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“If she blames me for her mother’s death, how do you suppose she feels about you?”… “Tell her she hasn’t seen the last of me…”

“The young serpent also has poisoned fangs.”

The Amelia Peabody Mysteries

Crocodile on the Sandbank

When strong-willed Amelia Peabody’s studious father dies, Amelia decides to use her ample inheritance to travel. After rescuing a gentlewoman (Evelyn Barton-Forbes) in considerable distress, the two become friends and Amelia hires Evelyn to be her companion on the next leg of her trip, which takes them to Egypt. There Amelia encounters mysteries, missing mummies, and Radcliffe Emerson, an opinionated archaeologist who doesn’t need a woman’s help to solve the mystery – or so he thinks.

The Curse of the Pharaohs

When Lady Baskerville’s husband Sir Henry dies after discovering what may be an undisturbed royal tomb in Luxor, she appeals to eminent archaeologist Radcliffe Emerson and his wife Amelia to take over the excavation. Amid rumors of a curse haunting all those involved with the dig, the intrepid couple proceeds to Egypt, where they begin to suspect that Sir Henry did not die a natural death, and they are confident that the accidents that plague the dig are caused by a sinister human element, not a pharaoh’s curse.

The Mummy Case

Amelia and Emerson bring their young son Ramses along on this adventure, where they find themselves investigating the mysterious death of a dealer in illegal antiquities. Before long, mummy cases start appearing and disappearing and a second murder complicates the mystery. When it becomes clear that a Master Criminal is behind the mysterious goings on, Amelia determines to unmask the dastardly fiend.

Lion in the Valley

Amelia finally gets her wish – she is returning to Egypt with her beloved husband and colleague in archaeology, Emerson, to excavate a pyramid. However, her excavation is quickly complicated by a disguised nobleman, distressed damsels, and a brilliant (and dashing!) Master Criminal. Amelia, with a pyramid to explore and a mystery to solve, is in her element.

The Deeds of the Disturber [PerfectBound e-book]

This time Amelia doesn’t need to leave England to find murder and mayhem. When a night watchman at the British Museum dies with a terrified expression on his face in front of a "haunted" mummy case, Amelia knows she needs to get to the bottom of it.

The Last Camel Died at Noon

In this affectionate tribute to H. Rider Haggard (King Solomon’s’ Mines) the Emerson family heads to the Sudan for the season, following an ancient map they hope will lead them to a secret oasis. What they find is one of the most perilous adventures of their lives.

The Snake, the Crocodile, and the Dog

With the children at home in England pursuing their studies, Amelia and Emerson head back to Amarna for a dig that promises to be just like old times. The trip turns out to be more like old times than they plan, however: Emerson’s memory disappears, and Amelia must try to win his love again, amid peril from enemies both old and new!

The Hippopotamus Pool

Popular, plucky 19th-century Egyptologist Amelia Peabody romps through her eighth archaeological adventure. When Amelia, her husband Emerson, and their thirteen-year-old son Ramses return to Egypt to begin excavation on an undisturbed Royal Tomb, they find themselves faced with a surprising new villain who is every bit as clever and resourceful as the intrepid Amelia herself!

Seeing a Large Cat

Peabody and Emerson receive a warning: "Stay away from tomb Twenty-A!" Along the way to solving the mystery, the Emersons meet a spoiled young woman, an overprotective father, and an intelligent con artist – in addition to discovering that Ramses has grown from a precocious child to a teenage heartthrob. Ramses strikes out with his adopted cousin David and beautiful Nefret on adventures that are best not known to anybody… especially Amelia.

The Ape Who Guards the Balance

Has all the elements necessary for a classic Amelia Peabody mystery: a dead body (mauled by crocodiles?), young lovers, a reunion of old friends (and enemies), archaeological discoveries – all recounted in Amelia’s own inimitable style. Excerpts from Manuscript H and letters from Nefret provide another perspective on the great detective and Egyptolologist.

The Falcon at the Portal

David is accused of forging antiquities, and the Emerson clan springs into action to help clear his name. The romantic tension between Ramses and Nefret finally comes to a head, a body is discovered at Emerson’s excavation site, and the obnoxious cousin Percy reappears.

He Shall Thunder in the Sky

It is 1914, the Emersons are in Egypt for another dig. Tensions within the family are heightened by World War I and a threatened invasion of Egypt by the Ottoman Turks. A dangerous game of spy vs. spy ensues, complete with deceit, deception, and disinformation.

Lord of the Silent

Undeterred by world war and enemy submarines, Amelia Peabody once again sets sail for Egypt – where ghosts of an ancient past and specters of a present-day evil hover silently over an inscrutable land.

The Golden One

A new year, 1917, is dawning, and the Great War that ravages the world shows no sign of abating. Answering the siren call of Egypt once more, Amelia Peabody and her family arrive at their home in Luxor to learn of a new royal tomb ransacked by thieves. Soon an even more disturbing outrage concerns the intrepid clan of archaeologists: the freshly and savagely slain corpse of a thief defiles the ancient burial site.

A Nice, Practical Career for a Woman: Some Questions for Elizabeth Peters, et al.

Editor’s note: Barbara Mertz has written nonfiction Egyptology books under her own name. As Elizabeth Peters, she is the author of many mysteries, including series starring Amelia Peabody, Vicky Bliss, and Jacqueline Kirby. As Barbara Michaels she has written gothic suspense novels. She is often addressed in correspondence and known to her in-the-know fans as "MPM" (for Michaels-Peters-Mertz). In total, MPM has published over sixty books – view the whole list here. MPM answers some frequently asked questions below.

What made you want to be a writer?

I didn’t want to be a writer. I wanted to be an archaeologist. My parents wanted me to be a teacher – a nice, practical career for a woman. When they discovered, somewhat belatedly (I had been at the Oriental Institute for six months by then), that I had changed my major, they were bewildered. But, bless them, they didn’t try to make me change my mind. I still believe, with all my heart, that young people should be allowed to follow their own aspirations and inclinations, however impractical these may seem. If they don’t try, they will never know whether or not they might have succeeded.

And who’s to say what is practical? Egyptology was an impractical career, especially for a young married woman forty years ago. Writing was, and still is, an impractical career, because so few people succeed in earning a living that way. I was one of the lucky ones; and if I hadn’t been so obsessed with ancient Egypt – as I still am – I might not have noticed that I did enjoy writing, and that some people thought I was pretty good at it. But I’ve never regretted studying Egyptology, even though I was unable to make it my career.