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He had forgotten his first building, and the fear and doubt of its birth. He had learned that it was so simple. His clients would accept anything, so long as he gave them an imposing facade, a majestic entrance and a regal drawing room, with which to astound their guests. It worked out to everyone's satisfaction: Keating did not care so long as his clients were impressed, the clients did not care so long as their guests were impressed, and the guests did not care anyway.

Mrs. Keating rented her house in Stanton and came to live with him in New York. He did not want her; he could not refuse — because she was his mother and he was not expected to refuse. He met her with some eagerness; he could at least impress her by his rise in the world. She was not impressed; she inspected his rooms, his clothes, his bank books and said only: "It'll do, Petey — for the time being."

She made one visit to his office and departed within a half-hour. That evening he had to sit still, squeezing and cracking his knuckles, for an hour and a half, while she gave him advice. "That fellow Whithers had a much more expensive suit than yours, Petey. That won't do. You've got to watch your prestige before those boys. The little one who brought in those blueprints — I didn't like the way he spoke to you ... Oh, nothing, nothing, only I'd keep my eye on him ... The one with the long nose is no friend of yours ... Never mind, I just know ... Watch out for the one they called Bennett. I'd get rid of him if I were you. He's ambitious. I know the signs ... "

Then she asked:

"Guy Francon ... has he any children?"

"One daughter."

"Oh ... " said Mrs. Keating. "What is she like?"

"I've never met her."

"Really, Peter," she said, "it's downright rude to Mr. Francon if you've made no effort to meet his family."

"She's been away at college, Mother. I'll meet her some day. It's getting late, Mother, and I've got a lot of work to do tomorrow ... "

But he thought of it that night and the following day. He had thought of it before and often. He knew that Francon's daughter had graduated from college long ago and was now working on the Banner, where she wrote a small column on home decoration. He had been able to learn nothing else about her. No one in the office seemed to know her. Francon never spoke of her.

On that following day, at luncheon, Keating decided to face the subject.

"I hear such nice things about your daughter," he said to

Francon. "Where did you hear nice things about her?" Francon asked ominously.

"Oh, well, you know how it is, one hears things. And she writes brilliantly."

"Yes, she writes brilliantly." Francon's mouth snapped shut.

"Really, Guy, I'd love to meet her."

Francon looked at him and sighed wearily.

"You know she's not living with me," said Francon. "She has an apartment of her own — I'm not sure that I even remember the address ... Oh, I suppose you'll meet her some day. You won't like her, Peter."

"Now, why do you say that?"

"It's one of those things, Peter. As a father I'm afraid I'm a total failure ... Say, Peter, what did Mrs. Mannering say about that new stairway arrangement?"

Keating felt angry, disappointed — and relieved. He looked at Francon's squat figure and wondered what appearance his daughter must have inherited to earn her father's so obvious disfavor. Rich and ugly as sin — like most of them, he decided. He thought that this need not stop him — some day. He was glad only that the day was postponed. He thought, with new eagerness, that he would go to see Catherine tonight.

Mrs. Keating had met Catherine in Stanton. She had hoped that Peter would forget. Now she knew that he had not forgotten, even though he seldom spoke of Catherine and never brought her to his home. Mrs. Keating did not mention Catherine by name. But she chatted about penniless girls who hooked brilliant young men, about promising boys whose careers had been wrecked by marriage to the wrong woman; and she read to him every newspaper account of a celebrity divorcing his plebeian wife who could not live up to his eminent position.

Keating thought, as he walked toward Catherine's house that night, of the few times he had seen her; they had been such unimportant occasions, but they were the only days he remembered of his whole life in New York.

He found, in the middle of her uncle's living room, when she let him in, a mess of letters spread all over the carpet, a portable typewriter, newspapers, scissors, boxes and a pot of glue.

"Oh dear!" said Catherine, flopping limply down on her knees in the midst of the litter. "Oh dear!"

She looked up at him, smiling disarmingly, her hands raised and spread over the crinkling white piles. She was almost twenty now and looked no older than she had looked at seventeen.

"Sit down, Peter. I thought I'd be through before you came, but I guess I'm not. It's Uncle's fan mail and his press clippings. I've got to sort it out, and answer it and file it and write notes of thanks and ... Oh, you should see some of the things people write to him! It's wonderful. Don't stand there. Sit down, will you? I'll be through in a minute."

"You're through right now," he said, picking her up in his arms, carrying her to a chair.

He held her and kissed her and she laughed happily, her head buried on his shoulder. He said:

"Katie, you're an impossible little fool and your hair smells so nice!"

She said: "Don't move, Peter. I'm comfortable."

"Katie, I want to tell you, I had a wonderful time today. They opened the Bordman Building officially this afternoon. You know, down on Broadway, twenty-two floors and a Gothic spire. Francon had indigestion, so I went there as his representative. I designed that building anyway and ... Oh, well, you know nothing about it."

"But I do, Peter. I've seen all your buildings. I have pictures of them. I cut them out of the papers. And I'm making a scrap-book, just like Uncle's. Oh, Peter, it's so wonderful!"

"What?"

"Uncle's scrapbooks, and his letters ... all this ... " She stretched her hands out over the papers on the floor, as if she wanted to embrace them. "Think of it, all these letters coming from all over the country, perfect strangers and yet he means so much to them. And here I am, helping him, me, just nobody, and look what a responsibility I have! It's so touching and so big, what do they matter — all the little things that can happen to us? — when this concerns a whole nation!"

"Yeah? Did he tell you that?"

"He told me nothing at all. But you can't live with him for years without getting some of that ... that wonderful selflessness of his." He wanted to be angry, but he saw her twinkling smile, her new kind of fire, and he had to smile in answer.

"I'll say this, Katie: it's becoming to you, becoming as hell. You know, you could look stunning if you learned something about clothes. One of these days, I'll take you bodily and drag you down to a good dressmaker. I want you to meet Guy Francon some day. You'll like him."

"Oh? I thought you said once that I wouldn't."

"Did I say that? Well, I didn't really know him. He's a grand fellow. I want you to meet them all. You'd be ... hey, where are you going?" She had noticed the watch on his wrist and was edging away from him.

"I ... It's almost nine o'clock, Peter, and I've got to have this finished before Uncle Ellsworth gets home. He'll be back by eleven, he's making a speech at a labor meeting tonight. I can work while we're talking, do you mind?"

"I certainly do! To hell with your dear uncle's fans! Let him untangle it all himself. You stay just where you are."

She sighed, but put her head on his shoulder obediently. "You mustn't talk like that about Uncle Ellsworth. You don't understand him at all. Have you read his book?"