Walking across the park, flapping my arms and jumping up and down and running in little circles to keep warm, I tried to figure out what to do next. More than anything, I needed some place to sleep, some place to get warm in, some place where I’d be safe.
What about my mother’s apartment? There were even a couple of my old high school jackets there. I could sleep, get warm, eat something, and decide tomorrow what had to be done.
But that wasn’t any good. Hadn’t those two killers come direct to Uncle Al’s? Didn’t that mean they knew about me, knew who I’d go to, where I’d run next? They were probably on watch at my mother’s place this very minute, waiting for me to show up.
Somewhere else, then, somewhere else. Like where?
I hadn’t thought of anywhere yet by the time I reached Central Park West. I came out of the park between 62nd and 63rd streets, stood on the sidewalk there a minute, and then crossed CPW and walked down 62nd street. Not that I had any destination in mind, it was just too cold to stand still.
Somewhere, somewhere. Somebody, in fact. There had to be somebody I knew, somebody who would take me in for what was left of the night.
Then I remembered Artie Dexter. I hadn’t seen Artie for seven or eight months, since the last time he’d dropied around the Rock Grill. Artie and I went to high school together, which is when he started playing conga drum in rhythm groups weekends. Later on he spread out to guitar and folk songs, and also sold marijuana and different kinds of pills sometimes, or at least that’s the impression he’d give. I don’t know how much was true and how much was just showing off. I know sometimes he’d seem to have a lot of money, and other times he’d be completely broke. Like the last time he came out to see me in Canarsie he borrowed ten bucks from me. That’s thirty-five he owes me. I know he’s good for it.
My relationship with Artie is kind of an odd one. He was a colorful character back in high school, and colorful characters always have these hangers-on that cluster around them. I was one of the hangers-on, except for some reason Artie always liked me, so we were closer than your normal run of hero and hanger-on. After high school we still kept in touch, very occasionally, mostly with Artie showing up all of a sudden, inviting me to a party or stopping out at the bar or something like that. I suppose we could have been real good friends if I could have gotten over feeling like a hanger-on, but I never could.
Of all the people I knew, which wasn’t very many when you got right down to it, the one I figured I could most likely barge in on at four o’clock on a Wednesday morning was Artie Dexter. Nodding, flapping my arms, clicking my heels together, I moved westward across 62nd Street with a sudden new surge of purpose.
Artie lives in the Village, of course. I walked over to Broadway now, and turned left, and walked down to Columbus Circle, having taken the long way around to get there, and went down into the subway to take the first IND train that came along. The Sixth Avenue and Eighth Avenue trains separate just south of Columbus Circle, but they come back together again down at West Fourth Street and that was the stop I wanted.
It was an A train came in first, the one Billy Strayhorn wants everybody to take to Harlem. I took it the other way. The car already had about ten people in it, sour-faced guys in work clothes and two youngish bums sleeping with their mouths open.
I didn’t mind the stops (six of them) so much this time. I felt reasonably safe, for the time being.
Authors who come to New York from Majorca once every ten years to buy a new bathing suit always put down in their books that the big city never sleeps, but that’s what they know. New York sleeps, all right, from about four-thirty in the morning till about quarter after five. That’s maybe only forty-five minutes, not very long to be asleep, but it can seem like forever if you’re one of the few people awake during it. And it’s most noticeable in places like Times Square, that are so fully awake the rest of the day. Sixth Avenue is like that, right around 8th Street, at Village Square. The movies and bars are closed, the luncheonettes are closed, everything is closed. There’s no traffic, no pedestrians, and the streets westward radiating away like a fan are all narrow and dark and empty.
I hurried through this empty space, over the wide bumpy blacktop of Sixth Avenue and down a street to take me to Sheridan Square. Everything seemed so small, so narrow, it was like walking on an old movie set.
Artie Dexter lives on Perry Street, which I reached via Sheridan Square and Grove Street and a couple other streets. I don’t know half the street names in the Village and I don’t believe anybody else does either. I do know the two really great intersections in the Village, because Artie told me about them. One of them is where West Tenth Street crosses West Fourth Street, which is enough right away to make a tourist turn around and go back uptown where he belongs, and the other, which I passed on my way to Sheridan Square, is the intersection of Waverly Place and Waverly Place. You don’t have to believe me if you don’t want, but it’s true.
Anyway, hurrying through these empty artificial streets, with cold breezes ruffling my shirt sleeves, I wondered what Artie would think of me waking him up in the middle of the night like this.
I needn’t have wondered. Half a block from his place I began to hear the noise, the singing and shouting and music. It was either a party or a presidential convention. I moved closer, jazz and hilarity wafting out onto the night air as though New York hadn’t gone to sleep after all but had called in all its forces into this one tiny corner of itself to keep the old pulse going till daylight. I looked up, and saw the brightly lighted windows, and it looked as though that was Artie’s apartment.
It was. When I rang the bell downstairs, the buzzer sounded almost immediately. I pushed the door open and went upstairs to the second floor.
Party noises filled the hallway, so loud it seemed as though the partygoers must be here, in the narrow hall, all around me, invisible. I walked to the end of it and knocked on the door, but that was ridiculous. No one could hear knocking, not in there. I pushed the door open and went in.
Artie has two and a half rooms. The half is a wide closet in the living room, full of kitchen appliances. The bathroom, which doesn’t count in the “two and a half” description, is bigger than the kitchen, very, very long, with a bathtub on a raised tile platform, and with doors leading both into the bedroom and the living room.
The living room is furnished mostly in shelving, rickety shelving sagging under the weight of LP records. There’s a fireplace, with shelving over it and on both sides of it. There are two windows overlooking Perry Street, with shelving between them and under them and beyond them, and with great big speaker cabinets on top of them. Shelving flanks the hall door, the bedroom door, the bathroom door, the kitchen-closet doors. Not all of this shelving bears LPs; there are a few books, and some knickknacks and whatnots, and hi-fi components, all mixed in here and there.
With shelving on all the wall space, the furniture — a spavined sofa and a few miserable mismatched chairs and tables — is all clustered in the middle of the room, on and around an old green and yellow fiber porch carpet. The speaker systems scattered around the room all bisect amid this furniture.
At the moment, fifteen or twenty people filled the doughnut-shaped area between the furniture and the shelves, all holding drinks and all holding forth. I didn’t see anybody listening. I didn’t see anybody sitting either.
Artie himself suddenly popped up in front of me. He’s half a foot shorter than me, about five four, and since he had his teeth capped he smiles all the time, brilliantly. He never looks at any one spot for more than a tenth of a second, glances always darting here and there, so that sometimes he looks as though he’s doing a trick or maybe exercising the eye muscles. He bounces a lot, being musical, and keeps jabbing around with his hands.