It was our shadow selves, not our essential ones, that destroyed my mission, the shadows in the core of each human being. Ajit’s ambition and rivalry. Kane’s stunted vision of other people and their limits. My pride, which led me to think I was in control of murderous rage long after it had reached a point of no return. In all of us.
I left one thing behind at the center of the galaxy. Just before the Kepler jumped, I jettisoned Ajit’s statue of a Shiva dancing, in the direction of Sag A*. I don’t know for sure, but I imagine it will travel toward the black hole at the galaxy’s core, be caught eventually by its gravity, and spiral in, to someday disappear over the event horizon into some unimaginable singularity. That’s what I want to happen to the statue. I hate it.
As to what will happen to me, I don’t have the energy to hate it. I’ll tell the authorities everything. My license as a Nurturer will surely be revoked, but I won’t stand trial for the murder of Ajit. A captain is supreme law on her ship. I had the legal authority to kill Ajit. However, it’s unlikely that any scientific expedition will hire me as captain ever again. My useful life is over, and any piece of it left is no more than one of the ashy, burned-out stars Kane says orbit Sag A*, uselessly circling the core until its final death, giving no light.
A shadow.
We remain near the galactic core, Kane and Ajit and I. The event horizon of Sag A* is about one-fiftieth of a light-year below us. As we spiral closer, our speed is increasing dramatically. The point of no return is one-twentieth of a light-year. The lethal radiation, oddly enough, is less here than when we were drifting near the shadow matter on the other side of Sag A West, but it is enough.
I think at least part of my brain has been affected, along with the repair program to fix it. It’s hard to be sure, but I can’t seem to remember much before we came aboard the probe, or details of why we’re here. Sometimes I almost remember, but then it slips away. I know that Kane and Ajit and I are shadows of something, but I don’t remember what.
Ajit and Kane work on their science. I have forgotten what it’s about, but I like to sit and watch them together. Ajit works on ideas and Kane assists in minor ways, as once Kane worked on ideas and Ajit assisted in minor ways. We all know the science will go down into Sag A* with us. The scientists do it anyway, for no other gain than pure love of the work. This is, in fact, the purest science in the universe.
Our mission is a success. Ajit and Kane have answers. I have kept them working harmoniously, have satisfied all their needs while they did it, and have captained my ship safely into the very heart of the galaxy. I am content.
Not that there aren’t difficulties, of course. It’s disconcerting to go up on the observation deck. Most of the exotics remain, blooming in wild profusion, but a good chunk of the hull has disappeared. The effect is that anything up there—flowers, bench, people—is drifting through naked space, held together only by the gravity we exert on each other. I don’t understand how we can breathe up there; surely the air is gone. There are a lot of things I don’t understand now, but I accept them.
The wardroom is mostly intact, except that you have to stoop to go through the door to the galley, which is only about two feet tall, and Ajit’s bunk has disappeared. We manage fine with two bunks, since I sleep every night with Ajit or Kane. The terminals are intact. One of them won’t display anymore, though. Ajit has used it to hold a holo he programmed on a functioning part of the computer and superimposed over where the defunct display stood. The holo is a rendition of a image he showed me once before, of an Indian god, Shiva.
Shiva is dancing. He dances, four-armed and graceful, in a circle decorated with flames. Everything about him is dynamic, waving arms and kicking uplifted leg and mobile expression. Even the flames in the circle dance. Only Shiva’s face is calm, detached, serene. Kane, especially, will watch the holo for hours.
The god, Ajit tells us, represents the flow of cosmic energy in the universe. Shiva creates, destroys, creates again. All matter and all energy participate in this rhythmic dance, patterns made and unmade throughout all of time.
Shadow matter—that’s what Kane and Ajit are working on. I remember now. Something decoupled from the rest of the universe right after its creation. But shadow matter, too, is part of the dance. It exerted gravitational pull on our ship. We cannot see it, but it is there, changing the orbits of stars, the trajectories of lives, in the great shadow play of Shiva’s dancing.
I don’t think Kane, Ajit, and I have very much longer. But it doesn’t matter, not really. We have each attained what we came for, and since we, too, are part of the cosmic pattern, we cannot really be lost. When the probe goes down into the black hole at the core, if we last that long, it will be as a part of the inevitable, endless, glorious flow of cosmic energy, the divine dance.
I am ready.
SLOW LIFE
MICHAEL SWANWICK
Michael Swanwick published his first story in 1980, making him one of a generation of new writers that included Pat Cadigan, William Gibson, Connie Willis, and Kim Stanley Robinson. In the third of a century since, he has been honored with the Nebula, Theodore Sturgeon, and World Fantasy Awards and received a Hugo Award for fiction in an unprecedented five out of six years. He also has the pleasant distinction of having lost more major awards than any other science fiction writer.
“It was the Second Age of Space. Gagarin, Shepard, Glenn, and Armstrong were all dead. It was our turn to make history now.”
The raindrop began forming ninety kilometers above the surface of Titan. It started with an infinitesimal speck of tholin, adrift in the cold nitrogen atmosphere. Dianoacetylene condensed on the seed nucleus, molecule by molecule, until it was one shard of ice in a cloud of billions.
Now the journey could begin.
It took almost a year for the shard of ice in question to precipitate downward twenty-five kilometers, where the temperature dropped low enough that ethane began to condense on it. But when it did, growth was rapid.
Down it drifted.
At forty kilometers, it was for a time caught up in an ethane cloud. There it continued to grow. Occasionally it collided with another droplet and doubled in size. Until finally it was too large to be held effortlessly aloft by the gentle stratospheric winds.
It fell.
Falling, it swept up methane and quickly grew large enough to achieve a terminal velocity of almost two meters per second.
At twenty-seven kilometers, it passed through a dense layer of methane clouds. It acquired more methane, and continued its downward flight.
As the air thickened, its velocity slowed and it began to lose some of its substance to evaporation. At two and half kilometers, when it emerged from the last patchy clouds, it was losing mass so rapidly it could not normally be expected to reach the ground.
It was, however, falling toward the equatorial highlands, where mountains of ice rose a towering five hundred meters into the atmosphere. At two meters and a lazy new terminal velocity of one meter per second, it was only a breath away from hitting the surface.
Two hands swooped an open plastic collecting bag upward, and snared the raindrop.
“Gotcha!” Lizzie O’Brien cried gleefully.
She zip-locked the bag shut, held it up so her helmet cam could read the barcode in the corner, and said, “One raindrop.” Then she popped it into her collecting box.