‘But I can’t, Mother,’ said Ganga piously. ‘A vow is a vow. I’d rather give up my position, this kingdom, the world itself, than break my promise.’
‘But no one need know,’ Satyavati remonstrated, adding, after a moment’s hesitation, ‘except the girls themselves.’
‘That’s bad enough,’ Ganga replied, ‘and it doesn’t matter whether someone knows or not. What’s essential is to remain true to one’s principles. My vow has never been so sorely tested, but I’m sorry, Mother, I won’t give in to untruth for any reason.’ (He tried not to sound pompous while saying this, and nearly succeeded.) ‘But don’t despair, the idea’s still a good one, and I’m not the only person who can fulfil it. Don’t forget that we have a long tradition of Brahmins coming to the rescue of barren Kshatriyas. It may have fallen somewhat into disuse in recent years, but it could be useful again today.’
‘Dvaipayana!’ she exclaimed. ‘Of course — my son Ved Vyas! I hadn’t thought about him. If he’s anything like his father, he can certainly do the job.’
And indeed I could. We Brahmin sons never deny our mothers, and we never fail to rise to these occasions. I rose. I came.
Permit an old man a moment’s indulgence in nostalgia. The palace at Hastinapur was a great edifice in those days, a cream-and-pink tribute to the marriage of Western architecture and Eastern tastes. High-ceilinged rooms and airy passages supported by enormous rounded columns stretched ever onwards across a vast expanse of mosaic and marble. In the dusty courtyard beyond the front portico stood a solitary sedan, ready for any royal whim, its moustachioed chauffeur dozing at the wheel. The other vehicles lay in garages beyond, below the servants’ quarters where the washing hung gaily out to dry against walls of red brick — saris, dhotis, and, above all, the tell-tale uniforms of the numerous liveried attendants, brass buttons gleaming in the sunlight. The estate was all that was visible, lush lawns and flowered footpaths; the visitor was made conscious of a sense of spaciousness, that evidence of privilege in an overcrowded land. Inside, the cool marble, the sweeping stairways, the large halls, the furniture that seemed to have been bought to become antique, imposed rather than captivated. But one could walk through the mansion at peace with oneself, hearing only the soft padding of the servants’ bare feet, the tinkle of feminine laughter from the zenana, and the chirping melodies of the birds in the garden, being wafted indoors by the gentle afternoon breeze. And sometimes, when my ageing but still exquisite mother forgot herself, another noise could be heard, the high, tinny sound of a gramophone, Hastinapur’s only one, scratching out an incongruous waltz as a lonely head swayed silently in tune with the music.
At night there was stillness where once there was sound, and new sounds emerged where silence had reigned during the day. Raucous laughter from behind closed doors broadcast the young king’s pleasure: a fat madam musician played the harmonium while singing of romance through betel-stained lips, and lissom nautch-girls clashed their jingling payals with each assertive stamp of their hennaed heels. And Vichitravirya threw his head back in delight, flinging gold and silver coins, sometimes a jewel or a necklace, at the hired houri’s feet, or after a particularly heady mixture of music and ambrosia, tucking his reward into her low-bent cleavage as she pouted her gratitude. Then there followed all the frolic, and all the futility, of intoxication, which ended, eventually, in my princely half-brother’s death.
It was to this place that I went, and it was here that my mother told me anxiously why she had sent for me. ‘Of course I’ll help, Mother,’ I assured her, ‘provided my royal sisters-in-law are willing. For they have never seen me, and after a lifetime, even a short one, spent as a wandering Brahmin sage and preacher of sedition, I am not a pretty sight.’
My mother took in my sweat-stained kurta, my face burned black with constant exposure to the sun, the cracked heels of my much-walked feet, and the livid scar from a recent political encounter with the lathi-wielders of the Raj. ‘I see what you mean,’ she said. ‘But Ganga will take care of them.’
Between them, my mother and Ganga obtained the widows’ acquiescence — the issue of dynastic succession is, as every television viewer today knows, a powerful aphrodisiac. A few discreet inquiries and my father’s training enabled me to calculate the exact day required for the production of offspring. At the appointed moment Ambika, freshly bathed and richly adorned, was laid out on a canopied bed, and I duly entered the room, and her. But she was so appalled by the sight of her ravisher that she closed her eyes tightly throughout what one might have called, until the Americans confused the issue, the act of congress. Ambalika was more willing, but as afraid, and turned white with fear at my approach. The result, I warned my mother as I went to her to take my leave, was that the products of our union might be born blind and pale, respectively. So, on my last night Satyavati sent Ambika to me again, in the hope of doing better. But Ambika had had enough, and sent me a substitute, a maidservant of hers, bedecked in her mistress’ finery. By the time I discovered the deception it was too late, and a most agreeable deception it had proven, too. But I had made my plans to leave the next morning, and I slipped out as quietly and unobtrusively as I had come, leaving the secret of my visit locked in three wombs.
From Ambika emerged Dhritarashtra, blind, heir to the Hastinapur throne; from Ambalika, Pandu the pale, his brother; from the servant girl, Vidur the wise, one day counsellor to kings. Of all these I remained the unacknowledged father. Yes, Ganapathi, this is confession time.
The Second Book: The Duel with The Crown
8
Are you with me so far, Ganapathi? Got everything? I suppose you must have, or you couldn’t have taken it down, could you? Under our agreement, I mean.
But you must keep me in check, Ganapathi. I must learn to control my own excesses of phrase. It is all very well, at this stage of my life and career, to let myself go and unleash a few choice and pithy epithets I have been storing up for the purpose. But that would fly in the face of what has now become the Indian autobiographical tradition, laid down by a succession of eminent bald- heads from Rajaji to Chagla. The principle is simple: the more cantankerous the old man and the more controversial his memoirs, the more rigidly conventional is his writing. Look at Nirad Chaudhuri, who wrote his Autobiography of an Unknown Indian on that basis and promptly ceased to live up to its title. It is not a principle that these memoirs of a forgotten Indian can afford to abandon.
Right, Ganapathi? So, we’ve got the genealogies out of the way, my progeny are littering the palace at Hastinapur, and good old Ganga Datta is still safely ensconced as regent. No, on second thoughts, you’d better cut out that adverb, Ganapathi. ‘Safely’ wouldn’t be entirely accurate. A new British Resident, successor of the bewhiskered automobilist, is in place and is far from sure he likes what is going on.
Picture the situation for yourself. Gangaji, the man in charge of Hastinapur for all practical purposes, thin as a papaya plant, already balder then than I am today, peering at you through round-rimmed glasses that gave him the look of a startled owl. And the rest of his appearance was hardly what you would call prepossessing. He had by then burned his soup-and-fish and given away the elegant suits copied for him from the best British magazines by the court master-tailor; but to make matters worse, he was now beginning to shed part or most of even his traditional robes on all but state occasions. People were for ever barging into his study unexpectedly and finding him in nothing but a loincloth. ‘Excuse me, I was just preparing myself an enema,’ he would say, with a feeble smile, as if that explained everything. In fact, as you can well imagine, it only added to the confusion.