Police Chief Greensleeves studied him with even keener interest. 'Mrs Hutchmeyer was into bears? Did I hear you say Mrs Hutchmeyer was into bears?'
But Hutchmeyer had had enough. 'Don't keep asking me if that's what you heard,' he shouted. 'If I say Mrs Hutchmeyer was into bears she was into goddam bears. Ask the neighbours. They'll tell you.'
'We sure will,' said Chief Greensleeves. 'So you go out and buy yourself some artillery? To shoot bears?'
'I didn't shoot bears. I just had the gun in case I had to.'
'And I suppose you didn't shoot up fire trucks either?'
'Of course I didn't. Why the hell should I want to do a thing like that?'
'I wouldn't know, Mr Hutchmeyer, any more than I'd know what you were doing in the middle of the bay in the raw with a heap of empty gas cans tied round you and your house is on fire and nobody has called the Fire Department.'
'Nobody called...You mean my wife didn't call...' Hutchmeyer gaped at Greensleeves.
'Your wife? You mean you didn't have your wife with you out in the bay on board your cruiser?'
'Certainly not,' said Hutchmeyer, 'I've told you already I wasn't on my cruiser. My cruiser tried to ram me on my yacht and blew up and...'
'So where's Mrs Hutchmeyer?'
Hutchmeyer looked around desperately. 'I've no idea,' he said.
'Okay, take him down the station,' said the Police Chief, 'we'll go into this thing more thoroughly down there.' Hutchmeyer was bundled into the back of the police car and presently they were on their way into Bellsworth. By the time they reached the station Hutchmeyer was in an advanced state of shock.
So was Piper. The fire, the exploding cruiser, the arrival of the fire engines and police cars with their wailing sirens and finally the rapid machine-gun fire from the romper room had all served to undermine what little power of self-assertion he had ever possessed. As the firemen ran for cover and the police dropped to the ground he allowed himself to be led away through the woods by Baby. They hurried along a path and came out in the garden of another large house. People were standing outside the front door gazing at the smoke and flames roaring into the air over the trees. Baby hesitated a moment and then, taking advantage of the cover of some bushes, dragged Piper along below the house and into the woods on the other side.
'Where are we going?' Piper asked after another half mile. 'I mean we can't just walk away like this as if nothing had happened.'
'You want to go back?' hissed Baby.
Piper said he didn't.
'Right, so we've got to get some mileage,' said Baby. They went on and passed three more houses. After two miles Piper protested again.
'They're bound to wonder what's become of us,' he said.
'Let them wonder,' said Baby.
'I don't see that's going to do us any good,' said Piper. They are going to find out you deliberately set fire to the house and then there's the cruiser. It's got all my things on it.'
'It had all your things on it. Right now they're not on it any more. They're either at the bottom of the bay or they're floating around alongside my mink. When they find them you know what they're going to think?'
'No,' said Piper.
Baby giggled. 'They're going to think we went with them.'
'Went with them?'
'Like we're dead,' said Baby with another sinister giggle. Piper didn't see anything to laugh about. Death even by proxy wasn't a joke and besides he had lost his passport. It had been in the suitcase with his precious ledgers.
'Right, so they'll know you're dead,' said Baby when he pointed this out to her. 'Like I said, we have to make a break with the past. So we've made it. Completely. We're free. We can go anywhere and do anything. We've broken the fetters of circumstance.'
'You may see it that way,' said Piper, 'I can't say I do. As far as I'm concerned the fetters of circumstance happen to be a lot stronger than they ever were before all this happened.'
'Oh you're just a pessimist,' said Baby. 'I mean you've got to look on the bright side.'
Piper did. Even the bay was lit up by the conflagration and a number of boats had gathered offshore to watch the blaze.
'And just how do you think you're going to explain all this?' he said, forgetting for the moment that he was free and that there was no going back. Baby turned on him violently.
'Who's to explain to?' she demanded. 'We're dead. Get it, dead. We don't exist in the world where that happened. That's past history. It hasn't got anything to do with us. We belong to the future.'
'Well someone's going to have to explain it,' said Piper, 'I mean you can't just go round burning houses down and exploding boats and hope that people aren't going to ask questions. And what happens when they don't find our bodies at the bottom of the bay?'
They'll think we floated out to sea or the sharks got us or something. That's not our problem what they think. We've got our new lives to live.'
'Fat chance there's going to be of that,' said Piper, not to be consoled. But Baby was undismayed. Grasping Piper's hand she led the way on through the woods.
'Dual destiny, here we come,' she said gaily. Behind her Piper groaned. Dual destiny with this demented woman was the last thing he wanted. Presently they came out of the woods again. In front of them stood another large house. Its windows were dark and there was no sign of life.
'We'll hole up here until the heat's off,' said Baby using a vernacular that Piper had previously only heard in B-movies.
'What about the people who live here?' he asked. 'Aren't they going to mind if we just move in?'
'They won't know. This is the Van der Hoogens' house and they're away on a world tour. We'll be as safe as houses.'
Piper groaned again. In the light of what had just happened at the Hutchmeyer house the saying seemed singularly inappropriate. They crossed the grass and went round a gravel path to the side door.
'They always leave the key in the glasshouse,' said Baby. 'You just stay here and I'll go get it.' She went off and Piper stood uncertainly by the door. Now if ever was his chance to escape. But he didn't take it. He had lived too long in the shadow of other authors' identities to be able now to act on his own behalf. By the time Baby returned he was shaking. A reaction to his predicament had set in. He wobbled into the house after her. Baby locked the door behind them.
In Hampstead Frensic got up early. It was Sunday, the day before publication, and the reviews of Pause O Men for the Virgin should be in the papers. He walked up the hill to the newsagent and bought them all, even the News of The World which didn't review books but would be consoling reading if the reviews were bad in the others or, worse still, non-existent. Then, savouring his self-restraint, he strolled back to his flat without glancing at them on the way and put the kettle on for breakfast. He would have toast and marmalade and go through the papers as he ate. He was just making coffee when the telephone rang. It was Geoffrey Corkadale.
'You've seen the reviews?' he asked excitedly. Frensic said he hadn't.
'I've only just got up,' he said, piqued that Geoffrey had robbed him of the pleasure of reading the evidently excellent coverage. 'I gather from your tone that they're good.'
'Good? They're raves, absolute raves. Listen to what Frieda Gormley has to say in The Times, "The first serious novel to attempt the disentanglement of the social complicity surrounding the sexual taboo that has for so long separated youth from age. Of its kind Pause O Men for the Virgin is a masterpiece."'
'Gormless bitch,' muttered Frensic.
'Isn't that splendid?' said Geoffrey.
'It's senseless,' said Frensic. 'If Pause is the first novel to attempt the disentanglement of complicity, and Lord alone knows how anyone does that, it can't be "of, its kind". It hasn't got any kind. The bloody book is unique.'