‘Did you visit the doctor yet?’ Marsh added.
‘No.’
‘When you finish tonight, I want you to see our duty doctor. That’s an order.’
‘Yes, sir,’ said Erika. ‘Here’s the contract for the flat.’
‘Okay, good. How did you find it, all okay?’
‘Yes.’
When Erika emerged from Marsh’s office, Woolf was waiting for her in the corridor.
‘I didn’t grass you; he got a call from the landlord at The Crown. Then he demanded the logbook from the front desk.’
‘It’s okay. Thank you.’
As Woolf went off to get changed and go home after a long night shift, Erika wondered who else from London’s criminal underworld was able to pick up the phone and call Chief Superintendent Marsh.
24
By mid-morning, the incident room at Lewisham Row was hectic. Phones rang, faxes and printers churned, and police officers rushed in and out. Erika and Sparks were sitting in a corner with Marsh and Colleen Scanlan, the stern and rather matronly police media liaison officer. They were working through what was going to be covered at the press appeal.
‘So I finish with my introduction and then we’ll hear from Sir Simon,’ said Marsh. ‘I think he wanted to use autocue for this, if we can arrange that?’
‘That shouldn’t be a problem. We’ll need his final text within the next couple of hours to get it emailed over and loaded up,’ said Colleen.
‘Okay,’ said Marsh. ‘So, Sir Simon will say: “Andrea was an innocent, fun-loving twenty-three-year-old with her whole life ahead of her . . .” Then we’ve got her picture flashing up on the screens behind us. “She never hurt anyone, never caused anyone pain, and yet here I am, a heartbroken father, making an appeal for witnesses to a horrific crime, the murder of my daughter . . .” Shouldn’t that be “an” horrific crime?’
‘“An” would actually be incorrect,’ said Colleen. ‘Although it’s a common misconception. You only use it as an indefinite article when the following word begins with a vowel sound…’
‘We want this press conference to be an open, down-to-earth line of communication to the public’, snapped Erika. ‘Let’s not waste time debating the correct bloody grammar!’
‘Okay, so, “a horrific crime”,’ said Marsh.
It pained Erika that the press conference was being built around evidence she felt was circumstantial, and that the team who she thought she’d bonded with had seized upon Sparks’s weak theory with such zeal. She had to admit that to an outsider, the Rivoli Ballroom theory had more credence. She cursed herself for being so stupid and going off on her own to pursue the Glue Pot barmaid and Ivy Norris. She should have taken Moss or Peterson. She looked over at them both working the phones, trying to track down Marco Frost.
She turned the Frost theory over in her brain, and a sliver of doubt flashed through her – but then her gut instinct kicked in. Her gut was telling her she was on to something with Andrea meeting the dark-haired man and blonde girl in The Glue Pot. Even if her two witnesses had been unreliable, was it likely that they would be unreliable in exactly the same way? Both Ivy and Kristina were people who existed uncomfortably on the wrong side of the law. It would be easier for them to say they knew nothing, that they hadn’t seen Andrea . . . Erika suddenly realised that Marsh was talking to her.
‘DCI Foster, what do you think? Should we mention the Tina Turner video? Colleen thinks yes.’
‘What?’
‘The Rivoli Ballroom. It’s a very famous old venue, and Colleen thinks a fact like that will stick in the public’s memory, make them remember the appeal, and it could lead to increased word-of-mouth.’
Erika still looked nonplussed.
‘Tina Turner filmed her Private Dancer video at the Rivoli Ballroom back in 1984,’ said Colleen.
‘She did?’ asked Erika.
‘Yes. So shall we put that in with the appeal, with the photo of the venue?’
Erika nodded and looked down at the itinerary they were compiling. ‘Where are we going to say that Andrea was in Forest Hill? Her clutch bag was recovered on London Road.’
‘With media appeals we need to narrow things down, present a clear concise message. If we say she was in one place and then another, people will get confused; they need continuity,’ explained Colleen, a little condescendingly.
‘I understand how these things work, thank you. But this appeal is a great opportunity to gather information. This skates over vital clues as to how Andrea went missing,’ said Erika.
‘We’re aware that she may have been in the location in question, but we have no hard evidence. There is no CCTV footage, or witnesses. The killer must have used a car; he could have thrown that bag out of the car window on London Road,’ stated Marsh.
‘I know the details of my own case, sir!’
They finished an hour later, with Erika having reluctantly agreed to the content of the press conference, which made no mention of Andrea being anywhere near The Glue Pot, and played down the fact she could have been on the London Road.
Erika came out to the vending machine and saw Sergeant Crane feeding in coins and selecting a cappuccino.
‘All right, boss? We got the bus footage through from TFL, and some stuff from a couple of black cabs who went along London Road,’ he said. The machine beeped and he bent down and pulled out the plastic cup, blowing on the froth.
‘Let me guess, nothing?’
Crane took a gulp of coffee and shook his head. ‘But this Marco Frost seems tough to track down. The last place of work we have is the Caffè Nero on Old Compton Street, and he doesn’t work there anymore. His mobile number’s been disconnected too.’
‘Keep trying. Perhaps he went off with Barbora Kardosova.’
‘Ha! That’s another theory, boss.’
‘Well, add it to the list,’ said Erika darkly, as she fed coins into the machine and selected a large espresso.
25
The incident room at Lewisham Row had been set up as the response centre for the appeal, which would be going out live on the BBC, Sky and other rolling news channels. Six uniformed officers had been drafted in to man the phones.
Erika, Sparks, Marsh and Colleen had left Lewisham Row an hour before, to go over to the Thistle Hotel near Marble Arch, where the appeal would be taking place.
Moss and Peterson were using the time before the appeal to work on the whereabouts of their prime suspect, Marco Frost. They had been working off address and payroll information from the Caffè Nero where he had worked in Old Compton Street. This had proved to be a dead end; Marco had quit working for them a year ago. They had tried his parents’ address, but Marco’s parents had died within six months of each other the previous year. Marco had been living with them in a rented flat, but had now moved. Moss had just been given a phone number from the landlord. Marco was now living with his aunt and uncle. Moss dialled the phone number, and the uncle answered after only a couple of rings.
The conference room at the Thistle Hotel in Marble Arch was huge and windowless. An endless patterned carpet covered the floor, and the rows of chairs in front of a small platform were almost full. Members of the press waited with their cameras. Lights were being set up, and already a couple of TV journalists were standing practising their pieces to camera. Two large flat-screen televisions were on stands at the side of the room, and they showed live feeds from the BBC News Channel and Sky News. The sound was muted, but across both screens was a banner, trailing that there would shortly be a live press conference and police appeal about the murder of Andrea Douglas-Brown.
On the platform was a long table, dotted at intervals with small microphones. A woman from the hotel staff moved along with a tray, placing a glass and a small carafe of water at each chair. Behind were three video screens showing the blue Met Police logo against a white background.