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He walked quietly across the lawn, carrying his burden. Dogs out of the way, the next step was the burglar alarm.

Vaggan knew a lot about the alarm. The second time he'd scouted the house, he'd noticed a burglars beware sticker the alarm company had pasted on the side-entrance window. He'd examined the sticker through his binoculars, looked up the company's name in the phone book, and spent an afternoon as a potential customer, learning how the system worked. Jay Leonard was big in Los Angeles, a television talk show host people were proud to have as a customer. As he had with the dog trainer, Vaggan implied that Leonard was a friend. He mentioned that Leonard was well pleased with his alarm system and had suggested he get one like it. The salesman had shown him the model and explained how it worked, and Vaggan had bought one, saying he'd install it himself.

He found the control box about where the salesman had said it should be put, mounted on an inside wall of the open carport near both a power source and a telephone line. It was equipped with an anti-tamper device that set off the alarm inside the house and flashed a signal to the Beverly Hills police if the power was cut off. Vaggan fished the aerosol can from his jacket pocket, shook it vigorously, and inserted the nozzle into the heat/moisture vent on the side of the metal box. He depressed the button and listened to the hiss of the foam insulation gushing in. The label specified a drying time of thirty minutes but, when Vaggan had checked it, it had been solid in eighteen minutes—solid and expanded to congeal all the alarm's relay switches and circuits into useless immobility. But he waited the full thirty minutes to be safe, leaning against the carport wall, coming down from the high he'd experienced in dealing with the dogs.

There was no reason to think about what he'd do next. That was carefully planned. Instead he thought about the Navajo Project. The message from his answering service had said simply, Call Mac. That meant call McNair, which in turn meant that something must have come unglued again. Not surprising. In Vaggan's experience, jobs that started sloppily tended to continue to screw up. But it was no skin off his ass. He didn't even know what the operation involved. Something, he guessed, to do with getting rid of witnesses. McNair was under indictment, with some of his people. McNair was fairly big, and certainly very senior, in the West Coast car-stealing business, and fairly big in cocaine too, from what Vaggan had heard. And he had Koreans, and Indians, and Filipinos, and Mexicans, and such people doing his stealing. In Vaggan's estimation, that was asking for trouble, since such people were poor stock. Some of them would surely screw up and get caught and talk. Had talked, already, to the grand jury, from what he'd heard, and would be ready to nail McNair in court. Which is what you should expect when you deal with such people. Losers. All of them, except maybe the Navajos.

Something about the Navajos appealed to Vaggan. Since he'd gotten into this business, he'd been reading about them. They, too, were survivors. It was because, he was sure, of their philosophy of staying in harmony with conditions, being in tune with whatever was coming down. That made sense. He did it himself. The people who refused to believe the missiles were coming and tried to turn it off by denying it, they would die. He'd gotten in harmony with that inevitable truth, accepted it, prepared for it. He would survive. And he'd gotten in harmony with this Santa Ana wind. It didn't bother him. In fact, he'd made it a part of his cover, like the quills on a porcupine. He listened to the wind, battering and shaking things, and smiled slightly. He glanced at his watch and pushed the tip of his little finger against the foam insulation in the vent. It was stiff. Time for the final phase. Time for the rent-a-cop.

Vaggan used his glass cutter on the window, removing a pane and reaching inside to unfasten the lock and then closing it behind him quickly, as soon as he had himself and his supplies inside, to shut out the wind sound. He stood listening, giving his eyes time to adjust to this deeper darkness. He'd made no sound himself. Vaggan could be quiet as the cats he admired. But opening the window would have changed the sound level of the storm for anyone awake inside. If that had alerted anyone it was better to know it now. So he waited, stock still, using up a full five minutes.

To his right a click, a low hum. The thermostat turning on the refrigerator motor. Vaggan smelled something astringent—a cleanser, perhaps—and coffee, and dust. Behind the purr of the refrigerator, the sound of distant music. Perhaps a radio playing, or a tape. In a bedroom somewhere. Then the sound of the Santa Ana rose again, pounding against the windows, rattling limbs across the roof, screeching at the corners. It subsided. The music was replaced by a male voice, inaudibly low, and then became music again. Vaggan strained to hear. It was "Daniel," the Elton John tune. Vaggan folded his handkerchief over the lens of his penlight, pointed it at the floor, and turned it on. His eyes had adjusted now, and the glow was adequate—illuminating a modern kitchen and reflecting into an expansive living area beyond.

Vaggan crept through the open archway, his crepe soles moving from the sibilance of the kitchen tile to the total silence of a thick gold carpet. He stopped and listened again, light off. The music was a bit louder now, coming from the hallway that led from the living area into what must be a bedroom wing. He removed the handkerchief, dropped it back into his pocket, and turned on the flash. A second hallway to the left led into what seemed to be some sort of atrium-greenhouse and beyond that into darkness. Vaggan moved down the carpeted hall of the bedroom wing. He stopped at the first door, listening with an ear pressed to a wooden panel. Hearing nothing, he turned off the flash, tried the knob, turned it slowly, eased the door open. He smelled deodorant, an air freshener, soap, bathroom aromas. A flick of the flash confirmed it. Guest bathroom. Vaggan closed the door and moved to the next one. Silence again, knob turning easily, door easing open. Vaggan aimed the flash at the floor, flicked it on. The reflected light showed him an empty bed, a neat, unused bedroom. He backed out, pausing to examine the door's locking mechanism under the light. A typical bedroom lock. In the hallway again, he noticed the music was loud enough now to make out an occasional word. "Daniel," the voice sang, "my brother…" Vaggan pressed an ear against the next door. Heard nothing. The knob wouldn't turn. He tried it again to confirm it was locked, then extracted a credit card from his wallet and knelt. The lock was new, and the tongue slid back easily without a sound. Vaggan stood and pulled the door open a half inch. He replaced the credit card, fished a section of nylon stocking from his pocket, and spent a moment adjusting the holes he'd cut into it over his eyes. He inhaled, feeling the same exhilaration he'd felt facing the dogs at the fence. Adrenaline. Strength. Power. Vaggan took the .32 from his pocket, held it briefly in his palm, then returned it to the pocket. He eased the door open and looked into a room lit by moonlight reflecting through translucent drapes.

The rent-a-cop had hung his clothing across a chair beside the bed, with his belt and holster dangling from the chairback. Easy to reach, Vaggan thought, when the guard heard the dogs or heard the alarm. A careful man. He extracted a revolver from the holster, dropped it in the pocket of his jacket. The cop was sleeping in shorts and undershirt, on his side, face to the wall, breathing lightly.