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“I seem to have heard the phrase,” replied his companion.

“It is in four acts,” said Dalroy. “Victory over barbarians. Employment of barbarians. Alliance with barbarians. Conquest by barbarians. That is the great destiny of Empire.”

“I think I begin to see what you mean,” returned Dorian Wimpole. “Of course Ivywood and the authorities do seem very prone to rely on the sepoy troops.”

“And other troops as well,” said Patrick. “I think you will be surprised when you see them.”

He tramped on for a while in silence and then said, with some air of abruptness, which yet did not seem to be entirely a changing of the subject,

“Do you know the man who lives now on the estate next to Ivywood?”

“No,” replied Dorian, “I am told he keeps himself very much to himself.”

“And his estate, too,” said Patrick, rather gloomily. “If you would climb his garden-wall, Wimpole, I think you would find an answer to a good many of your questions. Oh, yes, the right honourable gentlemen are making full provision for public order and national defence–in a way.”

He fell into an almost sullen silence again; and several villages had been passed before he spoke again.

They tramped through the darkness; and dawn surprised them somewhere in the wilder and more wooded parts where the roads began to rise and roam. Dalroy gave an exclamation of pleasure and pointed ahead, drawing the attention of Dorian to the distance. Against the silver and scarlet bars of the daybreak could be seen afar a dark purple dome, with a crown of dark green leaves; the place they had called Roundabout.

Dalroy’s spirit seemed to revive at the sight, with the customary accompaniment of the threat of vocalism.

“Been making any poems lately?” he asked of Wimpole.

“Nothing particular,” replied the poet.

“Then,” said the Captain, portentously, clearing his throat, “you shall listen to one of mine, whether you like it or not–nay, the more you dislike it the longer and longer it will be. I begin to understand why soldiers want to sing when on the march; and also why they put up with such rotten songs.

“The Druids waved their golden knivesAnd danced around the Oak,When they had sacrificed a man;But though the learned search and scanNo single modern person canEntirely see the joke;But though they cut the throats of menThey cut not down the tree,And from the blood the saplings sprangOf oak-woods yet to be.But Ivywood, Lord Ivywood,He rots the tree as ivy would,He clings and crawls as ivy wouldAbout the sacred tree.
“King Charles he fled from Worcester fightAnd hid him in an Oak;In convent schools no man of tactWould trace and praise his every act,Or argue that he was in factA strict and sainted bloke;But not by him the sacred woodsHave lost their fancies free,And though he was extremely big,He did not break the tree.But Ivywood, Lord Ivywood,He breaks the tree as ivy wouldAnd eats the woods as ivy wouldBetween us and the sea.
“Great Collingwood walked down the gladeAnd flung the acorns free,That oaks might still be in the groveAs oaken as the beams aboveWhen the great Lover sailors loveWas kissed by Death at sea.But though for him the oak-trees fellTo build the oaken ships,The woodman worshipped what he smoteAnd honoured even the chips.But Ivywood, Lord Ivywood,He hates the tree as ivy would,As the dragon of the ivy would,That has us in his grips.”

They were ascending a sloping road, walled in on both sides by solemn woods, which somehow seemed as watchful as owls awake. Though daybreak was going over them with banners, scrolls of scarlet and gold, and with a wind like trumpets of triumph, the dark woods seemed to hold their secret like dark, cool cellars; nor was the strong sunlight seen in them, save in one or two brilliant shafts, that looked like splintered emeralds.

“I should not wonder,” said Dorian, “if the ivy does not find the tree knows a thing or two also.”

“The tree does,” assented the Captain. “The trouble was that until a little while ago the tree did not know that it knew.”

There was a silence; and as they went up the incline grew steeper and steeper, and the tall trees seemed more and more to be guarding something from sight, as with the grey shields of giants.

“Do you remember this road, Hump?” asked Dalroy of the innkeeper.

“Yes,” answered Humphrey Pump, and said no more; but few have ever heard such fulness in an affirmative.

They marched on in silence and about two hours afterward, toward eleven o’clock, Dalroy called a halt in the forest, and said that everybody had better have a few hours’ sleep. The impenetrable quality in the woods and the comparative softness of the carpet of beech-mast, made the spot as appropriate as the time was inappropriate. And if anyone thinks that common people, casually picked up in a street, could not follow a random leader on such a journey or sleep at his command in such a spot, given the state of the soul, then someone knows no history.

“I’m afraid,” said Dalroy, “you’ll have to have your supper for breakfast. I know an excellent place for having breakfast, but it’s too exposed for sleep. And sleep you must have; so we won’t unpack the stores just now. We’ll lie down like Babes in the Wood, and any bird of an industrious disposition is free to start covering me with leaves. Really, there are things coming, before which you will want sleep.”

When they resumed the march it was nearly the middle of the afternoon; and the meal which Dalroy insisted buoyantly on describing as breakfast was taken about that mysterious hour when ladies die without tea. The steep road had consistently grown steeper and steeper; and steeper; and at last, Dalroy said to Dorian Wimpole,

“Don’t drop that cheese again just here, or it will roll right away down into the woods. I know it will. No scientific calculations of grades and angles are necessary; because I have seen it do so myself. In fact, I have run after it.”

Wimpole realised they were mounting to the sharp edge of a ridge, and in a few moments he knew by the oddness in the shape of the trees what it had been that the trees were hiding.

They had been walking along a swelling, woodland path beside the sea. On a particular high plateau, projecting above the shore, stood some dwarfed and crippled apple-trees, of whose apples no man alive would have eaten, so sour and salt they must be. All the rest of the plateau was bald and featureless, but Pump looked at every inch of it, as if at an inhabited place.

“This is where we’ll have breakfast,” he said, pointing to the naked grassy waste. “It’s the best inn in England.”

Some of his audience began to laugh, but somehow suddenly ceased doing so, as Dalroy strode forward and planted the sign of “The Old Ship” on the desolate sea-shore.

“And now,” he said, “you have charge of the stores we brought, Hump, and we will picnic. As it said in a song I once sang,

“The Saracen’s Head out of Araby came,King Richard riding in arms like flame,And where he established his folk to be fedHe set up his spear, and the Saracen’s Head.”

It was nearly dusk before the mob, much swelled by the many discontented on the Ivywood estates, reached the gates of Ivywood House. Strategically, and for the purposes of a night surprise, this might have done credit to the Captain’s military capacity. But the use to which he put it actually was what some might call eccentric. When he had disposed his forces, with strict injunctions of silence for the first few minutes, he turned to Pump, and said,