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Each morning until the postman arrived, I hovered in the Stanhopes reeking foyer, waiting for a letter which never came. Then I would set off for the British Museum in grey half-light, to haunt the Reading Room until closing time, searching for some trace of Alice. I knew that I ought to be overwhelmed by the sheer scale of the Museum: the immense stone columns, the rainswept forecourt seething with tourists, the Babel of unknown languages rising from the front steps, the Reading Room itself, into which the whole Mawson College Library building would have fitted quite comfortably. I would stare up into the blue and gold dome above the tiered galleries and try to feel something, anything, but it was like looking at the sun through a thick pall of smoke. I would feel eyes following me up and down the aisles; several times I felt certain I had caught people staring at me with horror, as if they could actually see the fog of black depression that enveloped me.

Some of my fellow readers were in no better shape: the little old woman in the filthy grey raincoat who sat all day in row L, with half a dozen tattered shopping bags clustered at her feet, muttering at the partition in front of her; or the wild-eyed, white-haired man at the far end of row C, who shielded his book with both arms when anybody approached him. And once a tall, emaciated old lady, who smelt strongly of mothballs and wore a black veil so impenetrable you could not see even the outline of a face beneath, came and sat next to me for two hours while I worked my way through a pile of directories. She had The Times open in front of her, but I felt she was watching me all the time.

On the third day I braved the slush down Kingsway to Catherine House, where the records of births and marriages were kept. A gloomy concrete bunker, dank and cold, smelling of greasy folios and sodden clothing. The quarterly registers – huge steel-reinforced volumes, red for births and green for marriages (deaths were kept on the other side of Kingsway)-were housed in rows of battered metal shelves. Grim-faced searchers swarmed over every row, fighting for position, slamming the massive volumes on and off the shelves. Couples fought and shouted in the aisles; the noise was deafening. I hovered politely beside the 1960s for a few minutes before trying to insinuate myself into the scrum. Someone rammed the metal corner of a register into my kidneys; an elbow jabbed my ribs; an anonymous hand snatched 'J-L Jan.-Mar. 1964' from over my shoulder and carried it off. Finding Alice's birth certificate, I realised, would contribute absolutely nothing to my search for her. Cowed, shivering, I surrendered without a fight.

In the relative tranquillity of the Reading Room, I scoured directories for lists of nursing homes in Sussex and poured pound after pound's worth of coins into payphones: no Alice Jessell anywhere. Alice didn't want to be found.

On the fifth day I woke with a thick head and a rasping throat, but rather than lie staring into the darkness of the lightwell I dragged myself back to the Museum.

In a Sussex directory for the 1930s, I looked up the entry for Staplefield. There was a Staplefield House listed, but the owner was a Colonel Reginald Bassington. No Viola, or any Hatherley was listed as a resident, there or in any of the neighbouring villages or towns. There was no Viola Hatherley in the main catalogue either. I ordered the four numbers of The Chameleon, thinking as I did so how horribly prophetic 'Seraphina' had turned out to be.

But of the four numbers only the fourth and last was delivered: the slips for the other three came back marked 'Destroyed by bombing during the war'. Without much hope or even interest I glanced through the table of contents. The Chameleon. Volume I, Number 4, December 1898. Essay by Ernest Rhys. Story by Amy Levy. Poems by Herbert Home and Selwyn Image-and 'The Gift of Flight: A Tale', by V.H.

***

The Gift of Flight

The Reading Room of the British Museum is not, I think, the first place in which most of us would seek refuge from a consuming grief, especially not in winter, when fog creeps into the great dome and hangs like a damp halo about the electric lamps. Nor are ones fellow readers always the most desirable company, some being less than fastidious in matters of dress and personal cleanliness, whilst others, seemingly on the verge of madness, conduct whispered conversations with phantoms, or crouch motionless for an entire afternoon, glaring at the same unturned page. Others again lie sprawled in attitudes of abandoned despair or exhaustion, snoring away the hours with their heads pillowed upon priceless volumes until the attendants come to turn them out. There are of course many industrious souls deep in concentration or copying busily, so that the dome seems to echo, at times, to the faint sound of a hundred nibs scratching in unison, but to a troubled mind that sound can too easily suggest the fingernails of prisoners clawing upon stone.

So, at least, it seemed to Julia Lockhart, and yet she was drawn back there by the conviction that the library contained one particular book which would speak directly to her sorrow. It would be like finding a new friend, one whose perceptions were so subtly and delicately attuned to hers as to see further into her heart than she herself was capable of doing. But since she had no idea what kind of book, or by whom, she spent a great deal of her time idly turning the pages of the catalogue, or gazing sightlessly into the black leather surface of her desk, or wandering the circumference of the labyrinth-the image that came most frequently to her mind, given the catacombs filled with shelf upon shelf of books that she imagined stretching away into darkness beneath the floor.

It had been many months since she and Frederick Liddell had parted, and yet the pall of grief had in no way diminished; instead, it had darkened into something quite beyond her experience. A thick veil seemed to have fallen between her and the world; she felt estranged, not only from friends and family, but from herself. She could not work, for all power of concentration had left her. Her husband kept his accustomed round between his chambers, his club, and his chair by the fireside, tranquilly unaware that anything was wrong; her daughter Florence was away at school in Berne; and the chatter of friends, in which Julia had once joined so enthusiastically, now seemed like die gibbering of dead souls in limbo. Yet to all outward appearances she had merely done what so many women yoked to indifferent husbands had done before her. She numbered amongst her own acquaintance women who moved cheerfully and lightly from one lover to the next, and knew of cases in which the children of such unions were accepted by the said indifferent husbands without apparent protest. The code seemed to be that so long as appearances were more or less maintained, women as well as men could do as they pleased. Whereas to Julia the taking of a lover had seemed an altogether momentous step. She had yearned for an intimacy to which she could bring her whole heart, which would release something trapped within her, free a door in her imagination which seemed to have swollen and stuck fast; but until the day she met Frederick Liddell she had come to believe she would die without ever having found it.

Marriage to Ernest Lockhart had been the great disappointment of Julia's life. Yet she had nothing to say against him, beyond an entire absence of passion, and even there, he had not deceived her; she had deceived herself. At twenty, she had allowed herself to be overborne by the romance of marrying a man sixteen years her senior, so assured and cultivated beside, say, young Harry Fletcher who had blushed and stammered every time he spoke to her but who, as she realised far too late, had plainly adored her. Her parents had not forced her; on the contrary, she could still recall her father asking her very earnestly if she was quite sure, and hear herself saying blithely yes, airily convinced that Ernest Lockhart's reserve concealed an answering force of passion. And then to discover her husband so… well, so inept and lifeless, yet so wedded to the shows and forms of marriage, and so incapable of comprehending her unhappiness. Had it not been for her daughter, born within a year of the wedding, she would have left him; as it was, she had worked at her writing and entertained her friends, unable in the end to hate her husband for being what he was, and feeling, as her thirtieth birthday receded, only a dull subterranean anger at the inexorable waste of life.