Especially at night in the crowded theatre—Philip was too young to remember the old Chambers' Street box, where the serious Burton led his hilarious and pagan crew—in the intervals of the screaming comedy, when the orchestra scraped and grunted and tooted its dissolute tunes, the world seemed full of opportunities to Philip, and his heart exulted with a conscious ability to take any of its prizes he chose to pluck.
Perhaps it was the swimming ease of the acting, on the stage, where virtue had its reward in three easy acts, perhaps it was the excessive light of the house, or the music, or the buzz of the excited talk between acts, perhaps it was youth which believed everything, but for some reason while Philip was at the theatre he had the utmost confidence in life and his ready victory in it.
Delightful illusion of paint and tinsel and silk attire, of cheap sentiment and high and mighty dialogue! Will there not always be rosin enough for the squeaking fiddle-bow?
Do we not all like the maudlin hero, who is sneaking round the right entrance, in wait to steal the pretty wife of his rich and tyrannical neighbor from the paste-board cottage at the left entrance? and when he advances down to the foot-lights and defiantly informs the audience that, "he who lays his hand on a woman except in the way of kindness," do we not all applaud so as to drown the rest of the sentence?
Philip never was fortunate enough to hear what would become of a man who should lay his hand on a woman with the exception named; but he learned afterwards that the woman who lays her hand on a man, without any exception whatsoever, is always acquitted by the jury.
The fact was, though Philip Sterling did not know it, that he wanted several other things quite as much as he wanted wealth. The modest fellow would have liked fame thrust upon him for some worthy achievement; it might be for a book, or for the skillful management of some great newspaper, or for some daring expedition like that of Lt. Strain or Dr. Kane. He was unable to decide exactly what it should be. Sometimes he thought he would like to stand in a conspicuous pulpit and humbly preach the gospel of repentance; and it even crossed his mind that it would be noble to give himself to a missionary life to some benighted region, where the date-palm grows, and the nightingale's voice is in tune, and the bul-bul sings on the off nights. If he were good enough he would attach himself to that company of young men in the Theological Seminary, who were seeing New York life in preparation for the ministry.
Philip was a New England boy and had graduated at Yale; he had not carried off with him all the learning of that venerable institution, but he knew some things that were not in the regular course of study. A very good use of the English language and considerable knowledge of its literature was one of them; he could sing a song very well, not in time to be sure, but with enthusiasm; he could make a magnetic speech at a moment's notice in the class room, the debating society, or upon any fence or dry-goods box that was convenient; he could lift himself by one arm, and do the giant swing in the gymnasium; he could strike out from his left shoulder; he could handle an oar like a professional and pull stroke in a winning race. Philip had a good appetite, a sunny temper, and a clear hearty laugh. He had brown hair, hazel eyes set wide apart, a broad but not high forehead, and a fresh winning face. He was six feet high, with broad shoulders, long legs and a swinging gait; one of those loose-jointed, capable fellows, who saunter into the world with a free air and usually make a stir in whatever company they enter.
After he left college Philip took the advice of friends and read law. Law seemed to him well enough as a science, but he never could discover a practical case where it appeared to him worth while to go to law, and all the clients who stopped with this new clerk in the ante-room of the law office where he was writing, Philip invariably advised to settle—no matter how, but settle—greatly to the disgust of his employer, who knew that justice between man and man could only be attained by the recognized processes, with the attendant fees. Besides Philip hated the copying of pleadings, and he was certain that a life of "whereases" and "aforesaids" and whipping the devil round the stump, would be intolerable.
[Note: these few paragraphs are nearly an autobiography of the life of Charles Dudley Warner whose contributions to the story start here with Chapter XII. D.W.]
His pen therefore, and whereas, and not as aforesaid, strayed off into other scribbling. In an unfortunate hour, he had two or three papers accepted by first-class magazines, at three dollars the printed page, and, behold, his vocation was open to him. He would make his mark in literature.
Life has no moment so sweet as that in which a young man believes himself called into the immortal ranks of the masters of literature. It is such a noble ambition, that it is a pity it has usually such a shallow foundation.
At the time of this history, Philip had gone to New York for a career. With his talent he thought he should have little difficulty in getting an editorial position upon a metropolitan newspaper; not that he knew anything about newspaper work, or had the least idea of journalism; he knew he was not fitted for the technicalities of the subordinate departments, but he could write leaders with perfect ease, he was sure. The drudgery of the newspaper office was too distasteful, and besides it would be beneath the dignity of a graduate and a successful magazine writer. He wanted to begin at the top of the ladder.
To his surprise he found that every situation in the editorial department of the journals was full, always had been full, was always likely to be full. It seemed to him that the newspaper managers didn't want genius, but mere plodding and grubbing. Philip therefore read diligently in the Astor library, planned literary works that should compel attention, and nursed his genius. He had no friend wise enough to tell him to step into the Dorking Convention, then in session, make a sketch of the men and women on the platform, and take it to the editor of the Daily Grapevine, and see what he could get a line for it.
One day he had an offer from some country friends, who believed in him, to take charge of a provincial daily newspaper, and he went to consult Mr. Gringo—Gringo who years ago managed the Atlas—about taking the situation.
"Take it of course," says Gringo, "take anything that offers, why not?"
"But they want me to make it an opposition paper."
"Well, make it that. That party is going to succeed, it's going to elect the next president."
"I don't believe it," said Philip, stoutly, "its wrong in principle, and it ought not to succeed, but I don't see how I can go for a thing I don't believe in."
"O, very well," said Gringo, turning away with a shade of contempt, "you'll find if you are going into literature and newspaper work that you can't afford a conscience like that."
But Philip did afford it, and he wrote, thanking his friends, and declining because he said the political scheme would fail, and ought to fail. And he went back to his books and to his waiting for an opening large enough for his dignified entrance into the literary world.
It was in this time of rather impatient waiting that Philip was one morning walking down Broadway with Henry Brierly. He frequently accompanied Henry part way down town to what the latter called his office in Broad Street, to which he went, or pretended to go, with regularity every day. It was evident to the most casual acquaintance that he was a man of affairs, and that his time was engrossed in the largest sort of operations, about which there was a mysterious air. His liability to be suddenly summoned to Washington, or Boston or Montreal or even to Liverpool was always imminent. He never was so summoned, but none of his acquaintances would have been surprised to hear any day that he had gone to Panama or Peoria, or to hear from him that he had bought the Bank of Commerce.