Silvere and Miette were still looking at each other. Silvere had remained by the corpse, through all the fusillade and the howls of agony, without even turning his head. He was only conscious of the presence of some men around him, and, from a feeling of modesty, he drew the red banner over Miette's breast. Then their eyes still continued to gaze at one another.
The conflict, however, was at an end. The death of the receiver of taxes had satiated the soldiers. Some of these ran about, scouring every corner of the esplanade, to prevent the escape of a single insurgent. A gendarme who perceived Silvere under the trees, ran up to him, and seeing that it was a lad he had to deal with, called: "What are you doing there, youngster?"
Silvere, whose eyes were still fixed on those of Miette, made no reply.
"Ah! the bandit, his hands are black with powder," the gendarme exclaimed, as he stooped down. "Come, get up, you scoundrel! You know what you've got to expect."
Then, as Silvere only smiled vaguely and did not move, the other looked more attentively, and saw that the corpse swathed in the banner was that of a girl.
"A fine girl; what a pity!" he muttered. "Your mistress, eh? you rascal!"
Then he made a violent grab at Silvere, and setting him on his feet led him away like a dog that is dragged by one leg. Silvere submitted in silence, as quietly as a child. He just turned round to give another glance at Miette. He felt distressed at thus leaving her alone under the trees. For the last time he looked at her from afar. She was still lying there in all her purity, wrapped in the red banner, her head slightly raised, and her big eyes turned upward towards heaven.
CHAPTER VI
It was about five o'clock in the morning when Rougon at last ventured to leave his mother's house. The old woman had gone to sleep on a chair. He crept stealthily to the end of the Impasse Saint-Mittre. There was not a sound, not a shadow. He pushed on as far as the Porte de Rome. The gates stood wide open in the darkness that enveloped the slumbering town. Plassans was sleeping as sound as a top, quite unconscious, apparently, of the risk it was running in allowing the gates to remain unsecured. It seemed like a city of the dead. Rougon, taking courage, made his way into the Rue de Nice. He scanned from a distance the corners of each successive lane; and trembled at every door, fearing lest he should see a band of insurgents rush out upon him. However, he reached the Cours Sauvaire without any mishap. The insurgents seemed to have vanished in the darkness like a nightmare.
Pierre then paused for a moment on the deserted pavement, heaving a deep sigh of relief and triumph. So those rascals had really abandoned Plassans to him. The town belonged to him now; it slept like the foolish thing it was; there it lay, dark and tranquil, silent and confident, and he had only to stretch out his hand to take possession of it. That brief halt, the supercilious glance which he cast over the drowsy place, thrilled him with unspeakable delight. He remained there, alone in the darkness, and crossed his arms, in the attitude of a great general on the eve of a victory. He could hear nothing in the distance but the murmur of the fountains of the Cours Sauvaire, whose jets of water fell into the basins with a musical plashing.
Then he began to feel a little uneasy. What if the Empire should unhappily have been established without his aid? What if Sicardot, Garconnet, and Peirotte, instead of being arrested and led away by the insurrectionary band, had shut the rebels up in prison? A cold perspiration broke out over him, and he went on his way again, hoping that Felicite would give him some accurate information. He now pushed on more rapidly, and was skirting the houses of the Rue de la Banne, when a strange spectacle, which caught his eyes as he raised his head, riveted him to the ground. One of the windows of the yellow drawing- room was brilliantly illuminated, and, in the glare, he saw a dark form, which he recognized as that of his wife, bending forward, and shaking its arms in a violent manner. He asked himself what this could mean, but, unable to think of any explanation, was beginning to feel seriously alarmed, when some hard object bounded over the pavement at his feet. Felicite had thrown him the key of the cart-house, where he had concealed a supply of muskets. This key clearly signified that he must take up arms. So he turned away again, unable to comprehend why his wife had prevented him from going upstairs, and imagining the most horrible things.
He now went straight to Roudier, whom he found dressed and ready to march, but completely ignorant of the events of the night. Roudier lived at the far end of the new town, as in a desert, whither no tidings of the insurgents' movements had penetrated. Pierre, however, proposed to him that they should go to Granoux, whose house stood on one of the corners of the Place des Recollets, and under whose windows the insurgent contingents must have passed. The municipal councillor's servant remained for a long time parleying before consenting to admit them, and they heard poor Granoux calling from the first floor in a trembling voice:
"Don't open the door, Catherine! The streets are full of bandits."
He was in his bedroom, in the dark. When he recognised his two faithful friends he felt relieved; but he would not let the maid bring a lamp, fearing lest the light might attract a bullet. He seemed to think that the town was still full of insurgents. Lying back on an arm-chair near the window, in his pants, and with a silk handkerchief round his head, he moaned: "Ah! my friends, if you only knew!-I tried to go to bed, but they were making such a disturbance! At last I lay down in my arm-chair here. I've seen it all, everything. Such awful- looking men; a band of escaped convicts! Then they passed by again, dragging brave Commander Sicardot, worthy Monsieur Garconnet, the postmaster, and others away with them, and howling the while like cannibals!"
Rougon felt a thrill of joy. He made Granoux repeat to him how he had seen the mayor and the others surrounded by the "brigands."
"I saw it all!" the poor man wailed. "I was standing behind the blind. They had just seized Monsieur Peirotte, and I heard him saying as he passed under my window: 'Gentlemen, don't hurt me!' They were certainly maltreating him. It's abominable, abominable."
However, Roudier calmed Granoux by assuring him that the town was free. And the worthy gentleman began to feel quite a glow of martial ardour when Pierre informed him that he had come to recruit his services for the purpose of saving Plassans. These three saviours then took council together. They each resolved to go and rouse their friends, and appoint a meeting at the cart-shed, the secret arsenal of the reactionary party. Meantime Rougon constantly bethought himself of Felicite's wild gestures, which seemed to betoken danger somewhere. Granoux, assuredly the most foolish of the three, was the first to suggest that there must be some Republicans left in the town. This proved a flash of light, and Rougon, with a feeling of conviction, reflected: "There must be something of Macquart's doing under all this."
An hour or so later the friends met again in the cart-shed, which was situated in a very lonely spot. They had glided stealthily from door to door, knocking and ringing as quietly as possible, and picking up all the men they could. However, they had only succeeded in collecting some forty, who arrived one after the other, creeping along in the dark, with the pale and drowsy countenances of men who had been violently startled from their sleep. The cart-shed, let to a cooper, was littered with old hoops and broken casks, of which there were piles in every corner. The guns were stored in the middle, in three long boxes. A taper, stuck on a piece of wood, illumined the strange scene with a flickering glimmer. When Rougon had removed the covers of the three boxes, the spectacle became weirdly grotesque. Above the fire-arms, whose barrels shown with a bluish, phosphorescent glitter, were outstretched necks and heads that bent with a sort of secret fear, while the yellow light of the taper cast shadows of huge noses and locks of stiffened hair upon the walls.