While the men began to search for a burial site in the thin forest soil, Urquhart went to inspect the scene within the rocky bowl. He was grateful that there was surprisingly little obvious damage to the dark skin of their faces, but the sweet-sour stench of scorching and petrol fumes made him desperately want to vomit. He fought back the temptation, and won. There was nothing of military value in their pockets, but around their necks on two thin chains hung crucifixes engraved with their names. He tore them off; no one should ever discover their identities.
It was dusk when they drove back down the mountain with MacPherson's body strapped in the back. Urquhart turned for one last look at the battle scene, his place of initiation; suddenly in the gathering darkness he saw a light. An ember, a fragment of fire, had somehow survived and been fanned by the evening breeze, causing it to burst back into life. The young pine which stood in the middle of the bowl was ablaze, a beacon marking the site that could be seen for miles around.
For lingering minutes as he descended he continued to watch the burning tree. He never spoke of the incident on the mountain again but thereafter, at times of great personal crisis and decision in his life, whenever he closed his eyes and occasionally when he was asleep, the brilliant image and the memory of that day would return, part-nightmare, part-inspiration. The making of Francis Urquhart.
ONE
The door of the stage manager's box opened a fraction for Harry Grime to peer into the auditorium. 'Hasn't arrived, then' he growled.
Harry, a leading dresser at the Royal Shakespeare Company, didn't like Francis Urquhart. Fact was, he loathed the man. Harry was blunt, Yorkshire, a raging queen going to seed who divided the universe into thems that were for him and thems that weren't. And Urquhart, in Harry's uncomplicated and unhumble opinion, weren't.
'Be buggered if that bastard'll get back,' Harry had vouchsafed to the entire company last election night. Yet Urquhart had, and Harry was.
Three years on, Harry had changed his hair colour from vivid chestnut to a premature orange and shed his wardrobe of tight leather in preference for something that let him breathe and allowed his stomach to fall more naturally, but he had moved none of his political opinions. Now he awaited the arrival of the Prime Minister with the sensibilities of a Russian digging in before Stalingrad. Urquhart was coming, already he felt violated.
'Sod off, Harry, get out from under my feet,' the stage manager snapped from his position alongside the cobweb of wires that connected the monitors and microphones with which he was supposed to control the production. 'Go check that everyone's got the right size codpiece or something.' Harry bristled, about to retaliate, then thought better of it. The Half had been called, all hands were now at their posts backstage and last-minute warfare over missing props and loose buttons was about to be waged. No one needed unnecessary aggravation, not tonight. He slunk away to recheck the wigs in the quick-change box at the back of the stage.
It was to be a performance of Julius Caesar and the auditorium of the Swan Theatre was already beginning to fill, although more slowly than usual. The Swan, a galleried and pine-clad playhouse that stands to the side of the RSC's main theatre in Stratford-upon-Avon, is constructed in semi-circular homage to the Elizabethan style and has an intimate and informal atmosphere, 432 seats max. Delightful for the performance but a nightmare for Prime Ministerial security. What if some casual theatre-goer who loved Shakespeare much yet reviled Francis Urquhart more, more even than did Harry Grime, took the opportunity to… To what? No one could be sure. The Stratford bard's audiences were not renowned for travelling out with assorted weaponry tucked away in pocket or purse – Ibsen fans, maybe, Chekov's too, but surely not for Shakespeare? Yet no one was willing to take responsibility, not in the presence of most of the Cabinet, a handful of lesser Ministers, assorted editors and wives and other selected powers in the realm who had been gathered together to assist with celebrations for the thirty-second wedding anniversary of Francis and Elizabeth Urquhart.
Geoffrey Booza-Pitt was the gatherer. The youngest member of Francis Urquhart's Cabinet, he was Secretary of State for Transport and a man with an uncanny eye for opportunity. And for distractions, of all forms. And what better distraction from the shortcomings of Ministerial routine than to block-book a hundred seats in honour of the Master's anniversary and invite the most powerful men in the land to pay public homage? Two thousand pounds' worth of tickets returned a hundred-fold of personal publicity and left favours scattered throughout Westminster, including Downing Street. That's precisely what Geoffrey had told Matasuyo, car giant to the world and corporate sponsor to the RSC, who had quietly agreed to pay for the lot. It hadn't cost him a penny. Not that Geoffrey would tell.
They arrived late, their coming almost regal. If nothing else, after the eleven years they had lived in Downing Street, they knew how to make an entrance. Elizabeth, always carefully presented, appeared transported onto a higher plane in an evening dress of black velvet with a high wing collar and a necklace of pendant diamonds and emeralds that caught the theatre's lighting and reflected it back to dazzle all other women around her. The wooden floors and galleries of the playhouse complained as people craned forward to catch a glimpse and a ripple of applause broke out amongst a small contingent of American tourists which took hold, the infection making steady if reluctant progress through the auditorium to the evident embarrassment of many. 'Le roi est arrive.'
'Be fair, Bryan,' chided one of the speaker's two companions from their vantage point in the First Gallery, above and to the right of where the Urquharts were taking their seats.
'Fair? Can we possibly be talking about the same Francis Urquhart, Tom? The man who took the professional foul and set it to Elgar?'
Thomas Makepeace offered no response other than a smile of reproach. He knew Brynford-Jones, the editor of The Times, was right. He was also clear that Brynford-Jones knew he knew. Lobby terms. But there were limits to what a Foreign Secretary could say in a public place about his Prime Minister. Anyway, Urquhart was his friend who had repaid that friendship with steady promotion over the years.
'Still, you have to admire his footwork, a true professional,' Brynford-Jones continued before offering a wave and a smile in the direction of the Urquharts who were turning to acknowledge those around them. 'There's not a man here without the marks of your Prime Minister's studs somewhere on his anatomy. Good old F.U.'
'Surely there's more to life than simply providing you with copy, Bryan.' On Makepeace's other side a third man joined in. Quentin Digby was a lobbyist, and a good one. He not only had an involvement in professional politics but, in his own quiet way, was also something of an activist, representing many charities and environmental concerns. Makepeace didn't know him well but rather liked him.
'I wondered which of us three was going to play the moralizing toad tonight,' Makepeace mocked.
The house lights dimmed as the Managing Director of Matasuyo stepped forward onto the stage to claim his place before the public eye and offer a speech of welcome. The light thrown onto the stage bounced up onto the faces of Makepeace and his companions, giving them a shadowy, conspiratorial look, like witches attending a cauldron.
'Seriously, Tom,' Brynford-Jones continued, anxious to take advantage of the Cabinet Minister's presence, 'he should have gone on his tenth anniversary. Ten bloody years at the top is enough for anyone, isn't it?'
Makepeace made no comment, pretending to concentrate on the Japanese gentleman's homily which was attempting to establish some form of spiritual connection between culture and car bits.