Over and above the signal fact of the impression made on Maggie herself, the aspirant to his daughter's hand showed somehow the great marks and signs, stood before him with the high authenticities, he had learned to look for in pieces of the first order. Adam Verver knew, by this time, knew thoroughly; no man in Europe or in America, he privately believed, was less capable, in such estimates, of vulgar mistakes. He had never spoken of himself as infallible—it was not his way; but, apart from the natural affections, he had acquainted himself with no greater joy, of the intimately personal type, than the joy of his originally coming to feel, and all so unexpectedly, that he had in him the spirit of the connoisseur. He had, like many other persons, in the course of his reading, been struck with Keats's sonnet about stout Cortez in the presence of the Pacific; but few persons, probably, had so devoutly fitted the poet's grand image to a fact of experience. It consorted so with Mr. Verver's consciousness of the way in which, at a given moment, he had stared at HIS Pacific, that a couple of perusals of the immortal lines had sufficed to stamp them in his memory. His "peak in Darien" was the sudden hour that had transformed his life, the hour of his perceiving with a mute inward gasp akin to the low moan of apprehensive passion, that a world was left him to conquer and that he might conquer it if he tried. It had been a turning of the page of the book of life—as if a leaf long inert had moved at a touch and, eagerly reversed, had made such a stir of the air as sent up into his face the very breath of the Golden Isles. To rifle the Golden Isles had, on the spot, become the business of his future, and with the sweetness of it—what was most wondrous of all—still more even in the thought than in the act. The thought was that of the affinity of Genius, or at least of Taste, with something in himself—with the dormant intelligence of which he had thus almost violently become aware and that affected him as changing by a mere revolution of the screw his whole intellectual plane. He was equal, somehow, with the great seers, the invokers and encouragers of beauty—and he didn't after all perhaps dangle so far below the great producers and creators. He had been nothing of that kind before-too decidedly, too dreadfully not; but now he saw why he had been what he had, why he had failed and fallen short even in huge success; now he read into his career, in one single magnificent night, the immense meaning it had waited for.
It was during his first visit to Europe after the death of his wife, when his daughter was ten years old, that the light, in his mind, had so broken—and he had even made out at that time why, on an earlier occasion, the journey of his honeymoon year, it had still been closely covered. He had "bought" then, so far as he had been able, but he had bought almost wholly for the frail, fluttered creature at his side, who had had her fancies, decidedly, but all for the art, then wonderful to both of them, of the Rue de la Paix, the costly authenticities of dressmakers and jewellers. Her flutter—pale disconcerted ghost as she actually was, a broken white flower tied round, almost grotesquely for his present sense, with a huge satin "bow" of the Boulevard—her flutter had been mainly that of ribbons, frills and fine fabrics; all funny, pathetic evidence, for memory, of the bewilderments overtaking them as a bridal pair confronted with opportunity. He could wince, fairly, still, as he remembered the sense in which the poor girl's pressure had, under his fond encouragement indeed, been exerted in favour of purchase and curiosity. These were wandering images, out of the earlier dusk, that threw her back, for his pity, into a past more remote than he liked their common past, their young affection, to appear. It would have had to be admitted, to an insistent criticism, that Maggie's mother, all too strangely, had not so much failed of faith as of the right application of it; since she had exercised it eagerly and restlessly, made it a pretext for innocent perversities in respect to which philosophic time was at, last to reduce all groans to gentleness. And they had loved each other so that his own intelligence, on the higher line, had temporarily paid for it. The futilities, the enormities, the depravities, of decoration and ingenuity, that, before his sense was unsealed, she had made him think lovely! Musing, reconsidering little man that he was, and addicted to silent pleasures—as he was accessible to silent pains—he even sometimes wondered what would have become of his intelligence, in the sphere in which it was to learn more and more exclusively to play, if his wife's influence upon it had not been, in the strange scheme of things, so promptly removed. Would she have led him altogether, attached as he was to her, into the wilderness of mere mistakes? Would she have prevented him from ever scaling his vertiginous Peak?—or would she, otherwise, have been able to accompany him to that eminence, where he might have pointed out to her, as Cortez to HIS companions, the revelation vouchsafed? No companion of Cortez had presumably been a real lady: Mr. Verver allowed that historic fact to determine his inference.
VIII
What was at all events not permanently hidden from him was a truth much less invidious about his years of darkness. It was the strange scheme of things again: the years of darkness had been needed to render possible the years of light. A wiser hand than he at first knew had kept him hard at acquisition of one sort as a perfect preliminary to acquisition of another, and the preliminary would have been weak and wanting if the good faith of it had been less. His comparative blindness had made the good faith, which in its turn had made the soil propitious for the flower of the supreme idea. He had had to LIKE forging and sweating, he had had to like polishing and piling up his arms. They were things at least he had had to believe he liked, just as he had believed he liked transcendent calculation and imaginative gambling all for themselves, the creation of "interests" that were the extinction of other interests, the livid vulgarity, even, of getting in, or getting out, first. That had of course been so far from really the case—with the supreme idea, all the while, growing and striking deep, under everything, in the warm, rich earth. He had stood unknowing, he had walked and worked where it was buried, and the fact itself, the fact of his fortune, would have been a barren fact enough if the first sharp tender shoot had never struggled into day. There on one side was the ugliness his middle time had been spared; there on the other, from all the portents, was the beauty with which his age might still be crowned. He was happier, doubtless, than he deserved; but THAT, when one was happy at all, it was easy to be. He had wrought by devious ways, but he had reached the place, and what would ever have been straighter, in any man's life, than his way, now, of occupying it? It hadn't merely, his plan, all the sanctions of civilization; it was positively civilization condensed, concrete, consummate, set down by his hands as a house on a rock—a house from whose open doors and windows, open to grateful, to thirsty millions, the higher, the highest knowledge would shine out to bless the land. In this house, designed as a gift, primarily, to the people of his adoptive city and native State, the urgency of whose release from the bondage of ugliness he was in a position to measure—in this museum of museums, a palace of art which was to show for compact as a Greek temple was compact, a receptacle of treasures sifted to positive sanctity, his spirit to-day almost altogether lived, making up, as he would have said, for lost time and haunting the portico in anticipation of the final rites.