They went directly to the front door, Jamal first, Moon going last, walking backward to make sure no one was watching. Jamal popped the entry lights, just reached up and broke’m with his fingers, pop, pop, pop. Moon pressed a folded towel over the dead bolt to dull the sound, and Lil Tai hit that shit with the hammer as hard as he could.
FRANK AND CINDY WERE CLEARING the table when a crash jolted their home as if a car had slammed through the front door. Joey was watching the Lakers in the family room and Little Frank had just gone up to his room. When Frank heard the crash, he believed his older son had knocked over the grandfather clock in the front entry. Little Frank had been known to climb the clock to reach the second-floor landing, and, even though it was anchored for earthquake safety, Frank had warned the boys it could fall.
Cindy startled at the noise, and Joey ran to his mother. Frank put down the plates, and was already hurrying toward the sound.
“Frankie! Son, are you all right-?”
They had only taken a step when four armed men rushed in, moving with the loose organization of men who had done this before.
Frank Meyer had faced high-speed, violent entries before, and had known how to react, but those situations had been in his former life. Now, eleven years and too many long days at a desk later, Frank was behind the play.
Four-man team. Gloves. Nine-millimeter pistols.
First man through had average height, espresso skin, and heavy braids to his shoulders. Frank knew he was the team leader because he acted like the leader, his eyes directing the play. A shorter man followed, angry and nervous, with a black bandanna capping his head, shoulder to shoulder with a bruiser showing tight cornrows and gold in his teeth, moving like he enjoyed being big. The fourth man was a step behind, moving more like an observer than part of the action. White, and big, almost as big as the bruiser, with a bowling-ball head, wide-set eyes, and thin sideburns that ran down his jaw like needles.
Two seconds, they fanned through the rooms. A second behind, Frank realized they were a home invasion crew. He felt the buzz-rush of excitement that had always sparked through him during an engagement, then remembered he was an out-of-shape businessman with a family to protect. Frank raised his hands, shuffling sideways to place himself between the men and his wife.
“Take what you want. Take it and leave. We won’t give you any trouble.”
The leader came directly to Frank, holding his pistol high and sideways like an idiot in a movie, bugging his eyes to show Frank he was fierce.
“Goddamn right, muthuhfucka. Where is it?”
Without waiting for an answer, he slapped Frank with the pistol. Cindy shouted, but Frank had been hit harder plenty of times. He waved toward his wife, trying to calm her.
“I’m okay. It’s okay, Cin, we’re gonna be fine.”
“Gonna be dead, you don’t do what I say!”
He dug the pistol hard into Frank’s cheek, but Frank was watching the others. The bruiser and the smaller man split apart, the bruiser charging to the French doors to check out the back, the little guy throwing open cabinets and doors, both of them shouting and cursing. Their movements were fast. Fast into the house. Fast into Frank’s face. Fast through the rooms. Fast to drive the play, and loud to increase the confusion. Only the man with the strange sideburns moved slowly, floating outside the perimeter as if with a private agenda.
Frank knew from experience it wasn’t enough to follow the play; you had to be ahead of the action to survive. Frank tried to buy himself time to catch up.
“My wallet’s in my office. I’ve got three or four hundred dollars-”
The leader hit Frank again.
“You take me a fool, muthuhfuckin’ wallet?”
“We use credit cards-”
Hit him again. Harder.
The man with the sideburns finally stepped out of the background, appearing at the table.
“See the plates? More people are here. We must look for the others.”
Frank was surprised by the accent. He thought it was Polish, but couldn’t be sure.
The man with the accent disappeared into the kitchen just as the bruiser charged out of the family room to Cindy and Joey. He held his pistol to Cindy’s temple, shouting at Frank in his rage.
“You want this bitch dead? You want me to put this pipe right in her mouth? You want her to suck on this?”
The leader slapped Frank again.
“You think he don’t mean it?”
The bruiser suddenly backhanded Cindy with his pistol, splashing a red streamer from her cheek. Joey screamed, and Frank Meyer suddenly knew what to do.
The man with Frank was watching the action when Frank grabbed his gun hand, rolled his wrist to lock the man’s arm, and jointed his elbow. Frank had been out of the life for years, but the moves were burned into his muscle memory from a thousand hours of training. He had to neutralize his captor, strip the weapon as he levered the man down, recover with the pistol in a combat grip, put two into the big man who had Cindy, then turn, acquire, and double-tap whoever was in his field of fire. Frank Meyer had gone automatic. The moves flowed out ahead of the play exactly as he had trained for them, and, back in the day, he could have completed the sequence in less than a second. But Frank was still fumbling with the pistol when three bullets slammed into him, the last shot hitting the heavy vertebra in Frank’s lower back, putting him down.
Frank opened his mouth, but only a hiss escaped. Cindy and Joey screamed, and Frank fought to rise with the fierce will of the warrior he had been, but will was not enough.
The man with the accent said, “I hear someone. In the back.”
A shadow moved past, but Frank couldn’t see.
The leader appeared overhead, cradling his broken arm. Huge shimmering tears dripped from his eyes and fell in slow motion like rain from his braids.
He said, “I’m gonna get me that money.”
He turned away toward Cindy.
Frank’s world grew dark, and all he had left were feelings of failure and shame. He knew he was dying, exactly the way he had always thought he would die, only not here, and not now. All of that should have been behind him.
He tried to reach for his wife, but could not.
He wanted to touch her, but could not.
He wanted to protect her, but had not.
His index finger was the only part of him that moved.
Twitching as if with a life of its own.
His trigger finger.
Pulling at empty air.
OUTSIDE, with its shades drawn, the Meyer house appeared peaceful. Heavy walls muffled most of the sounds within, and traffic noise from nearby Wilshire Boulevard was loud enough to mask the rest. Those screams which could be heard might have been from a home theater, a nice Surround Sound system.
Cars passed, some leaving home to go out for the evening, others returning home after a long day at the office.
The dull thump of a gunshot within the house was muted and unnatural. A Lexus sedan passed, but with its windows up and an iPod playlist rocking the exquisitely engineered vehicle, the driver heard nothing. She did not slow.
Another thump pounded within the house a few moments later, accompanied by a flash like distant lightning behind the shades.
More flashes followed.
Then more.
You become responsible, forever, for what you have tamed.
– ANTOINE DE SAINT-EXUPÉRY, 1900-1944, Free French warrior and aviator who also typed
Part One. Professionals
1
AT TEN FOURTEEN THE following MORNING, approximately fifteen hours after the murders, helicopters were dark stars over the Meyer house when LAPD Detective-Sergeant Jack Terrio threaded his way through the tangle of marked and unmarked police vehicles, SID wagons, and vans from the Medical Examiner’s office. He phoned his task force partner, Louis Deets, as he approached the house. Deets had been at the scene for an hour.