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Famy steadied to fire, aiming for the chest where the white shirt and the dark tie disappeared into the greyness of his suit. So big, so easy, through the shape of the gunsight.

'Speed it up, for Christ's sake,' screamed McCoy, and as the finger closed round the trigger, squeezing as he'd been told, Famy twisted his gaze to the agony of impatience on the Irishman's face.

When he looked back he saw the man at the far end of the table thrusting a way toward Sokarev, and the man closer to him was wrestling with a coat swinging the billowed shape of it up toward his shoulder.

Famy fired.

As the curtain exploded with the noise of the breaking glass, Jimmy's hand moved to the holster under the breast pocket of his jacket. His fingers found the harshness of the handle, fastening on the ridging there to aid his grip. Then there was the protruding gun barrel, barely thirty feet from him. The pistol was coming fast, out in front, arm extended, level with the eyes as he heard the shout from far in the night, and then the first shot. Fractionally later Jimmy pulled the hair trigger, without finesse and conscious of the need not for accuracy but for a volume of shots. Some were to hit the curtain, some to disappear he knew not where.

Jimmy had fired six times, shouting all the time in the direction of Sorakev.

'Get him down. Get the bloody man on the floor. Get him under the table.'

Elkin reached the scientist first, taking off in a leap when still five feet from him to pinion Sokarev to the floor among the tangle of chair and table supports and feet.

Jimmy saw the chairman sag in his chair and then fall forward, casually and without effort on to the open surface of the table.

Again and again the rifle at the window fired and with each succeeding shot Jimmy was surer in his knowledge.

'He's missed, the little mother fucker, and he knows it!'

It was almost a shout, exhilaration at the contact, half-smile playing on his mouth. But the eyes were cold — focused, taking in the scene around him.

The two Branch men along the same wall as Jimmy had begun to fire, not standing but crouched in the taught posture, classic but slower. He's not going to take it, too much for him, it'll finish him, the little rat, thought Jimmy.

He saw Sokarev far under the table, Elkin covering him, saw Mackowicz bring the Uzi to his shoulder, rid himself of that useless coat, and he began to make for the door.

He had reached it, elbowing aside the policemen, shouting for the door to be opened above the nerve-shattering noise of the long burst fired by Mackowicz, when from the corner of his eye he saw the puny, dark grey and rounded shape loop its way from the window toward the top table.

Mackowicz far back in the room shouted the one terrifying choked word, 'Grenade!'

It bounced, seemingly consumed with inertia, on to the floor between the table and the front row of the audience's seats, made a gentle parabola before bouncing again and then rolling unevenly, toward the shelter of the table where Elkin protected Sokarev. Mackowicz jumped for it. There was a moment when he was airborne and Jimmy could see the grenade wobbling, nearly stationary, then it disappeared beneath the big body. Stillness, fractional but complete. Then Mackowicz was lifted high toward the ceiling, Jimmy did not see him fall — he was through the door, now unlocked and running toward the main entrance.

The detonation of the grenade was still battering in Jimmy's ears as he went down the corridor through the confusion of the milling policemen. Because the shots and explosion had come from inside the lecture room every man, in or out of uniform, saw it as his duty to crowd as close as physically possible to the source of the gunfire.

Behind Jimmy as he shouldered his way through the advancing charge came a cry for 'Stretchers.' He knew where to go. He dug his heels into the soft gravel immediately outside the doorway, ran out into the night and to his left and then swerved again to get himself along the side of the building and to the marksman's position. In the shadows far in front he saw two men jump from the roof of a parked car and start to run for the low boundary wall that separated the university precincts from Malet Street and the free-flowing traffic. Still sprinting, Jimmy fired — stupid really — carried away with the cowboy game, only one shot, and the magazine was expended. There was a shot in return, wide and high and to the right, barely close enough for him to distinguish the 'crack' that signalled its incoming. As his finger moved uselessly on the trigger, bringing home the message of his wastefulness, he slowed, couldn't get close now, not with an empty bloody shooter.

Across the road he heard the frantic, piercing sound of dispute, and the noise, belatedly, of a car revving. Jimmy was panting now, out of condition, not enough time in the gym, striving to fill his lungs with air.

'Helen. Helen. Where in God's name are you?'

It seemed deep eternity before the car pulled up sharply alongside him.

'Get out. Get out of the bloody thing.' His voice came in short staccato bursts. She hesitated, disorientated by the distant noise of gunfire and now the heaving wild-eyed form of Jimmy.

'Get out, you stupid bitch. Get out of the bloody car.'

She began to unfasten the clasp of her safety belt worn across her body. Always in position, however far she went, reflex. Jimmy wrenched open the door, took hold of the collar of her coat and pulled her from the wheel. One action, out of the seat and clear of the door. The background cacophony; of police whistles blowing, of a radio screeching with static, of orders bellowed. Jimmy had taken her place and the car was already spinning in a one-hundred-and-eighty-degree half-circle as he headed for the one gap in the wall and toward where he had seen the running men and heard the starting car.

Seventy yards in front the Cortina struck out into the main stream. It was a laboured movement, that of a winged animal, one certain in the knowledge that it must escape but with its limbs damaged and impaired. Jimmy heaved with relief. He was in contact, the vacuum space between the cars would lessen. He cut right from the centre of the road to avoid a racing police car, light revolving, siren at volume, travelling in the other direction. Flashed his headlights, but it was past him, his gesture unseen by driver or navigator. No system of communication from Helen's car, no radio telephone. He pulled out again, avoided the bus that lumbered in front and cursed that the girl had purchased a slow-acceleration family car. But the gap would close.

The Cortina went through the traffic lights on red and was in Goodge Street, long, Georgian and geometric, heading south. Jimmy followed, was faintly aware of a car skidding to an emergency stop to avoid collision, and settled himself easily into the seat. Not good yet, Jimmy, had you with your Y-fronts on your knees, not often it goes that way, but it'll get better, and the little bastards up front'll wonder what hit them. The PPK rested on his lap.

Another magazine was in his jacket, right pocket. He would wait for an opportunity to reload.

They had run from the window close together, Famy with his head bent round, covering the area behind them, the small rifle ready to fire, ready to head off pursuit, McCoy leading with his right arm pressed hard against the upper shoulder. When Famy had turned once to fire away into the distance McCoy had savagely pulled him forward, destroying his aim. it's distance we have to have. Hang on here and we're screwed.' The words sobbed out, but with little tone as they emerged from the clamped and pain-creased mouth.

When they reached the Cortina McCoy had thrust his left hand across his body into the opposite trouser pocket and pulled clear the laden key ring. It took him several seconds to select the one he wanted, small and bright and fresh-cut. He tossed it to Famy.