"About the murder?" asked Schell.
"Not the murder but where the body was going to be. I had just moved into this dump, after leaving the city. I was here no more than two weeks when, one night, I heard someone moving around outside the cabin. I can't tell you how scared I was. From then on, I slept with a butcher knife I stole from the kitchen at the nursing home.
"I asked my neighbor if she ever heard strange noises at night. She told me it was probably just deer-but deer don't leave bouquets of wildflowers on your doorstep now do they? Sometimes I'd find flowers, or little broken toys or pennies. It was bizarre. I couldn't go to the police because there were certain people from my past who I didn't want to find me. Then one morning, I found a piece of paper with a scrawled map on it and some words. The words made no sense, but the map had a crude picture of an old house, busted windows, door hanging off, and a three-digit number written with two backward numeral. Okay, just strange, right?
"About a week later, I was at the nursing home, having my lunch, and reading the paper. I was reading about this kid who'd been kidnapped in Amityville. They'd found his body in an abandoned house, and they gave the address. The three-digit number was the same as on the map that had been left."
Antony whistled.
"There's more," she said. "There was another kid earlier this year from out east on the island. Her parents were migrant workers, you know, for the potato farms out in Patchogue. Again, nothing much was made of it. I forget who took the rap for that one, but I knew where they were going to find her before they did."
"The same happened with the Barnes girl?" asked Schell.
"When Charlotte Barnes went missing, I knew it wasn't just an isolated thing. I might have been the only other person who knew besides the killer, because the cops sure weren't onto it. I'd been learning the cold reading from Lester, and I thought that maybe I could save the Barneses a little grief by showing them where their daughter was and test out my skills…"
"And make some money in the deal," said Schell.
"You, of all people, aren't going to give me the holier-than-thou line now are you?" she asked.
Schell shook his head.
"You can see where I'm living; I needed the dough, and they needed to find their girl. Lester taught me well, because I was able to convince both of them that I had the gift. When you gentlemen came on the scene, you presented me with a chance to lead them to the body and not have to be involved if there was an investigation."
"You buy that, Boss?" asked Antony.
"It's kind of far-fetched," said Schell.
"I don't care if you believe me or not. I've got nothing to hide," she said.
"Well, you're a better con than I gave you credit for," said Schell.
"That whole wifty act was part of my Lydia Hush routine," she said. "I don't want to go into what I was involved in when I was in the city, but I know how to string someone along."
"How do I know you're not lying to me now?" said Schell.
"Look, I admit I played them, but at the same time, I felt for those people and their kid."
"We have to figure out who's leaving you these messages," said Antony.
"That's the thing," she said. "There was a new one two nights ago. Let me get it." She turned around to the desk, leaned over to open the bottom drawer, and pulled out an envelope. Swiveling back around, she pulled a folded piece of paper from within it. As the paper came forth dried flower petals drifted to the floor. "This one's different from the others. It's just a map," she said, "and you can make out some of the road names, even though there are some letters backward and missing. It's also got a picture of a big house, but nothing about whether it's a boy or girl this time."
"May I?" asked Schell. He looked at it. "Antony," he said, "do you have a map in the car?"
"I'm on it, Boss," said the big man, already heading for the door.
"Now, gentlemen, I want you two to go outside for a minute while I get changed."
"You won't disappear on us again, will you?" asked Schell.
"Where am I going to go, up the chimney?"
Schell and I stepped outside and closed the door behind us. By then it was late afternoon, and it was starting to get cold. Leaves from the occasional oak tree fell here and there.
"I believe her," I said.
"I do too," said Schell. "For some reason it's hard not to."
"Obviously, whoever is leaving her the notes must know her," I said.
"Or know about her," said Schell. "She referred to her time in the city. I can imagine what that was about."
"What do you mean?"
"Forget it," he said.
A few minutes passed and then the door opened and she called to us. She had dressed in a gray skirt and jacket, a violet blouse, and simple, flat shoes. Her hair was pulled back, and she reminded me of a librarian. As we traipsed back into the cabin, Antony returned, and I held the door for him.
"Let's see your note," the big man said to Morgan, and she handed it to him.
He sat down at the desk, opened the map from the car, and spread it out in front of him. Then he pulled one of the candle-holders close, and lit the wick with his cigarette lighter. A warm glow rose in a small circle around him, and he carefully laid Morgan's note next to the larger map. Out came the cheaters. He ceremoniously positioned them on the bridge of his nose and affixed them behind his ears. Schell and I each leaned over a shoulder.
It took Antony a long time to figure out what part of the island he should be looking at. He'd crane his neck forward, so that it was almost touching the paper, and then back away a little and squint. He'd follow the line of a road with his big thick finger and then retract the finger and say, "That's not it."
Fifteen minutes later, all of us having grown weary of waiting, we were spread around the room, leaning against the walls. "Oh shit," he finally said, and Schell moved across the room toward him. "What is it?" he asked.
"You're never going to believe this, Boss. But if I'm not mistaken, this drawing would lead you up by the sound."
"What area?" I asked.
"Forget area," said Antony, whipping off the cheaters. "Straight to Parks's place."
KILL THE LIGHT
If there was one thing that Schell couldn't stomach, it was fast, reckless driving, and, when called upon, Antony was a master practitioner. As his foot increased its pressure on the gas peddle, a steady string of foul language issued from his mouth, increasing in intensity as the Cord picked up speed. He cursed the other vehicles, the bumps in the road, the twilight. As scared as I was, I wanted him to go even faster, as my thoughts were consumed with Isabel's safety.
The boss sat in the back with Morgan Shaw, and I sat up front, my fingers dug into the cushion. Although there were times when I wanted to close my eyes, they remained open, as if welded so, out of morbid curiosity, not wanting to miss the tree or car that would ultimately be our end.
We arrived at the front gate sometime after seven. The headlamps showed the guard's booth to be empty. Schell and I got out of the car and walked up to the gate. There was no one in sight, but Schell called out, "Hello?" It was then that I saw something lying on the ground, only partially visible, behind the guard booth.
"There," I said to Schell and pointed to the body.
He took a quick look and called for Antony. The big man got out of the car, followed by Morgan.
"You're going to have to be a ladder for Diego here," said Schell. "Let him get on your shoulders."