time in the well worn varnish of the mahogany.

This done, my thoughts recurred to the question already raised. What was there in this old picture to arouse such curiosity in one bent on evil if not fresh from a hideous crime? I have said before that the picture as a picture was worthless, a mere faded sketch fit only for lumbering up some old garret. Then wherein lay its charm,—a charm which I myself had felt, though not to this extent? It was useless to conjecture. A fresh difficulty had been added to my task by this puzzling discovery, but difficulties only increased my interest. It was with an odd feeling of elation that, in a further examination of this room, I came upon two additional facts equally odd and irreconcilable.

One was the presence of a penknife with the file blade open, on a small table under the window marked by the loosened shutter. Scattered about it were some filings which shone as the light from my lantern fell upon them, but which were so fine as to call for a magnifying-glass to make them out. The other was in connection with a closet not far from the great bed. It was an empty closet so far as the hooks went and the two great drawers which I found standing half open at its back; but in the middle of the floor lay an overturned candelabrum similar to the one below, but with its prisms scattered and its one candle crushed and battered out of all shape on the blackened boards. If upset while alight, the foot which had stamped upon it in a wild endeavor to put out the flames had been a frenzied one. Now, by whom had this frenzy been shown, and when? Within the hour? I could detect no smell of smoke. At some former time, then? say on the day of the bridal?

Glancing from the broken candle at my feet to the one giving its last sputter in the tumbler on the dressing table, I owned myself perplexed.

Surely, no ordinary explanation fitted these extraordinary and seemingly contradictory circumstances.

IV

SIGNED, VERONICA

I am in some ways hypersensitive. Among my other weaknesses I have a wholesome dread of ridicule, and this is probably why I failed to press my theory on the captain when he appeared, and even forbore to mention the various small matters which had so attracted my attention. If he and the experienced men who came with him saw suicide and nothing but suicide in this lamentable shooting of a bride of two weeks, then it was not for me to suggest a deeper crime, especially as one of the latter eyed me with open scorn when I proposed to accompany them upstairs into the room where the light had been seen burning. No, I would keep my discoveries to myself or, at least, forbear to mention them till I found the captain alone, asking nothing at this juncture but permission to remain in the house till Mr. Jeffrey arrived.

I had been told that an officer had gone for this gentleman, and when I heard the sound of wheels in front I made a rush for the door, in my anxiety to catch a glimpse of him. But it was a woman who alighted.

As this woman was in a state of great agitation, one of the men hastened down to offer his arm. As she took it, I asked Hibbard, who had suddenly reappeared upon the scene, who she was.

He said that she was probably the sister of the woman who lay inside. Upon which I remembered that this lady, under the name of Miss Tuttle—she was but half-sister to Miss Moore—had been repeatedly mentioned by the reporters, in the accounts of the wedding before mentioned, as a person of superior attainments and magnificent beauty.