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'Have to start quick,' said the lieutenant. 'The way the tide's running they could be out to sea by now.'

'So we start now,' said Greensleeves and went out into the lobby where some reporters were waiting.

'Got any theory?' they asked.

Greensleeves shook his head. 'We got two people missing presumed drowned. Mrs Baby Hutchmeyer and a Mr Peter Piper. He's a British author. That's all for now.'

'What about this Miss Futtle?' said the lieutenant. 'She's missing too.'

'And what about the house being burnt down?'

'We're waiting for a report on that,' said Greensleeves.

'But you do suspect deliberate arson?'

Greensleeves shrugged. 'You put all these things together and work out what I suspect,' he said and pressed on. Five minutes later the wires were buzzing with the news that Peter Piper, the famous author, was dead in bizarre circumstances.

In the Van der Hoogen mansion the victims of the tragedy listened to the news of their deaths on a transistor in the gloom of a bedroom on the top floor. Part of the gloom resulted from the shutters on the windows and part, from Piper's point of view, from the prospect that his death opened up before him. It was bad enough being an author by proxy, but being a corpse by proxy was awful beyond belief. Baby on the other hand greeted the news gaily.

'We've made it,' she said, 'they're not even going to come looking for us. You heard what they said. With the tide running the skin-divers aren't expecting to find the bodies.'

Piper looked miserably round the bedroom. 'It's all very well you talking,' he said. 'What you don't seem to understand is that I don't have an identity. I've lost my passport and all my work. How on earth am I going to get back to England? I can't go to the Embassy and ask for another passport. And the moment I appear in public I'm going to be arrested for arson and boat-burning and attempted murder. You've landed us in a ghastly mess.'

'I've freed you from the past. You can be anyone you want to be now.'

'All I want to be is myself,' said Piper.

Baby looked at him dubiously. 'From what you told me last night you weren't yourself before,' she said, 'I mean what sort of self were you being the author of a book you didn't write?'

'At least I knew what I wasn't. Now I don't even know that.'

'You're not a dead body. That's one good thing.'

'I might just as well be,' said Piper looking lugubriously at the sheeted forms of the furniture as if they were so many shrouds cloaking those different authors he had so happily aspired to be. The dim light filtering through the shuttered windows added to the impression that he was sitting in a tomb, the sepulchre of his literary ambitions. A sense of profound melancholy settled on him and with it the imagery of The Flying Dutchman doomed to wander the seas until such day...but for Piper there would be no release. He had been party to a crime, a whole number of crimes, and even if he went to the police now they wouldn't believe him. Why should they? Was it likely that a rich woman like Baby would burn down her own home and blow up an expensive cruiser and sink her husband's yacht? And even if she admitted that she was to blame for the whole thing, there would still be a trial and Hutchmeyer's lawyers would want to know why his suitcase had been on the boat. And finally the fact that he hadn't written Pause would come out and then everyone would suspect...not even suspect, they would be certain he was a fraud and after the Hutchmeyer money. And Baby had stolen a quarter of a million dollars from the safe in Hutchmeyer's study. Piper shook his head hopelessly and looked up to find her watching him with interest.

'No way, baby,' she said evidently reading his mind. 'It's dual destiny for us now. You try anything and I'll turn myself in and say you forced me.'

But Piper was past trying anything. 'What are we going to do now?' he asked. 'I mean we can't just sit here in someone else's house for ever.'

'Two days, maybe three,' said Baby, 'then we'll move on.'

'How? Just how are we going to move on?'

'Simple,' said Baby, 'I'll call for a cab and we'll take a flight from Bangor. No problems. They won't be looking for us on dry land...'

She was interrupted by a crunch on the drive. Piper went to the shutters and looked down. A police car had stopped outside.

'The cops,' Piper whispered. 'You said they wouldn't be looking for us.'

Baby joined him at the window. A bell chimed eerily two floors below. 'They're merely checking the Van der Hoogens to ask if they heard anything suspicious last night,' she said, 'they'll go away again.' Piper stared down at the two policemen. All he had to do now was to call out and...but Baby's fingers tightened on his arm and Piper made no sound. Presently after wandering round outside the house the two cops got back into their car and drove away.

'What did I tell you?' said Baby, 'no problems. I'll go down the kitchen and get us something to eat.'

Left to himself Piper paced the dim room and wondered why he hadn't called out to those two policemen. The simple, obvious reasons no longer sufficed. If he had called out it would have been some proof that he'd had nothing to do with the fire...at least an indication of innocence. But he had made no move. Why not? He had had a chance to escape from this mess and he hadn't taken it. Not through fear only but more alarmingly out of a willingness, almost a desire, to remain alone in this empty house with an extraordinary woman. What sort of terrible complicity was it that had prevented him? Baby was mad. He had no doubt in his mind about that and yet she exercised a weird fascination for him. He had never met anyone in his life before like her. She was oblivious of the ordinary conventions that ordered other people's lives and she could look calmly down at the police and say 'They will go away again' as if they were simply neighbours paying a social call. And they had. And he had done what she had expected and would go on doing it, even to the point of being anyone he wanted in this circumscribed freedom she had created round him by her actions. Anyone he wanted? He could only think of other authors but none had been in his predicament, and without a model to guide him Piper was thrown back on his own limited resources. And on Baby's. He would become what she wanted. That was the truth of the matter. Piper glimpsed the attraction she held for him. She knew what he was. She had said so last night before everything had started to go wrong. She had said he was a literary genius and she had meant it. For the first time he had met someone who knew what he really was and having found her he couldn't let her go. Exhausted by this frightening realization Piper lay down on the bed and closed his eyes and when Baby came upstairs with a tray she found him fast asleep. She looked at him fondly and then putting the tray down, took a sheet from a chair and covered him with it. Under the shroud Piper slept on.

In the police station Hutchmeyer would have done the same if they had let him. Instead, still naked beneath the blanket, he was subjected to interminable questions about his relations with his wife and with Miss Futtle and what Piper meant to Mrs Hutchmeyer and finally why he had chosen a particularly stormy night to go sailing in the bay.

'You usually go sailing without checking the weather?'

'Look I told you we just went out for a sail. We weren't figuring on going places, we just got up...'

'From the dinner table and said, "Let's just you and me..."'

'Miss Futtle suggested it,' said Hutchmeyer.

'Oh she did, did she? And what did Mrs Hutchmeyer have to say about you going sailing with another woman?'