The Baileyville WPA Packhorse Library was to be based in the last wooden cabin up Split Creek, a turning on the right off Main Street and a road that contained white-collar workers, shopkeepers and those who made a living mostly by trading what they grew. It was squat on the ground, unlike many of the lower buildings, which were set on stilts to protect them from the spring floods. Cast into part-shadow by an oversized oak to its left, the building measured approximately fifteen strides by twelve. From the front it was entered by a small flight of rickety wooden stairs and from the back by a wooden door that had once been wide enough for cows.
‘It’ll be a way for me to get to know everyone around town,’ she had told the two men over breakfast, as Bennett yet again questioned his wife’s wisdom in taking the job. ‘Which is what you wanted, isn’t it? And I won’t be under Annie’s feet all day.’
She had discovered that if she exaggerated her English accent, they found it harder to disagree with her. In recent weeks she had begun to sound positively regal. ‘And, of course, I will be able to observe who is in need of religious sustenance.’
‘She has a point,’ said Mr Van Cleve, removing a piece of bacon gristle from the side of his mouth and placing it carefully on the side of his plate. ‘She could do it just till the babbies come along.’
Alice and her husband had studiously avoided looking at each other.
Now Alice approached the single-storey building, her boots kicking up loose dirt in the road. She put her hand to her brow and squinted. A newly painted sign proclaimed ‘USA PACKHORSE LIBRARY, WPA’ and the sound of hammering emerged in staccato bursts from inside. Mr Van Cleve had indulged a little too freely the previous evening and had awoken determined to find fault with whatever anyone happened to do in his house. Including breathing. She had crept around, wrenched her way into her breeches, then found herself singing softly on the half-mile walk to the library, just for the joy of having somewhere else to be.
She stood back a couple of paces, trying to peer in, and as she did, she became aware of the low hum of an approaching motor, along with another, more erratic sound she couldn’t quite distinguish. She turned to see the truck, noticing the shocked expression on the driver’s face. ‘Whoa! Mind out!’
Alice spun around just as a riderless horse came galloping down the narrow road towards her, its stirrups flapping, reins tangled in its spindly legs. As the truck swerved to avoid it, the horse shied and stumbled, sending Alice sprawling into the dust.
She was dimly aware of a pair of overalls leaping past her, the blare of a horn and a clatter of hoofs. Whoa … whoa there. Whoa, fella …
‘Ow.’ She rubbed her elbow, her head ringing with the impact. When she finally sat up she saw that a few yards away a man was holding the horse’s bridle and running a hand down its neck, trying to settle it. Its eyes rolled white, and veins popped on its neck, like a relief map.
‘That fool!’ A young woman was jogging down the road towards them. ‘Old man Vance tooted his horn on purpose and he bucked me off in the road.’
‘You okay? You took quite a spill there.’ A hand reached out and helped Alice to her feet. She stood, blinking, and regarded its owner: a tall man in overalls and a checked shirt, his eyes softening in sympathy. A nail still protruded from the corner of his mouth. He spat it into his palm and shoved it into his pocket before offering a handshake. ‘Frederick Guisler.’
‘Alice Van Cleve.’
‘The English bride.’ His palm was rough.
Beth Pinker appeared, panting, between them and snatched the reins from Frederick Guisler with a growl.
‘Scooter, you ain’t got the damn brains you was born with.’
The man turned to her. ‘Told you, Beth. You can’t run a Thoroughbred out of here at a gallop. It gets him wound up like a spring. Take the first twenty minutes at a walk and he’ll be good for the day.’
‘Who has time to walk? I got to get to Paint Lick by midday. Shoot, he’s put a hole in my best breeches.’ Beth tugged the horse over to the mounting block, still muttering under her breath, then turned abruptly. ‘Oh. You the new girl? Marge said to tell you she’s coming.’
‘Thank you.’ Alice lifted a palm, before picking at the selection of small stones embedded in it. As they watched, Beth checked her saddlebags, cursed again, wheeled the horse round, and set off back up the road at a sideways canter.
Frederick Guisler turned back to Alice, shaking his head. ‘You sure you’re okay? I can fetch you some water.’
Alice tried to look nonchalant, as if her elbow wasn’t throbbing and she hadn’t just realized that a fine layer of grit was decorating her upper lip. ‘I’m fine. I’ll just … sit here on the step.’
‘The stoop?’ He grinned.
‘Yes, that too,’ she said.
Frederick Guisler left her to it. He was lining the walls of the library with rough pine shelves, beneath which stood boxes of waiting books. One wall was already filled with a variety of titles, neatly labelled, and a pile in the corner suggested some had already been returned. Unlike the Van Cleve house, the little building held an air of purpose, the sense that it was about to become something useful.
As she sat rubbing dirt from her clothes, two young women walked past on the other side of the road, both in long seersucker skirts and wide-brimmed hats to keep off the worst of the sun. They glanced across the road at her, then put their heads together, conferring. Alice smiled and lifted a hand tentatively in greeting, but they scowled and turned away. Alice realized with a sigh that they were probably friends with Peggy Foreman. Sometimes she thought she might just make a sign and hang it around her neck: No, I didn’t know he had a sweetheart.
‘Fred says you took a fall before you even got on the horse. Takes some doing.’
Alice glanced up to find Margery O’Hare looking down at her. She was atop a large, ugly-looking horse with excessively long ears, and leading a smaller brown and white pony.
‘Um – well, I –’
‘You ever rode a mule?’
‘Is that a mule?’
‘Sure is. But don’t tell him. He thinks he’s a stallion from Araby.’ Margery squinted at her from under her wide-brimmed hat. ‘You can try this little paint, Spirit. She’s feisty but she’s sure-footed as Charley here, and she don’t stop at nothing. The other girl ain’t coming.’
Alice stood up and stroked the little mare’s white nose. The horse half closed her eyes. Her lashes were half white and half brown and she gave off a sweet, meadow-grass scent. Alice was immediately taken back to summers spent riding around her grandmother’s estate in Sussex, when she was fourteen and free to escape for whole days at a time, rather than constantly being told how she should behave.
Alice, you are too impulsive.
She leaned forward and sniffed the baby-soft hair at the mare’s ears.
‘So you going to make love to her? Or you going to get on and ride?’
‘Now?’ said Alice.
‘You waiting for permission from Mrs Roosevelt? C’mon, we got ground to cover.’
Without waiting, she wheeled the mule around and Alice had to scramble aboard as the little paint horse took off after her.
For the first half-hour Margery O’Hare said little, and Alice rode silently behind, struggling to adjust to the very different style of riding. Margery wasn’t stiff-backed, heels down and chin up, like the girls she had ridden with in England. She was loose-limbed, swayed like a sapling as she steered the mule around and up and down slopes, absorbing every movement. She talked to him more often than she spoke to Alice, scolding or singing to him, occasionally turning 180 degrees in her saddle to shout behind, as if she had just remembered she had company: ‘You okay back there?’