Jack remembered the carnage and human sacrifice they had seen in the inner sanctum at Atlantis. That too had been real, as real as the horror of the Nazi bunker. He turned to Costas. ‘Do you remember, four years ago when we dived in the sacred cenotes of the Yucatan in Mexico, going to the site of Chichen Itza and seeing the appalling evidence of human sacrifice? You yourself said it was a society where something had gone terribly wrong, that had not developed normally, as if someone had come from over the sea and imposed a distorted memory of Egyptian and Near Eastern civilization. You said the Maya were like a cult brainwashed by a madman.’
‘You mean the madness of Noah-Uta-napishtim,’ Costas murmured.
‘Perhaps Noah was on his own voyage into insanity, pushed towards it by what he had seen and done in that chamber of horrors in Atlantis, then by the sun and starvation and exhaustion as he came to this place, and then by the desperation that drove him to leave and sail ever further west until he hit the mainland and met people who lived as he knew his ancestors had done, a way he admired. He taught them what he knew from Atlantis, how to build pyramids and how to sacrifice, something that came to an awful head thousands of years later in the orgy of bloodletting by the Maya and the Aztecs.’
‘Not a place we want to go,’ Rebecca said.
Jack shook his head. ‘I think we turn back, just as Gilgamesh did. We go back to the world where men became gods, and where it was a short step from those faceless pillars of the Neolithic temples to the tyrannical god-kings of the Middle East and the worst megalomaniacs of our time, to Hitler and Himmler and the other monsters of Nazism. But that’s our legacy, and we know from what has happened today that we can transcend it. If we carry on west and follow Noah-Uta-napishtim to his heart of darkness, I’m not sure if there is any happy ending. There’s nothing for us there, no treasure at the end of the trail, just a horrifying vision of what human beings are capable of inflicting on each other.’
‘We’ve seen enough of that in the past few days,’ Costas muttered.
‘So what’s next?’ Rebecca said.
Jack was dog-tired, but he felt that familiar adrenalin surging through him. ‘We were speaking of Maurice Hiebermeyer. I owe him.’
‘Egypt?’
Jack grinned. ‘He and I have been planning it for years. It’s so big, we’ve never quite wanted to go for it, both of us waiting until the time was right.’
‘That statue with the inscription Maurice found at Troy?’
‘That was the clue he needed. If I tell you this could be bigger than the discovery of the tomb of Tutankhamun, far bigger, you’ll see where I’m coming from. It’s about Akhenaten, Tutankhamun’s father, the most mysterious and terrifying of the pharaohs, about where he came from and where he went. About what happened to his treasure. About finding his tomb.’
‘Any diving?’ Costas mumbled, now half asleep.
‘Like you wouldn’t believe. The most astonishing find has been made in the Red Sea.’
‘No more deadly toxins? Doomsday weapons?’
‘I swear.’
‘Erupting volcanoes?’
‘The dive site is beside a beach, one of those ones with parasols and reclining chairs and a little bar at the back serving cocktails.’
Costas tipped his hat up and squinted at Jack. ‘You’re kidding.’
‘Nope.’
He leaned back again, sighing contentedly. ‘For the first time ever, you think of me.’
‘Only after you do your duty at Lanowski’s wedding.’
Costas groaned and pulled his hat back over his face. Jack smiled at Rebecca, who raised her eyes and shook her head. He remembered the message he had written to her on the scrap of plastic when he thought he was going to die in the cavern below. He reached down to his buoyancy compensator pocket, felt for it, then discreetly took it out and dangled his hand over the pontoon, releasing the scrap into the sea and letting the waves wash through his fingers. The message would be there for her forever, in the sea, Jack’s spirit world, though the words would be erased by sun and water and would only ever be known to him. He felt a dawning happiness, as if that act had been the final release he had needed to throw off the burden that had weighed on him since Rebecca had been drawn into the nightmare of kidnapping and violence that had dogged their quest.
He lifted his hand from the water and shielded his eyes, looking up. The sound of the helicopter became louder, increasing to a roar as it took up position overhead. The downdraught kicked up a spray of water around the boat that sparkled as the sun shone through it, and for a moment it was as if they were in a vortex, one that would lift them to ever more fabulous places. Jack was suddenly coursing with excitement. He shaded his eyes and looked up, seeing Jeremy’s helmeted figure leaning out of the door. Costas reached up and caught the winch line, then looked at Jack and Rebecca, making a whirling motion with his free hand and pointing up. ‘Good to go?’ he yelled.
Rebecca draped her arm over Jack’s shoulders. Jack beamed at Costas, then tilted his head towards Rebecca, waiting. She turned and looked at him expectantly. Then she understood. She shook her head again, grinning, and they both shouted together.
‘Good to go.’
Background to the novel
When my first novel Atlantis was published in 2005, it was against a backdrop of extraordinary real-life discoveries that were transforming our view of the rise of civilization. A century ago, most scholars would have put that formative period at the beginning of the Bronze Age, some five thousand years ago; now we know that many of the key developments – the first towns, with walls, towers and even temples – had appeared more than five thousand years before that, soon after the end of the Ice Age. Cambridge University, where I completed my PhD in archaeology in 1991, had long been a centre of expertise in this era, and by the time I left my academic teaching career ten years later to write full-time, it was clear that the Neolithic period was where the most exciting breakthroughs were being made in understanding the past. Not only were amazing new sites being excavated – mainly in modern Turkey, on the Anatolian plateau – but archaeologists were thinking in daring new ways, using finds to question long-held assumptions about the transformation from hunter-gatherer to agricultural societies. Most excitingly, they had begun to address the belief systems of our distant ancestors, to try to get inside their minds, something long thought beyond the scope of archaeology but where the new finds were shedding dazzling light. Was this a time of conflict, as the old beliefs of the hunter-gatherers were replaced by the new? Was it the birthplace of the gods? Much remains uncertain, but this sea change in archaeological thinking provides the backdrop to The Gods of Atlantis.
Atlantis revisited
My novel Atlantis was based on the premise that the sunken city, uniquely known from the fifth century BC Greek philosopher Plato’s dialogues Timaeus and Critias, was not Plato’s fictional creation but was truly derived – as he claims – from an account by the early sixth century BC Greek traveller Solon, who had heard it from an Egyptian priest in the temple at Sais in the Nile delta. The Egyptian priests had an unbroken tradition of knowledge extending far back into prehistory, and my novel began with the fictional discovery of a papyrus containing Solon’s original account of his visit to the temple. However, instead of basing the story in the Bronze Age, on the second-millennium BC eruption of the Aegean volcano of Thera and its effect on Minoan civilization – as do many archaeologists who take Plato’s story at face value – my Atlantis dated thousands of years earlier, a distant memory of a devastating flood and a lost city at the dawn of civilization, not in the Aegean, but in the Black Sea to the north-east. This placed Atlantis in the Neolithic – the ‘New Stone Age’ – at the time when agriculture was first developed, a period dating from soon after the end of the Ice Age about twelve thousand years ago until the widespread adoption of copper technology from about the fifth millennium BC.