The Grand Babylon Hote

'But why?' she questioned. 'Supposing, that is, that anything could happen to me

- which it can't.'

'Because I have dragged you into this,' he replied, gazing at her. 'It is nothing to you. You are only being kind.'

'How do you know it is nothing to me, Prince?' she asked him quickly.

Just then the sick man made a convulsive movement, and Nella flew to the bed and soothed him. From the head of the bed she looked over at Prince Aribert, and he returned her bright, excited glance. She was in her travelling-frock, with a large white Belgian apron tied over it. Large dark circles of fatigue and sleeplessness surrounded her eyes, and to the Prince her cheek seemed hollow and thin; her hair lay thick over the temples, half covering the ears. Aribert gave no answer to her query - merely gazed at her with melancholy intensity.

'I think I will go and rest,' she said at last. 'You will know all about the medicine.'

'Sleep well,' he said, as he softly opened the door for her. And then he was alone with Eugen. It was his turn that night to watch, for they still half-expected some strange, sudden visit, or onslaught, or move of one kind or another from Jules.

Racksole slept in the parlour on the ground floor.

Nella had the front bedroom on the first floor; Miss Spencer was immured in the attic; the last-named lady had been singularly quiet and incurious, taking her food from Nella and asking no questions, the old woman went at nights to her own abode in the purlieus of the harbour. Hour after hour Aribert sat silent by his nephew's bed-side, attending mechanically to his wants, and every now and then gazing hard into the vacant, anguished face, as if trying to extort from that mask the secrets which it held. Aribert was tortured by the idea that if he could have only half an hour's, only a quarter of an hour's, rational speech with Prince Eugen, all might be cleared up and put right, and by the fact that that rational talk was absolutely impossible on Eugen's part until the fever had run its course. As the minutes crept on to midnight the watcher, made nervous by the intense, electrical atmosphere which seems always to surround a person who is dangerously ill, grew more and more a prey to vague and terrible apprehensions.

His mind dwelt hysterically on the most fatal possibilities.

He wondered what would occur if by any ill-chance Eugen should die in that bed

- how he would explain the affair to Posen and to the Emperor, how he would justify himself. He saw himself being tried for murder, sentenced (him - a Prince of the blood!), led to the scaffold . . . a scene unparalleled in Europe for over a century! . . . Then he gazed anew at the sick man, and thought he saw death in every drawn feature of that agonized face. He could have screamed aloud. His ears heard a peculiar resonant boom. He started - it was nothing but the city clock striking twelve. But there was another sound - a mysterious shuffle at the door. He listened; then jumped from his chair. Nothing now! Nothing! But still he felt drawn to the door, and after what seemed an interminable interval he went and opened it, his heart beating furiously. Nella lay in a heap on the door mat.

She was fully dressed, but had apparently lost consciousness. He clutched at her slender body, picked her up, carried her to the chair by the fire-place, and laid her in it. He had forgotten all about Eugen.

'What is it, my angel?' he whispered, and then he kissed her - kissed her twice.

He could only look at her; he did not know what to do to succour her.

At last she opened her eyes and sighed.

'Where am I?' she asked. vaguely, in a tremulous tone. as she recognized him.

'Is it you? Did I do anything silly? Did I faint?'

'What has happened? Were you ill?' he questioned anxiously. He was kneeling at her feet, holding her hand tight.

'I saw Jules by the side of my bed,' she murmured; 'I'm sure I saw him; he laughed at me. I had not undressed. I sprang up, frightened, but he had gone, and then I ran downstairs - to you.'

'You were dreaming,' he soothed her.

'Was I?'

'You must have been. I have not heard a sound. No one could have entered.

But if you like I will wake Mr Racksole.'

'Perhaps I was dreaming,' she admitted. 'How foolish!'

'You were over-tired,' he said, still unconsciously holding her hand. They gazed at each other. She smiled at him.

'You kissed me,' she said suddenly, and he blushed red and stood up before her.

'Why did you kiss me?'

'Ah! Miss Racksole,' he murmured, hurrying the words out. 'Forgive me. It is unforgivable, but forgive me. I was overpowered by my feelings. I did not know what I was doing.'

'Why did you kiss me?' she repeated.

'Because - Nella! I love you. I have no right to say it.'

'Why have you no right to say it?'

'If Eugen dies, I shall owe a duty to Posen - I shall be its ruler.'

'Well!' she said calmly, with an adorable confidence. 'Papa is worth forty millions.

Would you not abdicate?'

'Ah!' he gave a low cry. 'Will you force me to say these things? I could not shirk my duty to Posen, and the reigning Prince of Posen can only marry a Princess.'

'But Prince Eugen will live,' she said positively, 'and if he lives - '

'Then I shall be free. I would renounce all my rights to make you mine, if - if - '

'If what, Prince?'

'If you would deign to accept my hand.'

'Am I, then, rich enough?'

'Nella!' He bent down to her.

Then there was a crash of breaking glass. Aribert went to the window and opened it. In the starlit gloom he could see that a ladder had been raised against the back of the house. He thought he heard footsteps at the end of the garden.

'It was Jules,' he exclaimed to Nella, and without another word rushed upstairs to the attic. The attic was empty. Miss Spencer had mysteriously vanished.

19. Royalty At The Grand Babylon

THE Royal apartments at the Grand Babylon are famous in the world of hotels, and indeed elsewhere, as being, in their own way, unsurpassed. Some of the palaces of Germany, and in particular those of the mad Ludwig of Bavaria, may possess rooms and saloons which outshine them in gorgeous luxury and the mere wild fairy-like extravagance of wealth; but there is nothing, anywhere, even on Eighth Avenue, New York, which can fairly be called more complete, more perfect, more enticing, or - not least important - more comfortable.

The suite consists of six chambers - the ante-room, the saloon or audience chamber, the dining-room, the yellow drawing-room (where Royalty receives its friends), the library, and the State bedroom - to the last of which we have already been introduced. The most important and most impressive of these is, of course, the audience chamber, an apartment fifty feet long by forty feet broad, with a superb outlook over the Thames, the Shot Tower, and the higher signals of the South-Western Railway. The decoration of this room is mainly in the German taste, since four out of every six of its Royal occupants are of Teutonic blood; but its chief glory is its French ceiling, a masterpiece by Fragonard, taken bodily from a certain famous palace on the Loire. The walls are of panelled oak, with an eight-foot dado of Arras cloth imitated from unique Continental examples. The carpet, woven in one piece, is an antique specimen of the finest Turkish work, and it was obtained, a bargain, by Felix Babylon, from an impecunious Roumanian Prince. The silver candelabra, now fitted with electric light, came from the Rhine, and each had a separate history. The Royal chair - it is not etiquette to call it a throne, though it amounts to a throne - was looted by Napoleon from an Austrian city, and bought by Felix Babylon at the sale of a French collector. At each corner of the room stands a gigantic grotesque vase of German faïence of the sixteenth century. These were presented to Felix Babylon by William the First of Germany, upon the conclusion of his first incognito visit to London in connection with the French trouble of 1875.