All the same, despite this new bone of contention, things proceeded as they always do when a simpleton is killed, for unlike cases where dogs are put down, they often lead to reconciliation. Tension between the two factions went into sharp decline.
While time now seemed to be on the side of local marriages, an event took place which could have seemed ordinary in any other season, but was not at all normal in mid-winter. A young woman of the village married and left to join her husband in some far-off place. Everyone was shocked to hear talk of a new Doruntine at such a time of year. People thought that after the uproar over all that had taken place in the village, the bride’s family would break the engagement or at least put off the wedding for a while. But the ceremony took place on the appointed day, the groom’s relatives came over from their country, which some people said was six days away, while others said eight. After they had done with all their feasting and drinking and singing of songs, they took the young woman away with them. Almost the entire village walked with them from the church, as they had done years before with sorry Doruntine, and seeing the bride looking so beautiful, almost wraith-like in her white veil, many must have wondered whether on some moonless night some ghost might not go and bring her back home again. But the bride, for her part, astride her white horse, showed not the slightest sign of worry about her fate. People watching her leave nodded their heads, saying, “Good Lord, maybe young brides nowadays like that sort of thing, maybe they like riding at night, hanging on to a shadow, through the dark and the void …”
Tirana, October 1979
ALSO AVAILABLE FROM CANONGATE The Siege
The following pages contain an extract from The Siege, one of Ismail Kadare’s masterpieces, an unforgettable account of the clash of two civilisations and a timeless depiction of individual pain, uncertainty and fear that resonates today.
It is the early fifteenth century and as winter falls away, the people of Albania know that their fate is sealed. They have refused to negotiate with the Ottoman Empire, and war is now inevitable.
The Siege tells the enthralling story of the weeks and months that follow — of the exhilaration and despair of the battlefield, the constantly shifting strategies of war, and those whose lives are held in the balance. For those trapped inside the citadel, and for the Pasha, technicians, artillerymen, astrologer, blind poet and his harem of women outside, the siege is inescapable and increasingly oppressive. From this dramatic setting Kadare has created a profound novel that is as moving as it is compelling.
“A brilliant historical novel by one of the world’s greatest living writers.”
Simon Sebag Montefiore, author of Young Stalin
“Brilliant … A candidly prophetic novel of our age.”
Irish Times
“Great books, books that last, are shape-shifting books. The Siege is about what it is about — a siege in the fifteenth century. It is also a universal evocation of human violence.”
Sunday Times
£7.99
ISBN 978 1 84767 122 6
THE SIEGE
As winter fell away and the Sultan’s envoys departed, we realised that war was our ineluctable fate. They had pressured us in every way to accept being vassals of the Sultan. First they used flattery, promising us a part in governing their vast empire. Then they accused us of being renegades in the pay of the Frankish knights, that is to say, slaves of Europe. Finally, as was to be expected, they made threats.
You seem mighty sure of your fortresses, they said to us, but even if they are as sturdy as you think, we’ll throttle you with an altogether more fearsome iron band — hunger and thirst. At each season of harvest and threshing, the only seeded field you’ll see will be the sky, and your only sickle the moon.
And then they left. All through March their couriers galloped as fast as the wind bearing messages to the Sultan’s Balkan vassals, telling them either to persuade us to give in, or else to cut off all relations with us. As was to be expected, all were obliged to take the latter course.
We were alone and knew that sooner or later they would come. Many times in the past we had faced attacks from our enemies, but lying in wait of the mightiest army the world had ever known was a different matter. Our own minds were perpetually abuzz, but our prince, George Castrioti, was preoccupied beyond easy imagining. The inland castles and coastal keeps were ordered to repair their watchtowers and above all to build up stocks of arms and supplies. We did not yet know from which direction they would come, but in early June we heard that they had begun to march along the old Roman road, the Via Egnatia, so they were heading straight towards us.
One week later, as fate decreed that our castle would be the first defence against the invasion, the icon of the Virgin from the great church at Shkodër was brought to us. A hundred years before it had given the defenders of Durrës the strength to repulse the Normans. We all gave thanks to Our Immaculate Lady and felt calmer and stronger for it.
Their army moved slowly. It crossed our border in mid-June. Two days later George Castrioti came with Count Musaka to inspect the garrison one last time, and to give it his blessing. After issuing final instructions, he left the castle on Sunday afternoon, followed by his escort and the officers’ womenfolk and children, so as to place them in safety in the mountains.
We walked alongside them for a while without speaking. Then we made our adieus with much feeling and went back into the keep. From look-outs on our towers we watched them climb up to the Plain of the Cross, then we saw them re-emerge on the Evil Slope and finally disappear into the Windy Ravine. Then we closed the heavy outer doors, and the fortress seemed to have gone mute now that we could no longer hear the voices of our youngsters inside it. We also battened down the inner sets of doors and let silence reign over us.
On June 18, at daybreak, we heard the tolling of the bell. The sentinel on the East Tower announced that a yellowish cloud could be seen in the far distance. It was the dust kicked up by their horses.
CHAPTER ONE
The first Turkish troops came beneath the walls of the fortress on June 18. They spent the day pitching camp. By evening the entire army had still not arrived. New units kept on coming in. A thick layer of dust lay on men, shields, flags and drums, horses and wagons, and on the camels laden with bronze and heavy equipment. As soon as each marching group came on to the plain that lay before the garrison, officers from a special battalion would allocate a specific camping site, and the weary soldiers, under orders from their leaders, would busy themselves with setting up the tents before collapsing inside them, half-dead from fatigue.
Ugurlu Tursun Pasha, the commander-in-chief, stood alone outside his pink pavilion. He was watching the sun set. The huge camp throbbed with the noise of horseshoes and a thousand voices, and with its long lines of tents, it looked to him like a giant octopus which would stretch out one tentacle after another and slowly but surely encircle and suffocate the castle. The nearest tents were less than a hundred paces from the ramparts, the furthest were beyond the horizon. The Pasha’s lieutenants had insisted his pavilion be placed at least a thousand paces from the castle walls. But he had refused to be so far away. Some years earlier, when he had been still a young man and of less elevated rank, he had often slept less than fifty paces from the ramparts, almost at the foot of the besieged citadel. Later on, however, in successive wars and sieges, as he rose in rank, the colour of his tent and its distance from the walls had changed in tandem. It was now pitched at a distance slightly more than half of what his lieutenants recommended, that is, at six hundred paces. That was a lot less than a thousand, all the same.