“I came here,” I said, “to talk to you, to find out why you wanted me killed, and to try to convince you I didn’t do whatever it was you thought I did. I didn’t give anybody any information, I’m not in cahoots with Althea Agricola, I didn’t kill Mr. Agricola or anybody else, and I didn’t come here to kill you. I don’t know about this Mr. Mahoney, if he’s lying on purpose or he just made a mistake, but whatever it was what he said is wrong.”
“I see. Is that all?”
I could tell by his face, by his voice, that he didn’t believe me. “And to ask you,” I said, “to give me a chance to clear myself.”
“Very touching,” he said. “In other words, you would like me to let you go.”
“Yes, sir. So I can prove I’m telling the truth.”
“Surely you can see—”
“All right, everybody!” shouted a female voice from the doorway. “On your feet and get your hands up!”
Mr. Gross and I both scrambled to our feet and stuck our hands in the air. Behind me, over by the door, I could hear two thumps as Luke and Harvey dropped their guns, one of which was Tim’s little pistol.
The female voice said, “Not you, you dummy, you’re on my side, remember? Put your hands down.”
I turned around and it was Chloe there in the doorway, as wild and beautiful as a cheetah, holding the automatic in both hands. I smiled at her, put my hands down, and picked up both guns.
“Ah,” said Mr. Gross. “The beauteous Miss Althea. How do you do?”
Chapter 16
Chloe said, “I been listening in the hall, Charlie. You told him your story, and he wouldn’t believe you. Now let’s go.”
I said, “We’ve got to be careful. Trask and Slade are downstairs.”
“Who?”
So she hadn’t been listening that long. “The two guys,” I explained, “that’ve been looking for me.”
Mr. Gross said, “Young lady, I was aware the younger generation had gone astray, but to be a willing accomplice in the cold-blooded murder of your own father is, it seems to me, carrying bohemianism too far.”
Chloe gave him a look of scorn. “Don’t be any more of a moron than you have to be,” she told him.
I said, “Wait a minute. She didn’t mean that, Mr. Gross.”
She frowned at me. “I didn’t?”
“When this all over,” I told her, “I’m going to want my job back in the bar. I’m not out to fight the organization.” I turned to Mr. Gross. “You’re making a mistake, Mr. Gross,” I said. “And I’m going to prove it to you. All I want is the job I had, and to be left alone.”
“If the facts weren’t so clear, the conclusions so inescapable,” he said, “I could almost believe you. You should have been an actor.”
I said, “Mr. Gross, if I came here to kill you, why don’t I do it right now? If that’s Miss Althea there, why doesn’t she kill you right now?”
“Because of Trask and Slade downstairs,” he said reasonably. “As you just told the Farmer’s daughter, their presence means you’ll have to be careful. You can’t risk the noise of a shot.”
Chloe was looking gimlet-eyed at Mr. Gross. “What did he mean by that crack?” she wanted to know.
We both looked at her. “What crack?” I said.
“That crack about the farmer’s daughter.” She stared daggers. “Just what did you mean by that, Fatso?”
Mr. Gross looked insulted, which on him meant his face got a greenish tinge again. I said, “It wasn’t a crack. He didn’t mean anything by it. I’ll explain it later.”
“He better watch his lip,” she said.
I said, “I’m sorry, Mr. Gross, but I’m going to have to tie you and gag you. So we can get away.”
Mr. Gross said, “Harvey, call for help. Luke, you too.”
Harvey opened his mouth and said, “HELP!”
Luke did, too.
Now, that wasn’t fair. Chloe and I were the ones with the guns, we were the desperate characters. According to the rules, Mr. Gross and Luke and Harvey should all have been very quiet and very obedient and very meek. Instead, Harvey and Luke were both saying, “HELP!” not quite in unison, and under the racket Mr. Gross was looking at us with the patient smile of an inevitably victorious Lucy about to play another game of checkers with Charlie Brown.
We had our choice. We could shoot everybody and run, or we could just run.
We just ran.
“This way!” I shouted, over the shouting of Harvey and Luke, who had leaned closer together in the style of barbershop quartets and who were practically making a theme song out of HELP. I shouted my own shout, and waved my arms, and ran from the room at full tilt. Chloe came along in my wake.
I figured Trask and Slade would be coming up the front way, along with everybody else, so I headed for the back stairs, the ones I’d been brought up earlier. We leaped down the steps three and four at a time, and behind us we could hear Luke and Harvey yelling at the top of their lungs, now having worked into a kind of tempo, a sort of Sonja Henie skating-music beat. Mr. Gross was yelling, too, by now, shouting directions to somebody to do something. I could guess what.
Still, there was a chance; we did have a lead on them. At the foot of the stairs, I made a false start toward the rear door I’d come in, but then I changed my mind and my direction and headed for the front of the house instead, Chloe willy-nilly in my wake. They would all, I was hoping, figure us to go out the back way, so they’d go out the front and circle the house on both sides to get us. If we followed them out the front way, we might have the slight advantage of surprise.
I slowed down a bit, going through the ground-floor rooms, and Chloe at last caught up with me, panting and tugging at my arm. She whispered, “What are we going this way for?”
But there wasn’t time for explanations. I shook my head, and motioned for her to stick with me and ask no questions.
Ahead of us there was a closed door. I opened it, cautiously, and entered an unpopulated room full of card tables, with playing cards scattered all over their surfaces. Folding chairs stood back from the tables, as though they’d been vacated by people abruptly getting to their feet and hurrying away. Across the way, past a wide doorway, there was a hall leading to left and right, and a hubbub of conversation but no one to be seen.
I led the way, tiptoeing now, across this empty room to the doorway. I stuck my head around the corner, and down to the right I saw a cluster of people grouped around the foot of the stairs, some looking up the staircase and others looking toward the front door, which was just beyond the cluster and which was standing open. There was no more shouting now, from anywhere. Mr. Gross’s bigger-than-life wife was prominent in the middle of the cluster, a head taller than anyone else. She looked somewhat offended.
I brought my head back into the card room and whispered to Chloe, “We’re going through those people out there. Through them and out the front door and straight down the driveway and back to the car. It’s still in the same place?”
“Yes.”
“Holler and wave your gun around while we’re leaving the house,” I told her. “It’ll help clear us a path.”
She nodded. She looked intent, and excited, and very High School of Music and Art. I could have been giving her directions to find a Communist cell meeting, or a Black Mass, or a pot party, or the Egyptology room in the Fifth Avenue Library.
“Get set,” I whispered. I felt, myself, very Robert Mitchum. I had to stifle an urge to synchronize watches.
We stood poised at the threshold, like ski jumpers at the top of the slide. I hefted the guns in my two hands — my old pistol in my right, and Harvey’s automatic in my left — and then I hollered, “Let’s go!” and went racing around the corner, yelling, “Yah! Yah! Yah!” I also waved my firearm-full hands around quite a bit. Behind me I could hear Chloe shrieking like a banshee.