“Frederik the Falconer.” Farrell had heard Crof Grant speak the name. He spied the white-haired man swaying dreamily near the dais, swathed from throat to shinbone in a voluminous saffron garment the size of a foresail. It was bunched into a great tumbling bundle at the waist and thrown over his left shoulder to fall down his back like a toga. There was a short blue jacket wound into it somewhere, and two or three forlorn suggestions of a white shirt struggling to surface. Farrell said vaguely, “Scots wha‘ hae.”
The musicians were pooting experimentally again; the Lady Criseyde began softly to tap out the rhythm of another pavane. Julie put her arm under Farrell’s, and they took their places in a new line, standing between a Cavalier pair, all curls, feathers, laces, and rosettes, and a black couple in Saracen dress. Julie said, “You are attending at the King’s Birthday Revels of the League for Archaic Pleasures.”
Farrell looked over at the black woman, who smiled back at him, her soft, serious face wickedly ambushed by dimples. She was wearing mostly opalescent veils and a wide woven belt, and her hair was braided and beaded and tipped with gold. With the casual shock of a dream, Farrell recognized her companion from the green convertible; he was the young man who had so airily warded off Madame Schumann-Heink with his broadsword. He winked at Farrell—a swift, glinting fingersnap of a wink—before turning away, stately and alone among Crusaders.
The pavane was danced in the Spanish style, which had Farrell hopelessly adrift within a dozen bars. It was an unfamiliar air, a good deal livelier than the English paces he knew, and he wandered in and out of the measures in lonesome embarrassment. For all that, he went wistfully when Julie led him away to sit on the grass in the lee of the dark pavilion. “I was getting it,” he said. “It’s just been a while, is all.”
Julie did not answer him, but watched the dances, one hand plucking absently at clover stems. Speaking quietly, without turning her head, she asked, “Have you chosen a name yet?”
“Don’t need one. None but a king’s virgin daughter may know my name until sunrise.”
She turned on him swiftly then, saying, “Don’t be a fool. I meant what I told you about names being important. Joe, pay attention for once.”
Irritated himself, he answered, “Pay attention to what? Come on, Jewel, some fancy folk-dancing outfit calls itself the League for Artsy Amusements—”
“Archaic Pleasures,” Julie said. “Incorporated, with fourth-class mailing privileges.” Her eyes were on the pavane again, and her fingers had never left their blind work in the cold grass. “And they aren’t folk dancers.”
“Oh, right,” Farrell said. “They have wars over the queen’s garter belt. I forgot. What else do they do?”
“It was the War of the Queen Mother’s Boots—and it was a very serious matter.” She began to laugh, leaning against him. “They stage tilts,” she said. “Tournaments. That’s what that helm was for, and the chain mail.”
“You mean jousting?”
Julie shook her head. “Not jousts. Jousts are on horseback, and it just gets too dangerous. But they have all the rest of it—sword fights, quarterstaff matches, shooting at the wand, even mêlées.” The torchlight turned the dancers and musicians to slippery bronze shadows; the darkness made momentary candles of kirtles and plumes. Julie went on, “It isn’t all fighting, like Hyperborea. Some of the men never fight at all—they join for the music or the dressing up, they become bards, they do research on heraldry, calligraphy, court procedure, even on the way people cooked and the games they played. But there wouldn’t be a League without the tilts.”
Prowling gracefully by with a very young girl in a plain blue houppelande, Garth de Montfaucon looked over his shoulder at them. Farrell said, “Hyperborea?”
“That’s the Sacramento chapter. There’s another one in Los Angeles, the Kingdom Under the Hill. We are the Kingdom of Huy Braseal.”
She said the name with a slightly mocking flourish, but Farrell felt a sudden odd little shiver inside himself, a dainty tickle of ice under his skin. He had felt it earlier, in the moment when Garth’s sword had whimpered from its sheath. He asked, “Since when have you been mixed up with all this? How long have these people been around?”
“Ten or twelve years. Huy Braseal, anyway—the others started up later.” Two huge Afghan hounds, one black, one golden, lolloped among the dancers, their grinning loutishness and primrose eyes somehow turning the pavane altogether into a tapestry fragment glowing far away. Julie said, “I’ve been involved for a couple of years, on and off. Nancy got me into it, the Lady Criseyde. She’s in Graduate Admissions.”
Farrell said slowly, “The armor on your bed, that was real. What about the swords and axes and stuff?”
“Rattan, mostly. It’s like wicker, only heavier. A few people still use regular softwood, I think—pine and so on.”
“Not old Sir Turkish Delight,” Farrell said. “The boy with the trick mustache. That was a realie he was waving around.”
“Oh, that’s just Garth showing off,” she answered scornfully. “He always brings Joyeuse to the dances. They have very strict rules about all that. You’re not allowed to fight with anything that’ll take an edge, but it has to hit hard enough so that it would cut armor if it were sharp. The way it works out, the weapons aren’t quite real enough to kill you—just to break a hand or a rib now and then. It’s a touchy point with the Brotherhood of Swordsmiths.”
“I’ll bet,” he said. “What a thing. Are you a brother swordsmith?”
“No, I’m in the Artisans’ Fellowship. We’re the ones who make the clothes and the household banners, paint the shields, and whatever else people commission us to do. I don’t make armor anymore; I just did that when I began with the League.”
The owl was back, moth-gray in the moonlight, wheeling and stooping above the pavane, calling thinly in what Farrell was sure was anger at finding its hunting grounds so utterly occupied. Julie pointed King Bohemond out to him—a stocky, balding, youngish man wearing a long purple tunic and cope, both garments cut and heavily embroidered in the Byzantine manner. He was standing with three other men—the red Tudor was one of them—under a tree just beyond the clearing. Farrell asked, “How do you get to be a king in Huy Braseal?”
“Armed combat,” Julie said. “The same way you win your knighthood or become one of the Nine Dukes. There are a few rituals and trials to go through, but everything comes down to fighting. Bohemond’s only been king for a couple of months, since the Twelfth Night Tourney.”
The pavane ended with a bone-whistle trill of the crumhorns and a lingering sunset flare of cloaks and plumed caps. Farrell saw that Garth de Montfaucon made as long and deep a reverence to the musicians as anyone there; but the young girl beside him stood up in her blue gown with a slender, edged arrogance that seemed to make the kerosene flames bow down together. Farrell could not see her face.
“Who’s that?” he asked. The girl turned suddenly, saying something to Garth and brushing back a lion-colored wilderness of hair with her forearm. Beside him Julie said quietly, “Aiffe,” and the small sound was like the rustle of wings.
“Aha,” Farrell said. “Aiffe of Scotland.” At this distance, his only impressions were of the fierce hair, of skin tanned almost to the same dusty shade, and of a slight, long-waisted form whose step on the earth made him remember once watching a rainstorm coming toward him across a mountain lake. It was the most elegant motion he had ever seen—a languorous pavane over the water—and nothing could have stopped it. “I know that name,” he said. “There’s a story about Aiffe.”