Spennie's eyes opened wide.
"Praise you? How?"
"Thanks," said Wesson, with a laugh. "If you can't think of any admirable qualities in me, you'd better invent some."
"I should feel such a silly ass."
"That would be a new experience for you, wouldn't it? And then you can arrange it so that I shall get chances of talking to her. You can bring us together."
Spennie's eyes became rounder.
"You seem to have mapped out quite a programme for me."
"She'll listen to you. You can help me a lot."
"Can I?"
Wesson threw away his cigarette.
"And there's another thing," he said. "You can queer that fellow Pitt's game. She's always with him now. You must get her away from him. Run him down to her. And get him out of this place as soon as possible. You invited him here. He doesn't expect to stop here indefinitely, I suppose? If you left, he'd have to, too. What you must do is to go back to London directly after the theatricals are over. He'll have to go with you. Then you can drop him in London and come back."
It is improbable that Wesson was blind to certain blemishes which could have been urged against this ingenious scheme by a critic with a nice sense of the honorable; but, in his general conduct of life, as in his play at cards, he was accustomed to ignore the rules when he felt disposed to do so. He proceeded to mention in detail a few of the things which he proposed to call upon his ally to do. A delicate pink flush might have been seen to spread over Spennie's face. He began to look like an angry rabbit. He had not a great deal of pride in his composition, but the thought of the ignominious rôle which Wesson was sketching out for him stirred what he had to its shallow depths.
Talking on, Wesson managed with his final words to add the last straw.
"Of course," he said, "that money you lost to me at picquet—What was it? Ten? Twenty? Twenty pounds, wasn't it? Well, we could look on that as canceled, of course. That will be all right."
Spennie exploded.
"Will it?" he cried, pink to the ears. "Will it, by George? I'll pay you every frightful penny of it before the end of the week. What do you take me for, I should like to know?"
"A fool, if you refuse my offer."
"I've a fearfully good mind to give you a most frightful kicking."
"I shouldn't try, Spennie, if I were you. It's not the form of indoor game at which you'd shine. Better stick to picquet."
"If you think I can't pay you your rotten money——"
"I do. But if you can, so much the better. Money is always useful."
"I may be a fool in some ways——"
"You understate it, my dear Spennie."
"But I'm not a cad."
"You're getting quite rosy, Spennie. Wrath is good for the complexion."
"And if you think you can bribe me to do your dirty work, you never made a bigger mistake in your life."
"Yes, I did," said Wesson, "when I thought you had some glimmerings of intelligence. But if it gives you any pleasure to behave like the juvenile lead in a melodrama, by all means do. Personally, I shouldn't have thought the game would be worth the candle. Your keen sense of honor, I understand you to say, will force you to pay your debt. It's an expensive luxury nowadays, Spennie. You mentioned the end of the week, I believe? That will suit me admirably. But if you change your mind, my offer is still open. Good night, Galahad."
CHAPTER XV.
For pure discomfort there are few things in the world that can compete with the final rehearsals of an amateur theatrical performance at a country house. Every day the atmosphere becomes more and more heavily charged with restlessness and irritability. The producer of the piece, especially if he is also the author of it, develops a sort of intermittent insanity. He plucks at his mustache, if he has one; at his hair, if he has not. He mutters to himself. He gives vent to occasional despairing cries. The soothing suavity which marked his demeanor in the earlier rehearsals disappears. He no longer says with a winning smile: "Splendid, old man; splendid. Couldn't be better. But I think we'll take that over just once more, if you don't mind. You missed out a few rather good lines, and you forgot to give Miss Robinson her cue for upsetting the flowerpot." Instead, he rolls his eyes and snaps out: "Once more, please. This'll never do. At this rate we might just as well cut out the show altogether. For Heaven's sake, Brown, do try and remember your lines. It's no good having the best part in the piece if you go and forget everything you've got to say. What's that? All right on the night? No, it won't be all right on the night. And another thing. You must remember to say, 'How calm and peaceful the morning is', or how on earth do you think Miss Robinson is going to know when to upset that flowerpot? Now, then, once more; and do pull yourself together this time." After which the scene is sulkily resumed by the now thoroughly irritated actors; and conversation, when the parties concerned meet subsequently, is cold and strained.
Matters had reached this stage at the abbey. Everybody was thoroughly tired of the piece, and, but for the thought of the disappointment which—presumably—would rack the neighboring nobility and gentry if it were not to be produced, would have resigned without a twinge of regret. People who had schemed to get the best and longest parts were wishing now that they had been content with First Footman or Giles, a villager.
"I'll never run an amateur show again as long as I live," confided Charteris to Jimmy, almost tearfully the night before the production. "It's not good enough. Most of them aren't word-perfect yet. And we've just had the dress rehearsal!"
"It'll be all right on——"
"Oh, don't say it'll be all right on the night."
"I wasn't going to," said Jimmy. "I was going to say it'll be all right after the night. People will soon forget how badly the thing went."
"You're a nice, comforting sort of man, aren't you?" said Charteris.
"Why worry?" said Jimmy. "If you go on like this, it'll be Westminster Abbey for you in your prime. You'll be getting brain fever."
Jimmy himself was feeling particularly cheerful. He was deriving a keen amusement at present from the manoeuvres of Mr. Samuel Galer, of New York. This lynx-eyed man, having been instructed by Mr. McEachern to watch Jimmy, was doing so with a pertinacity which would have made a man with the snowiest of consciences suspicious. If Jimmy went to the billiard room after dinner, Mr. Galer was there to keep him company. If, during the course of the day, he had occasion to fetch a handkerchief or a cigarette case from his bedroom, he was sure, on emerging, to stumble upon Mr. Galer in the corridor. The employees of Wragge's Detective Agency, Ltd., believed in earning their salaries. Occasionally, after these encounters, Jimmy would come upon Sir Thomas Blunt's valet, the other man in whom Spike's trained eye had discerned the distinguishing trait of the detective. He was usually somewhere round the corner at these moments, and, when collided with, apologized with great politeness. It tickled Jimmy to think that both these giant brains should be so greatly exercised on his account.
Spennie, meanwhile, had been doing quite an unprecedented amount of thinking. Quite an intellectual pallor had begun to appear on his normally pink cheeks. He had discovered the profound truth that it is one thing to talk about paying one's debts, another actually to do it, and that this is more particularly the case when we owe twenty pounds and possess but six pounds seven shillings and fourpence. Spennie was acutely conscious of the fact that, if he could not follow up his words to Wesson with actual coin, the result would be something of an anticlimax. Somehow or other he would have to get the money—and at once. The difficulty was that no one seemed at all inclined to lend it to him.