“You do.”
“And I said, as I recall, ‘You’re telling me.’” Arthit’s hard gaze doesn’t waver. “Maybe someone should be recording this conversation. That way we’ll only have to have it once.”
“In an hour or two, somebody probably will be recording it.”
Rafferty grabs a breath and lifts both hands. “Okay, okay. Let’s admit I came in here with a bad attitude. So let’s pretend I didn’t, and that I’ve just this second come through that door with a big smile on my face and offered you a beer. ‘Hi, Arthit,’ I said. ‘What a nice surprise to see you again so soon.’ Something like that. Would that make anything better?”
“No,” Arthit says.
Rose comes in from the bedroom and stops at the sight of him. “Poke,” she says. “We have a problem.”
Rafferty is struck by a bolt of pure panic. “Miaow? Is it Miaow?”
“No,” Arthit says, his face softening slightly. “It’s not Miaow.”
“Okay,” Rafferty says. His spine loosens a bit. “Rose is here, Miaow is all right. How bad could it be?”
“Bad,” Arthit says. Peachy contributes a stifled sob. Arthit looks at her as though he’s just realized she’s in the room and says, “I shouldn’t be here.”
“He came because I called him,” Rose says. She is speaking Thai. “I didn’t know who else I could-”
“He’s a great guy,” Rafferty says. “We don’t even need to vote on it. What the hell is wrong?”
“I really should leave,” Arthit says. “This is completely inappropriate.”
“Poke taught me that word last night,” Rose says. “It means you slept with a poodle, isn’t that right, Poke?”
“Yes, although I wasn’t applying it to Arthit. What do you mean, you should leave? And why the hell isn’t there anywhere for me to sit? I have no intention of taking bad news standing up.” He moves toward the couch, and Peachy shrivels in a manner so abject that Rafferty is instantly ashamed of himself. “Did we sell the hassock?” he asks Rose.
“It’s in the bedroom. I was standing on it. To hide something.”
“I really shouldn’t be here,” Arthit says, making no move to leave.
“I’ll get it,” Rose says, leaving the room.
“While you’re at it,” Rafferty calls after her, “bring whatever you were hiding.”
“For the record,” Arthit says, “I did not suggest that she hide it.” He sounds like he’s on television.
“Well, gee, I hope that gets you off the hook, whatever the hook is. Do you want a beer?”
“I guess,” Arthit says. “This is as good a time to be drunk as any.”
When Rafferty comes out of the kitchen, a bottle of Singha in each hand, Rose is standing by the white leather hassock, clutching a wrinkled brown paper supermarket bag. Peachy is staring at the bag as though it has a red digital countdown on its side, signaling the number of seconds before the world ends.
Rafferty hands Arthit one of the beers and takes a long pull off the other one. Then, as insurance, he takes another long pull and sits down on the hassock. Rose gives him the bag, and he opens it.
He sees rectangles, green and white and brown and white, a loose, disordered pile of them. Closes his eyes, squeezes them tight, opens them wide, and looks again. Nothing has changed.
“Thirty-two thousand dollars,” Arthit says. “Six hundred thousand baht, all in thousand-baht notes, and one hundred fifty American hundred-dollar bills. All brand new. And, since it’s almost certainly counterfeit, it’s exactly what Agent Elson is looking for.”
“In the desk,” Peachy is saying. She claws her fingers through her hair again, snags them on the same clot of hairspray, and lets her hand drop. “The middle drawer. Rose knows. It’s the drawer I keep the account books in.”
“That’s right,” Rose says. “We advance money to the girls when they’re short, and that’s where Peachy puts the book we track it in.”
“Is the desk kept locked?” Rafferty asks. He is on the floor now, leaning against the wall. Rose shares the couch with Peachy, who is finally sitting upright.
“No.” Peachy starts toward the hair again and stops herself. “There’s no reason to lock it. Nobody would go into it.”
“Someone obviously did.”
“Why were you in the office?” Arthit asks. He has replaced Rafferty on the hassock, which he sees as a position of greater authority, and is working on his second beer. His face is beginning to turn red. Two more and he’ll look like a stop sign.
“Why? It’s my office.” Peachy sounds bewildered by the question.
“On Saturday,” Rafferty says. “He means, why were you in the office on Saturday?”
Peachy starts to answer, then shakes her head as though this is leading somewhere she doesn’t want to go. “I’m always in the office. I go in every day.”
“Why?” Arthit says.
“Because. . because. .” She blinks heavily, and then her face seems to crumple, and Rafferty knows she is moments away from tears. “Where else would I go? What else would I do?”
“Family?” Arthit asks.
“Oh,” Peachy says. “That.” Her lower lip does a watery little ripple. “We, I mean, I- Well, not really, you know, I mean. .” She undoes a button with shaky fingers and does it up again. “I spend a lot of time in the office.”
“Okay,” Arthit says uncomfortably. “Sorry. So when you left on Friday-”
“Last night,” Peachy says, and Rafferty suddenly sits up. All this started only last night? The proposal to Rose, Agent Elson, his father, the money? All since last night?
“When you left the office last night,” Arthit says. “Was everything normal? I mean, was the place the way you usually leave it?”
“Sure,” Peachy says.
“And did you lock the door?”
“I always lock the door.” The questions seem to be calming her.
“This morning, when you went in- Wait, what time did you arrive?”
“About eleven.” The hand goes up again, but this time it pats the hair instead of ravaging it.
“At eleven, then. Was the door still locked?”
“Yes. I had to use both keys to get in.”
“And you double-locked it when you left.”
Rafferty sits there, admiring Arthit at work.
Peachy’s eyes go unfocused, as though she is doing addition in her head. “I think so. I usually do. But sometimes I forget.”
Arthit has been sneaking a hit of beer while Peachy thinks, and now he lowers the bottle. “Who else has a key?”
“Um. .” Peachy says. A blush mounts her cheeks. Her eyes rove the room like someone looking for an exit. She passes her index finger over her front teeth and inspects it, scanning for lipstick. Then she says, “Who else has. .”
“I do,” Rose says.
“Yes,” Peachy says, looking relieved. “Rose. Rose does.”
“Nobody else.”
“The landlord,” Rose says.
“Who’s the landlord?” Arthit asks.
“Somkid Paramet,” Peachy says, naming one of the richest men in Bangkok. “He owns the whole block.”
“Scratch the landlord,” Rafferty says.
Arthit tugs at the crease in his trousers and stares longingly at the bottle of beer in his hand. “When does the cleaning crew come in?”
“Never,” Rose says. “Peachy and I clean the place on Mondays. We go in early.”
“Rose does most of the cleaning,” Peachy says apologetically. “When I was growing up, I never learned how to clean properly. And my husband, my former husband’s family, they. .”
Arthit’s eyes flick to Rafferty, who finds something interesting to study on the carpet. Rose admires the ceiling. Peachy’s genteel upbringing has been a frequent topic of conversation among them. “And when you went in this morning, everything was still in place?”
“Except for that.” Peachy indicates the paper bag without looking at it.
“Right, right. Except for that.” Arthit sits back and stares out through the sliding glass door at the lights of Bangkok. The bottle of beer dangles from his hand, forgotten for the moment. “Well,” he says to Rafferty, without turning, “isn’t this interesting?”