I ate. You don't want to know what I ate any more than I want to revisit the tastes by telling about it. Just recall the items I bought back on Pluto, imagine them all swirled together in a blender, and I'll leave the rest to your imagination. It was vile stuff, and it killed the hunger pangs, which was all it was supposed to do.
I shook out three pills. They were now plainly labeled POWERFUL NARCOTICS, I noticed. I washed them down with deadball solution that was actually starting to taste pretty good.
I slept.
"Interesting," said John Valentine, when he saw his son. "But what about the pants?"
"Donald Duck never wore pants," said Gideon Peppy, around his lollipop.
Sparky had spent the entire morning with Rose, the nice production-designer lady, and her staff of hair, costume, and makeup people. His hair had been restored in its tripartite pattern, but instead of banana yellow it was now metallic and bronze, spiraled and wiry. The side wings were swept back instead of spread out, and the front part of the Mohawk drooped down over his forehead. The electric zigzags were back, joined now by a pair on his chest. His eyes were mascaraed from eyelash to brow in a deep rose fading to black, then tapering to more zigzags at the corners. He wore black lipstick. He had been prodded and pampered, trimmed, teased, and flattered by the deft boys and girls of the makeup department, and made to feel very important indeed. He had been massaged with warm oils until his skin glistened. If he wanted something to eat or drink he had merely to ask and it appeared. He had received his first manicure and pedicure. Then he had been put into his costume, which was a red jerkin or waistcoat (which his father said was pronounced weskit) with gold embroidery suggestive of a circuit board. It could be fastened with a frog in front, or left open. It had no sleeves or lapels. It reached the middle of his hips. When he had it on Sparky immediately asked the same question his father would ask a few minutes later, and when he was told that was it, the entire costume, he knew there was going to be trouble.
Now he stood silently in front of the huge mirror that backed the conference table on the edge of the bustling pirate-ship tank set. Gideon Peppy liked conference tables, had one brought in anywhere he was going to meet with people, and immediately installed himself in a big chair at one end. His staff clustered at that end, drawn like iron filings to a magnet. He sat there now, feet up on the table as was his custom, and looked at Sparky. Behind him and to his right was the usual pandemonium of a set being constructed, wired, painted, and lit all at once. A wharf had been built and a Caribbean port town was almost complete. Nail guns stuttered and paint sprayers hissed and table saws howled as gangs of grips carried Styrofoam barrels and inflatable bales of cotton to stack on the wharf. A paving machine was moving along like a giant metal termite queen, laying cobbles in irregular rows on the steep main street. Set dressers were strewing straw and garbage and imitation horseshit, daubing weathered-wood walls with ersatz mildew. Somewhere underwater frogmen were positioning battery-powered mini-brutes to shine upward through the turquoise water. And anchored just off the wharf was the pirate ship itself, swarming with gaffers and riggers testing the complex system of ropes, pulleys, and canvas.
Sparky watched it all in the mirror, and remembered Orson Welles's description of a motion picture soundstage: the greatest toy a boy ever had.
"Yes," his father thundered, bringing Sparky back to reality. "And Donald Duck was a cartoon, a water fowl, and imaginary. And, apparently, sexless. You should bear in mind that my son is a real little boy."
Valentine had grasped the dynamic of the conference table instantly, weeks ago when he had his first meeting with Peppy and his staff. He had marched unerringly to the far end of the table and had been camping out there ever since. It meant he had to raise his voice to reach Peppy, especially on a noisy set like this one, but it was no problem for John Valentine, who liked to boast that he had never been miked in his life and always projected to the last row of the balcony.
Peppy and Valentine had loathed each other on sight and each had yet to speak an impolite word to the other. The tension at the table had grown so unbearable that the faint of heart among Peppy's entourage hyperventilated and had to breathe into paper bags when the meetings adjourned.
"I never forget it for a minute, my good friend," Peppy replied. "A wonderful talent, your son. He's going to be a big star, and very soon. Maybe even bigger than me." He chuckled wryly, bemused at such a thought, and a few of his people chuckled with him. He leaned forward. But we're dealing in a fantasy world here, John B. We're making movie magic. We've researched this high and low—haven't we, Rose? Tell him about the research—and what you're seeing in that sweet little boy is the coming thing, John B., the coming thing. We won't be in business very long if we wait around until the coming thing is already here. We've got to be the ones who define what it is. Tell him, Rose."
Valentine, who liked being called John B. about as much as Jack Sensational would have liked being called Puddin' head, folded his hands comfortably and turned to Rose with a sweet smile.
Rose was that rarity, an artist oblivious to power politics within the team. She liked her creation, and she liked Sparky, and had no idea how much Valentine and Peppy detested each other.
"It's true, Mr. Valentine," she enthused, and hurried over to take Sparky by the elbows and boost him onto the table, where he swaggered around in the middle, careful not to get too close to either end, where there were tigers. He struck a few poses, watching himself in the mirror.
"The one-piece look is already the thing in the Mercury Commune, and you know how they've bellwethered all the newest things for the last two years. Simplicity is the statement. One garment, loads of makeup. Both sexes. And not just the tiny tots, either. Just a shirt, or a pair of trousers. Sometimes just one sleeve—just a sleeve, no shirt—or a legging." She illustrated on her own body, with graceful hand gestures, then joined Sparky on the table. She herself wore a garment similar to his, but a little longer. She went down on one knee beside him, pointing out features of her handiwork. "Depilate from the neck down. Oil up. One item of clothing. That's the key to the new look. Lots of skin. Heck, on Mars the upper classes aren't dressing their children at all until they reach puberty, as if we were back in the fifties. I think that's reverse snobbery, and besides, you can't make money selling nudity."
"You can make more money selling more clothes," Valentine pointed out. "That's true," said Peppy. "And we'll sell caps, and T-shirts, and whatever the marketing department dreams up. But that'll be with pictures of Sparky, and with the Sparky artwork and logo and characters. If the kids want to wear the Sparky look, they'll wear the vest dingus. And they'll buy it from us, because we'll be the only ones selling Sparky vests with the official Sparky's Gang seal."
"Only to eight-year-olds," Valentine said.
"So what? We figure three-to-ten, actually, but eight is the target, for now. This thing takes off, takes off big, we'll get up to the teens as the Sparkster gets older. I'm telling you, John B., the Victorian Kid is history. You can pack away all his lacy duds, his velvet shirts and ruffled collars and knee britches. Coupla months, everybody's kid's gonna dress like this."