"I wonder," said Keating wistfully, "what he'll say about me, when the times comes."
"What on earth does he mean by the symbolic significance stuff and the stringcourses of men's brotherhood? ... Oh, well, if that's what he praises us for, we should worry!"
"It's the critic's job to interpret the artist, Mr. Francon, even to the artist himself. Mr. Toohey has merely stated the hidden significance that was subconsciously in your own mind."
"Oh," said Francon vaguely. "Oh, do you think so?" he added brightly. "Quite possible ... Yes, quite possible ... You're a smart boy, Peter."
"Thank you, Mr. Francon." Keating made a movement to rise.
"Wait. Don't go. One more cigarette and then we'll both return to the drudgery."
Francon was smiling over the article, reading it again. Keating had never seen him so pleased; no drawing in the office, no work accomplished had ever made him as happy as these words from another man on a printed page to be read by other eyes.
Keating sat easily in a comfortable chair. His month with the firm had been well spent. He had said nothing and done nothing, but the impression had spread through the office that Guy Francon liked to see this particular boy sent to him whenever anyone had to be sent. Hardly a day passed without the pleasant interlude of sitting across the desk from Guy Francon, in a respectful, growing intimacy, listening to Francon's sighs about the necessity of being surrounded by men who understood him.
Keating had learned all he could team about Guy Francon, from his fellow draftsmen. He had teamed that Guy Francon ate moderately and exquisitely, and prided himself on the title of gourmet; that he had graduated with distinction from the École des Beaux-Arts; that he had married a great deal of money and that the marriage had not been a happy one; that he matched meticulously his socks with his handkerchiefs, but never with his neckties; that he had a great preference for designing buildings of gray granite; that he owned a quarry of gray granite in Connecticut, which did a thriving business; that he maintained a magnificent bachelor apartment done in plum-colored Louis XV; that his wife, of a distinguished old name, had died, leaving her fortune to their only daughter, that the daughter, now nineteen, was away at college.
These last facts interested Keating a great deal. He mentioned to Francon, tentatively in passing, the subject of his daughter. "Oh, yes ... " Francon said thinly. "Yes, indeed ... " Keating abandoned all further research into the matter, for the time being; Francon's face had declared mat the thought of his daughter was painfully annoying to him, for some reason which Keating could not discover.
Keating had met Lucius N. Heyer, Francon's partner, and had seen him come to the office twice in three weeks, but had been unable to learn what service Heyer rendered to the firm. Heyer did not have haemophilia, but looked as though he should have it He was a withered aristocrat, with a long, thin neck, pate, bulging eyes and a manner of frightened sweetness toward everyone. He was the relic of an ancient family, and it was suspected mat Francon had taken him into partnership for the sake of his social connections. People felt sorry for poor dear Lucius, admired him for the effort of undertaking a professional career, and thought it would be nice to let him build their homes. Francon built them and required no further service from Lucius. This satisfied everybody.
The men in the drafting rooms loved Peter Keating. He made them feel as if he had been there for a long time; he had always known how to become part of any place he entered; he came soft and bright as a sponge to be filled, unresisting, with the air and the mood of the place. His warm smile, his gay voice, the easy shrug of his shoulders seemed to say that nothing weighed too much within his soul and so he was not one to blame, to demand, to accuse anything.
As he sat now, watching Francon read the article, Francon raised his head to glance at him. Francon saw two eyes looking at him with immense approval — and two bright little points of contempt in the corners of Keating's mouth, like two musical notes of laughter visible the second before they were to be heard. Francon felt a great wave of comfort. The comfort came from the contempt. The approval, together with that wise half-smile, granted him a grandeur he did not have to earn; a blind admiration would have been precarious; a deserved admiration would have been a responsibility; an undeserved admiration was precious.
"When you go, Peter, give this to Miss Jeffers to put in my scrapbook."
On his way down the stairs, Keating flung the magazine high in the air and caught it smartly, his lips pursed to whistle without sound.
In the drafting room he found Tim Davis, his best friend, slouched despondently over a drawing. Tim Davis was the tall, blond boy at the next table, whom Keating had noticed long ago, because he had known, with no tangible evidence, but with certainty, as Keating always knew such things, that this was the favored draftsman of the office. Keating managed to be assigned, as frequently as possible, to do parts of the projects on which Davis worked. Soon they were going out to lunch together, and to a quiet little speak-easy after the day's work, and Keating was listening with breathless attention to Davis' talk about his love for one Elaine Duffy, not a word of which Keating ever remembered afterward.
He found Davis now in black gloom, his mouth chewing furiously a cigarette and a pencil at once. Keating did not have to question him. He merely bent his friendly face over Davis' shoulder. Davis spit out the cigarette and exploded. He had just been told that he would have to work overtime tonight, for the third time this week.
"Got to stay late, God knows how late! Gotta finish this damn tripe tonight!" He slammed the sheets spread before him. "Look at it! Hours and hours and hours to finish it! What am I going to do?"
"Well, it's because you're the best man here, Tim, and they need you."
"To hell with that! I've got a date with Elaine tonight! How'm I going to break it? Third time! She won't believe me! She told me so last time! That's the end! I'm going up to Guy the Mighty and tell him where he can put his plans and his job! I'm through!"
"Wait," said Keating, and leaned closer to him. "Wait! There's another way. I'll finish them for you."
"Huh?"
"I'll stay. I'll do them. Don't be afraid. No one'll tell the difference."
"Pete! Would you?"
"Sure. I've nothing to do tonight. You just stay till they all go home, then skip."
"Oh, gee, Pete!" Davis sighed, tempted. "But look, if they find out, they'll can me. You're too new for this kind of job."
"They won't find out."
"I can't lose my job, Pete. You know I can't. Elaine and I are going to be married soon. If anything happens ... "
"Nothing will happen."
Shortly after six, Davis departed furtively from the empty drafting room, leaving Keating at his table.
Bending under a solitary green lamp. Keating glanced at the desolate expanse of three long rooms, oddly silent after the day's rush, and he felt that he owned them, that he would own them, as surely as the pencil moved in his hand.
It was half past nine when he finished the plans, stacked them neatly on Davis' table, and left the office. He walked down the street, glowing with a comfortable, undignified feeling, as though after a good meal. Then the realization of his loneliness struck him suddenly. He had to share this with someone tonight. He had no one. For the first time he wished his mother were in New York. But she had remained in Stanton, awaiting the day when he would be able to send for her. He had nowhere to go tonight, save to the respectable little boardinghouse on West Twenty-Eighth Street, where he could climb three flights of stairs to his clean, airless little room. He had met people in New York, many people, many girls, with one of whom he remembered spending a pleasant night, though he could not remember her last name; but he wished to see none of them. And then he thought of Catherine Halsey.