For a second, Elson is wearing his old face. "How does your father come to have a bucket of rubies?"
"Same as Peachy," Rafferty says. "He won them in a horse race."
44
Ping, Rose, Milk Shake, Tooth, Gun
In the middle of the wettest, warmest tangle of arms, legs, and hearts of his entire life, Rafferty is barely aware of the torrent of Thai coming from Miaow, perhaps two hundred words a minute, far too fast for him to catch more than a phrase or a name or two: Ping, Rose, milk shake, tooth, gun. All he can do is hold on, Rose on his right and Miaow on his left, but now they're a circle, and so Miaow is, as always, in the middle. Where she needs to be.
The circle opens to absorb Fon and Lek, both of them crying like children, and closes again. With the rain hammering down, the five of them squeeze together even more tightly, the two half-naked women no longer feeling the cold, and then the arms open a second time, and there is someone there who feels new, someone who smells new to Rafferty's heightened senses, and they wrap themselves around Ming Li. The sky cracks, a fork of lightning fingering its way down, followed by a sound like someone crumpling iron.
With the thunder, Poke feels Rose straighten, remove her arm from his shoulder, and pull away. He looks at her. With her other arm still around Miaow, she is gazing beyond him. Rafferty turns his head to see Frank. His father stands sideways to the group, not even sheltering from the rain. He faces back down the alley between the warehouses, where it all happened.
Something warm fills Rafferty's chest, and suddenly there are words in his mouth. And then he looks again at his father's profile, so familiar and so strange, a face he had thought was permanently turned away, and he can't say them. He swallows, so hard it feels as though he is forcing the words down.
Rose says, "Mr. Rafferty?"
Frank turns, and Rose raises the arm that had been around Rafferty, inviting him in. Frank stands there, not moving, until Rafferty steps aside, closer to Fon, expanding the space between him and Rose. Raf- ferty lifts his arm exactly as Rose has, the space between them wide and welcoming, and he hears something catch and break in Ming Li's throat. Slowly, like a man approaching a door he thinks will be locked, Frank joins the circle. It closes around him. THE CAR IS even more crowded on the way out: Fon sits in Lek's lap and Ming Li in Frank's. Miaow has spread herself across both Rafferty's and Rose's laps, dead weight against them. She fell asleep the moment the car door slammed shut.
Leung is at the wheel. Noi is slumped against the front passenger door, next to Frank. Rafferty can hear her breath whistling in her throat.
With a last look back, Leung puts the car in gear and heads for the gates.
The silence in the car is a kind of warmth, a comforting insulation that makes the events of the last hour seem very distant, perhaps not even real. What's real now is a car jammed with people, bunched up against each other as though by choice, the steam of breath on window glass, the walls of the warehouses as they slide by in the headlights.
Frank suddenly sits upright and looks back, and Rafferty cranes his neck around, expecting the nightmare to reemerge: men with guns, Chu free somehow, looming out of the darkness with his slicker flapping around him, but he sees nothing. And then Frank begins to laugh.
"What?" Ming Li asks. "What is it?"
"Nothing important," Frank says, and then he laughs again. "I forgot my rubies."
45
White
He has been underground a long time. Stones push down on his chest. Some of them have been sharpened to points. Every time he breathes, he has to push the stones up with his chest to make room for the air. The air smells surprisingly of linoleum, alcohol, something unidentifiable that's as sweet and heavy as syrup, and, floating on top of all the other smells, a razor-sharp note of fresh linen.
The light comes closer. It seems to be finding its way by touch, spreading pale tendrils in all directions: forward, left and right, up and down, but always moving toward him. He waits, pushing up the stones with every half breath, watching the light extend itself toward him, now not so much smoke as a shining vine. When the vine reaches him, it will wrap itself around him, put down microscopic roots, fill him with light. Once he is charged with light, feels it surging tidally through his body until he is radiant with it, he will be able to lift the stones.
The bum-BUM noise has increased in frequency, faster now, and
White. The white-clad doctor, at the head of the bed now, reaching up. A gentle tug at the wrist, no more intense than a fly landing on it. The doctor has a clear plastic bag in one hand, filled with a liquid as transparent as water. In the other hand is a hypodermic syringe.
The policeman comes closer, watching the doctor. He is close enough for the man on the bed to see his face, a new face, a face he doesn't know, and to read the name tag on the uniform. The name tag says PETCHARA.
Arthit's eyes open wider as the doctor inserts the syringe into the top of the clear IV bag and pushes the plunger. Something-some tensing in his body-brings Petchara's eyes down to the bed, and he starts to speak, but Arthit rides a bolt of ten thousand volts of neural electricity to rip the intravenous needle from his own wrist and shove it into Petchara's thigh, while with his other hand he grabs the clear plastic bag and squeezes. Petchara leaps away, and Arthit lets the bag drop and sees the policeman stagger, dragging the bag with him, until his back hits the window where dawn is announcing itself, and finally it occurs to him to yank the needle. He stares at it in his hand, stares at the mostly empty bag, and then all his muscles let go, and he drops, loose-jointed and as awkward as a marionette, to the floor.
The doctor is already out the door when Arthit finds and pushes the big red button on the side of his bed. He can no longer hold his head up. His vision blurs and darkens at the edges, narrows, and the room disappears, leaving nothing but the rectangle of dawn, more orange now, framed by the window.
He sleeps.
46
Monsoon Christmas
Frank's a bonanza," Elson says. "Monsoon Christmas." He is seated comfortably on an uncomfortable chair as angular and uncompromising as he is, his black suit soaking up a surprising amount of the light streaming through the window behind him. The chair, just strips of black leather on a chromium frame, looks like he designed it. "Frank's the kind of gift that makes you wonder what you've been doing right all your life, why you deserve this. I mean, we're going to be able to dam up one major river of counterfeit into this awful country, without the North Koreans even knowing it, for a few months at least."
He bounces a couple of times in the uncomfortable chair, just out of enthusiasm. He's doing something with his mouth that might pass for a smile if the room was a little dimmer. "And it's extra-good we've got Frank, because Chu's not talking. And I mean not at all. On the other hand, we've got the other cop, the one who was dressed like a doctor, and he can't stop talking. He talks even when there's no one else in the room. Seems to think we're going to send him to Syria for interrogation." Elson rubs his hands together. "And there's all that fake money."
"For example," Rafferty says, "about Frank. What kind of things has he given you?"
"Frank," Elson says in the tone Miaow uses to say chocolate. "Well, Frank's just something that happens maybe once in a decade. He's given us fucking flow charts of the counterfeiting structure. A map of routes used to take money out of China, routes we can seal up. He's given us a bank in Harbin, China, owned by his former… um, company, that's a central distribution point, a bank we can crack into electronically. It'll let us put enough pressure on the North Koreans that the cash flow will dry up. No more cognac, no more new cars for the fat cats. It's probably enough to bring them back to the negotiating table."