Our laughter, as we separated, rang sweetly through the old orchard and across the far, dim meadows. Felicity and Cecily went into the house and Sara Ray and the Story Girl went home, but Peter decoyed me into the granary to ask advice.
"You know Felicity has a birthday next week," he said, "and I want to write her an ode."
"A—a what?" I gasped.
"An ode," repeated Peter, gravely. "It's poetry, you know. I'll put it in Our Magazine."
"But you can't write poetry, Peter," I protested.
"I'm going to try," said Peter stoutly. "That is, if you think she won't be offended at me."
"She ought to feel flattered," I replied.
"You never can tell how she'll take things," said Peter gloomily. "Of course I ain't going to sign my name, and if she ain't pleased I won't tell her I wrote it. Don't you let on."
I promised I wouldn't and Peter went off with a light heart. He said he meant to write two lines every day till he got it done.
Cupid was playing his world-old tricks with others than poor Peter that spring. Allusion has been made in these chronicles to one, Cyrus Brisk, and to the fact that our brown-haired, soft-voiced Cecily had found favour in the eyes of the said Cyrus. Cecily did not regard her conquest with any pride. On the contrary, it annoyed her terribly to be teased about Cyrus. She declared she hated both him and his name. She was as uncivil to him as sweet Cecily could be to anyone, but the gallant Cyrus was nothing daunted. He laid determined siege to Cecily's young heart by all the methods known to love-lorn swains. He placed delicate tributes of spruce gum, molasses taffy, "conversation" candies and decorated slate pencils on her desk; he persistently "chose" her in all school games calling for a partner; he entreated to be allowed to carry her basket from school; he offered to work her sums for her; and rumour had it that he had made a wild statement to the effect that he meant to ask if he might see her home some night from prayer meeting. Cecily was quite frightened that he would; she confided to me that she would rather die than walk home with him, but that if he asked her she would be too bashful to say no. So far, however, Cyrus had not molested her out of school, nor had he as yet thumped Willy Fraser—who was reported to be very low in his spirits over the whole affair.
And now Cyrus had written Cecily a letter—a love letter, mark you. Moreover, he had sent it through the post-office, with a real stamp on it. Its arrival made a sensation among us. Dan brought it from the office and, recognizing the handwriting of Cyrus, gave Cecily no peace until she showed us the letter. It was a very sentimental and rather ill-spelled epistle in which the inflammable Cyrus reproached her in heart-rending words for her coldness, and begged her to answer his letter, saying that if she did he would keep the secret "in violets." Cyrus probably meant "inviolate" but Cecily thought it was intended for a poetical touch. He signed himself "your troo lover, Cyrus Brisk" and added in a postcript that he couldn't eat or sleep for thinking of her.
"Are you going to answer it?" asked Dan.
"Certainly not," said Cecily with dignity.
"Cyrus Brisk wants to be kicked," growled Felix, who never seemed to be any particular friend of Willy Fraser's either. "He'd better learn how to spell before he takes to writing love letters."
"Maybe Cyrus will starve to death if you don't," suggested Sara Ray.
"I hope he will," said Cecily cruelly. She was truly vexed over the letter; and yet, so contradictory a thing is the feminine heart, even at twelve years old, I think she was a little flattered by it also. It was her first love letter and she confided to me that it gives you a very queer feeling to get it. At all events—the letter, though unanswered, was not torn up. I feel sure Cecily preserved it. But she walked past Cyrus next morning at school with a frozen countenance, evincing not the slightest pity for his pangs of unrequited affection. Cecily winced when Pat caught a mouse, visited a school chum the day the pigs were killed that she might not hear their squealing, and would not have stepped on a caterpillar for anything; yet she did not care at all how much she made the brisk Cyrus suffer.
Then, suddenly, all our spring gladness and Maytime hopes were blighted as by a killing frost. Sorrow and anxiety pervaded our days and embittered our dreams by night. Grim tragedy held sway in our lives for the next fortnight.
Paddy disappeared. One night he lapped his new milk as usual at Uncle Roger's dairy door and then sat blandly on the flat stone before it, giving the world assurance of a cat, sleek sides glistening, plumy tail gracefully folded around his paws, brilliant eyes watching the stir and flicker of bare willow boughs in the twilight air above him. That was the last seen of him. In the morning he was not.
At first we were not seriously alarmed. Paddy was no roving Thomas, but occasionally he vanished for a day or so. But when two days passed without his return we became anxious, the third day worried us greatly, and the fourth found us distracted.
"Something has happened to Pat," the Story Girl declared miserably. "He never stayed away from home more than two days in his life."
"What could have happened to him?" asked Felix.
"He's been poisoned—or a dog has killed him," answered the Story Girl in tragic tones.
Cecily began to cry at this; but tears were of no avail. Neither was anything else, apparently. We searched every nook and cranny of barns and out-buildings and woods on both the King farms; we inquired far and wide; we roved over Carlisle meadows calling Paddy's name, until Aunt Janet grew exasperated and declared we must stop making such exhibitions of ourselves. But we found and heard no trace of our lost pet. The Story Girl moped and refused to be comforted; Cecily declared she could not sleep at night for thinking of poor Paddy dying miserably in some corner to which he had dragged his failing body, or lying somewhere mangled and torn by a dog. We hated every dog we saw on the ground that he might be the guilty one.
"It's the suspense that's so hard," sobbed the Story Girl. "If I just knew what had happened to him it wouldn't be QUITE so hard. But I don't know whether he's dead or alive. He may be living and suffering, and every night I dream that he has come home and when I wake up and find it's only a dream it just breaks my heart."
"It's ever so much worse than when he was so sick last fall," said Cecily drearily. "Then we knew that everything was done for him that could be done."
We could not appeal to Peg Bowen this time. In our desperation we would have done it, but Peg was far away. With the first breath of spring she was up and off, answering to the lure of the long road. She had not been seen in her accustomed haunts for many a day. Her pets were gaining their own living in the woods and her house was locked up.
CHAPTER XI. THE WITCH'S WISHBONE
When a fortnight had elapsed we gave up all hope.
"Pat is dead," said the Story Girl hopelessly, as we returned one evening from a bootless quest to Andrew Cowan's where a strange gray cat had been reported—a cat which turned out to be a yellowish brown nondescript, with no tail to speak of.
"I'm afraid so," I acknowledged at last.
"If only Peg Bowen had been at home she could have found him for us," asserted Peter. "Her skull would have told her where he was."
"I wonder if the wishbone she gave me would have done any good," cried Cecily suddenly. "I'd forgotten all about it. Oh, do you suppose it's too late yet?"
"There's nothing in a wishbone," said Dan impatiently.
"You can't be sure. She TOLD me I'd get the wish I made on it. I'm going to try whenever I get home."
"It can't do any harm, anyhow," said Peter, "but I'm afraid you've left it too late. If Pat is dead even a witch's wishbone can't bring him back to life."