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As I soon found when I lay down with her, it was the top half of that body that most appealed to her. In some important ways, she had sexual and aesthetic right on her side. However attractive a woman’s face may be when she has her clothes on, it is much more so when she is naked; then, sometimes only then, it becomes the most attractive part of her. Throat, shoulders and upper arms, not to speak of breasts, are all individual or at least personal; below the waist, there is a massive lack of detail and a small amount of mere anatomy. I worked on Diana’s principle for some time, with her unqualified and often noisy approval. But eventually there had to come the start of the accelerating swing to anatomy and, in every sense, to lack of detail. Diana’s pleasure abated at once.

At this point I saw (just) that I had a choice. I could perhaps return as far as possible to what she so obviously enjoyed most, while nearly—but not quite—stopping what I had just started on my own account: a sort of sexual equivalent of uninterruptedly performing a piano sonata and at the same time lunching off a plate of sandwiches. Or, without any effort at all, I could forget about her and, more important, forget about myself. That afternoon, I wanted this release even more than usual, but on the other hand I wanted to end up with a satisfied and grateful Diana—if there was any such thing—more yet. So I chose the first alternative, in fact improved on it by metaphorically playing a demanding coda, full of ornamentation and difficult runs in both hands, that went on quite a long time after the disappearance of the last sandwich. (They had been good sandwiches, anyway, as sandwiches go.)

I moved the minimum distance away. Diana peered at me. Her face was flushed and looked swollen round the eyes and mouth.

‘Oh God,’ she said, ‘lovely. There was so much of it. Wish I could remember it all. I don’t know how I felt.’

‘You were beautiful. You are beautiful.’

She smiled and looked away, down at herself. Soon she stopped sprawling and lolling, drew in her chin, crossed her legs and pushed herself up into a half-sitting position. When she looked at me again, her eyes were side, the swollen look had almost faded into her familiar expression of faint anxiety touched with pertness.

‘Maurice,’ she said now, ‘that was ab-so-lute-ly terr-i-fic. I don’t know how … you do it. Was it nice for you? You certainly deserved it to be.’

‘It was splendid.’.

I put my arms round her again and briefly ran over some of the main points treated in depth earlier, but this time in a lofty, impartial spirit, just underlining the essential continuity of how I felt about her attractions. After a few minutes, I said,

‘Diana.’

‘Yes?’

‘Diana, have you ever been to bed with more than one person? At the same time, I mean.’

‘Maurice, really … Well yes, I have, actually. Years ago now. Before I met Jack.’

‘Was it fun? It was two men, I suppose?’

‘Maurice … Yes, it was two men. If you could call them men. I thought I was the one it was going to be all about, but they were only really interested in each other. They went on taking it in turns to be in the middle, and what they wanted me to do wasn’t very nice. I got totally and completely bored and simply left them to it. It was all quite ghastly. But—’

‘I’m sure it was. But it would be quite different if you—’

‘You mean you and Joyce.’

‘Well, yes. She’s always—’

‘Maurice, you’re not to be furious with me, because I know you often are, but I must ask you something. What makes you even think of a thing like that? It’s all so frightfully unnecessary. Could it be that you really are getting old? I want to ask you something else. Can I?’

‘Ask away.’

‘Well … how often do you and Joyce make love? On the average?’

‘I don’t know. Once a week, perhaps. Sometimes not as much.’

‘There you are. You want to sort of spice it all up in a horrid way. You’ve got a lovely young wife who absolutely adores you, but you have to go for me as well, and even then that’s not enough for you. It’s like, you know, boots and transparent macks and typing-up and things.’

‘Sorry, Diana. Forget all about it. I’ve made a mistake. I thought you were the sort of person I could ask that. I’m sorry.

‘What sort of person do you mean?’

‘Well, eager for new experience, new sensations. Somebody who wants to … extend their awareness.’ (Her head was safely on my shoulder, where she could not meet my eyes.) ‘Somebody who’s interested in everything, and also interesting in all kinds of—’

‘Maurice, when did I say I wasn’t interested? I was just jolly fascinated to know why you wanted to do it. Isn’t that what I asked you?’

‘Sorry, yes, it was. Of course. And, you know, it wouldn’t be like the time with the two chaps. I do exactly what you love having done, don’t I?’ (Here I made a short allusion-in-action to some of this.) ‘Don’t I, darling?’

‘Oh yes. Yes, you do.’

‘And Joyce thinks you’re the most stunning creature she’s ever—’

‘Does she? What does she say?’

‘Oh, that she can understand what lesbians are on about when she looks at you, and she’d love to find out if that figure’s real, and all that. And you see, Diana darling, you’d be the complete centre of attraction. After all, Joyce and I are used to each other these days, you know what I mean, but with you we’d both—’

‘Have you mentioned it to her?’

‘Not yet.’

‘Well, don’t until we’ve talked about it again. Maurice…’

‘Yes?’

‘What else does Joyce say about me?’

I produced some more exaggerations or inventions—Joyce certainly admired Diana’s looks, but the amorous part of that admiration, if any, I knew nothing about. What I said was unmemorable enough but effective. Diana began breathing deeply, then squaring and relaxing her shoulders as she did so. I moved in.

A little later, fully dressed and savouring the relief that this brings in any adulterous circumstance, I obeyed Diana’s command to disappear for five minutes and climbed out of the hollow, which I found I had not until then thought of as a place in any full sense. Even the criss-cross pattern of indentations the grass had made on my forearms and knee-caps, noticeable as I put my clothes on, had been no reminder that we had actually been lying on and among grass, and the scene outside, the brambles, the sandy, stony banks and the trees farther off, had been on the edge of non-existence. Now all this, in the duller light from an overcast sky, settled into position. I strolled along the track towards the woods into which it disappeared. The air was thick and sultry, without any breeze. When I had walked a hundred yards, I turned off in the direction of the road, firstly to have a pee, secondly to establish, in an idle, time-filling way, just where I was in relation to my house. I moved up the ridge, skirting the more thickly-grown area, mostly oak and ash with a scattering of holly, hazel and elder, which I took to be the copse that could be seen from the front of the building: I had never wandered up as far as this before.