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I scarcely knew that I was asleep, yet it seemed to me that I saw once again, as if from afar, the vast, strangely angled cities of which I have sometimes found myself dreaming. They are built from huge blocks of stone set and faced with shining gems, and in truth I felt a sadness to know that what I saw lay so impossibly far in the past that all but the faintest renlnant has faded. For I recognized that they were made in the manner of the ruins to which Alya had taken me; and not by man, who was not even upon the face of the earth at this far time, but by great beings, star-headed and with many strange limbs, who moved on the pads of three triangular feet. Despite their ugliness, I felt a sense of kin; for I saw that, in their own alien way, they were wise and purposeful. These, I thought, are the Old Ones, whose wisdom trickled down through the eons in enough measure for Alya’s ancestors to use it in the building, puny to them, yet still vast by our human standards, of the great pyramids. My sense of distance was redoubled by the knowledge that these creatures would ultimately be obliterated by a mad darkness. But here, it seemed to me as they moved within their towering cities, they were at their prime. The whole earth was theirs, from the highest mountains to the deepest trenches of the sea. And they looked upon the hellish creatures, whom they bid do their work using only the power of their minds, with contempt. They ruled everything. They knew no doubt.

Such, then, was the vision that was presented to me—and I, a Roman, at last witnessed a race with whom I could converse as an equal, had these creatures but mouths and eyes and ears. I watched, charmed more than repelled, as the Old Ones went about the incomprehensible business of their lives beneath the strangely colored skies of a lost ancient earth. I saw on shining walls the dot-markings with which I have become familiar, and heard, or thought I heard, a sweeter version of the piping that carried so often on the wind. I saw, also, many of the starstones, less worn but otherwise exactly like those I have collected, and glowing with fine inscriptions. These, I noted, were passed between the creatures by their odd appendages, and I soon reached the conclusion that they were a coinage of sorts. But here the matter does not end, for I also saw several of the creatures bearing black, multi-sided stones like that which I found in the edifice at the edge of the mountains. They would place these at the center of a starstone, causing a strange transformation to take place. The starstone changed color, and the veins within it ceased to glow as it took on all the appearance of gold.

Reader, as you may imagine, I awoke with a start then. In the thin light of dusk, I hastened to my trunk, remembering as I opened it the smoke that I had seen coming from it on the previous night. Indeed, the whole contents were charred and soot-stained. As I reached through the ash of my ruined clothing and closed my hand around the many-sided black stone, the ground once more gave a faint growl. Masonry crackled, and again the slaves of Cul Holman began to weep and wail. But the tremor proved to be nothing—a mere settling back of the earth.

I gazed at the black stone, and picked up also one of the starstones, turning them both over. It seemed quite impossible that one thing thus angled should mate with the curved indent in the middle of the other, as I had seen in my vision. But the two artifacts fitted well when I tried them; so well that I could not separate them when they were joined. In fact, the lines within the starstone began to glow, and it became so hot that I dropped it to the floor. Within a moment, too quick to notice, the starstone changed color. It gained a smooth golden luster and—for I discovered that both objects were immediately cold, and could be separated easily—had increased greatly in weight. Then I placed the black-faceted stone within the center of another starstone, bringing about the same transformation.

Here, reader, you may imagine that I proceeded to transform all the starstones into what I could only conclude was gold. In fact, I performed the process only three times; and for the third, by way of an experiment, I used the most scratched and damaged of the stones, with two of its arms broken, although that also changed. But gold is a tricky substance to possess, especially here, and at that moment I still doubted the sense of what I was seeing. It was enough. Before light next day, when all was quiet, I summoned a smithy to one of the makeshift workshops. To allay my remaining doubts, I bid him work one of the changed starstones in ways that only the most precious of all metals can be. Despite the man’s protests, the stone was easily cut and beaten into twenty fat coin-like discs of roughly equal size. They are warm to the touch as I hold them now, and feel smooth upon the tongue, creamy yet with a faintly salty flavor; much as I imagine those who indulge such matters find the flesh of a loved one. Gold truly is the most human of metals, yet it also brings us closest to the gods. As for the smithy, I have had him beaten on the pretext of some minor offense. If he survives, his tale will be taken as mere raving.

I have less than a quarter of my given time left here at Cul Holman, and I am torn between a desire to return to Rome, and to remain for longer, gathering starstones. This afternoon, beginning my search, I went out to where the further mines are being reestablished, and sought the gullies along which the slave girl Alya had led me. But I could not find any, and I surmise that they were closed up by the great movements of the earth. That would also explain why the wind sounds differently now—although it blows as hot and fierce as ever. Gone is the weird piping: gone, too, I imagine, are those vast ruins to which Alya took me—or so buried as to be lost forever. For it became apparent as I wandered deeper into these hills that the greatest disturbance took place in the far reaches. If there truly are such things as Virgil’s sleeping giants, it is there that the greatest of them all must lie.

* * *

Long have I neglected these writings, and now that I begin again, it is upon a proper roll of papyrus, with better ink, and in a better place. Indeed, I have often toyed with the idea of destroying all that I have written, in view of the hazard it would present were it to fall into greedier hands.

You find me where all of this began; which was not Rome or even Cul Holman, it now seems to me, but at my beloved villa in Naples. Of course, I still think of Cul Holman. Yet the place seems darker than it does even within the wilder ramblings of my writings, and its memory tugs me in strange and uncomfortable ways.

Much of the remaining time since I deserted you there, patient reader, I spent in the pursuit of starstones. I confess I remained aloof from the harsh duties of reviving Cul Holman’s fortunes. I kept myself to myself, and ate and walked alone, and glanced but occasionally over my shoulder at the black figure that even here still sometimes seems to follow me. But at the end of it all, I found nothing—not one more stone. Any that remained must have been buried in the sliding and twisting of those hills.

Apart from this seemingly odd pursuit, I did nothing to arouse suspicion at Cul Holman, and changed no more of the stones to their true metal. Nor, save in one instance, did I use them for currency; the idea for which seemed to stay with me oddly. For I confess I went to Kaliphus’s palace to purchase the freedom of Alya’s family. Kaliphus was his usual self, inquiring about Cul Holman’s fate in the earthquake as if his spies had not already informed him. Still, he seemed almost reluctant to accept the excessive amount of gold I offered for the freedom of his slaves— though I had credited him as a man of business, if little else.

Eventually, even as he made the sign I had seen him make before, he took the six heavy discs I offered. And he accepted my explanation that they were but a little of the personal wealth I had brought with me from Rome. In fact, there was an odd gravity about our transaction, as if the exchange were necessary as one small notation in a complex scroll of accounts where some greater total was to be balanced.