Israel Zangwill. The Grey Wig: Stories and Novelettes
The Grey Wig: Stories and Novelettes The Grey Wig; Chassé-Croisé; The Woman Beater; The Eternal Feminine; The Silent Sisters; The Big Bow Mystery; Merely Mary Ann; The Serio-Comic Governess
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THE GREY WIG
Stories and Novelettes
by
I. Zangwill
Author of "The Mantle of Elijah" "Children of the Ghetto" etc., etc.
1923
TO MY MOTHER AND SISTERS
THIS BOOK
Mainly a Study of Woman
IS LOVINGLY DEDICATED
PREFATORY NOTE.
This Volume embraces my newest and oldest work, and includes-for the sake of uniformity of edition-a couple of shilling novelettes that are out of print.
I.Z.
Mentone, February, 1903.
THE GREY WIG
I.
They both styled themselves "Madame," but only the younger of the old ladies had been married. Madame Valiere was still a demoiselle, but as she drew towards sixty it had seemed more convenable to possess a mature label. Certainly Madame Depine had no visible matrimonial advantages over her fellow-lodger at the Hotel des Tourterelles, though in the symmetrical cemetery of Montparnasse (Section 22) wreaths of glass beads testified to a copious domesticity in the far past, and a newspaper picture of a chasseur d'Afrique pinned over her bed recalled-though only the uniform was the dead soldier's-the son she had contributed to France's colonial empire. Practically it was two old maids-or two lone widows-whose boots turned pointed toes towards each other in the dark cranny of the rambling, fusty corridor of the sky-floor. Madame Depine was round, and grew dumpier with age; "Madame" Valiere was long, and grew slimmer. Otherwise their lives ran parallel. For the true madame of the establishment you had to turn to Madame la Proprietaire, with her buxom bookkeeper of a daughter and her tame baggage-bearing husband. This full-blooded, jovial creature, with her swart moustache, represented the only Parisian success of three provincial lives, and, in her good-nature, had permitted her decayed townswomen-at as low a rent as was compatible with prudence-to shelter themselves under her roof and as near it as possible. Her house being a profitable warren of American art-students, tempered by native journalists and decadent poets, she could, moreover, afford to let the old ladies off coffee and candles. They were at liberty to prepare their own dejeuner in winter or to buy it outside in summer; they could burn their own candles or sit in the dark, as the heart in them pleased; and thus they were as cheaply niched as any one in the gay city. Rentieres after their meticulous fashion, they drew a ridiculous but regular amount from the mysterious coffers of the Credit Lyonnais.
But though they met continuously in the musty corridor, and even dined-when they did dine-at the same cremerie, they never spoke to each other. Madame la Proprietaire was the channel through which they sucked each other's history, for though they had both known her in their girlish days at Tonnerre, in the department of Yonne, they had not known each other. Madame Valiere (Madame Depine learnt, and it seemed to explain the frigidity of her neighbour's manner) still trailed clouds of glory from the service of a Princess a quarter of a century before. Her refusal to wink at the Princess's goings-on, her austere, if provincial, regard for the convenances, had cost her the place, and from these purpureal heights she had fallen lower and lower, till she struck the attic of the Hotel des Tourterelles.
But even a haloed past does not give one a licence to annoy one's neighbours. Madame Depine felt resentfully, and she hated Madame Valiere as a haughty minion of royalty, who kept a cough, which barked loudest in the silence of the night.
"Why doesn't she go to the hospital, your Princess?" she complained to Madame la Proprietaire.
"Since she is able to nurse herself at home," the opulent-bosomed hostess replied with a shrug.
"At the expense of other people," Madame Depine retorted bitterly. "I shall die of her cough, I am sure of it."
Madame showed her white teeth sweetly. "Then it is you who should go to the hospital."
II.
Time wrote wrinkles enough on the brows of the two old ladies, but his frosty finger never touched their glossy brown hair, for both wore wigs of nearly the same shade. These wigs were almost symbolic of the evenness of their existence, which had got beyond the reach of happenings. The Church calendar, so richly dyed with figures of saints and martyrs, filled life with colour enough, and fast-days were almost as welcome as feast-days, for if the latter warmed the general air, the former cloaked economy with dignity. As for Mardi Gras, that shook you up for weeks, even though you did not venture out of your apartment; the gay serpentine streamers remained round one's soul as round the trees.
At intervals, indeed, secular excitements broke the even tenor. A country cousin would call upon the important Parisian relative, and be received, not in the little bedroom, but in state in the mustily magnificent salon of the hotel-all gold mirrors and mouldiness-which the poor country mouse vaguely accepted as part of the glories of Paris and success. Madame Depine would don her ponderous gold brooch, sole salvage of her bourgeois prosperity; while, if the visitor were for Madame Valiere, that grande dame would hang from her yellow, shrivelled neck the long gold chain and the old-fashioned watch, whose hands still seemed to point to regal hours.
Another break in the monotony was the day on which the lottery was drawn-the day of the pagan god of Luck. What delicious hopes of wealth flamed in these withered breasts, only to turn grey and cold when the blank was theirs again, but not the less to soar up again, with each fresh investment, towards the heaven of the hundred thousand francs! But if ever Madame Depine stumbled on Madame Valiere buying a section of a billet at the lottery agent's, she insisted on having her own slice cut from another number. Fortune itself would be robbed of its sweet if the "Princess" should share it. Even their common failure to win a sou did not draw them from their freezing depths of silence, from which every passing year made it more difficult to emerge. Some greater conjuncture was needed for that.
It came when Madame la Proprietaire made her debut one fine morning in a grey wig.
III.
Hitherto that portly lady's hair had been black. But now, as suddenly as darkness vanishes in a tropic dawn, it was become light. No gradual approach of the grey, for the black had been equally artificial. The wig is the region without twilight. Only in the swart moustache had the grey crept on, so that perhaps the growing incongruity had necessitated the sudden surrender to age.
To both Madame Depine and Madame Valiere the grey wig came like a blow on the heart.
It was a grisly embodiment of their secret griefs, a tantalising vision of the unattainable. To glide reputably into a grey wig had been for years their dearest desire. As each saw herself getting older and older, saw her complexion fade and the crow's-feet gather, and her eyes grow hollow, and her teeth fall out and her cheeks fall in, so did the impropriety of her brown wig strike more and more humiliatingly to her soul. But how should a poor old woman ever accumulate enough for a new wig? One might as well cry for the moon-or a set of false teeth. Unless, indeed, the lottery-?
And so, when Madame Depine received a sister-in-law from Tonnerre, or Madame Valiere's nephew came up by the excursion train from that same quiet and incongruously christened townlet, the Parisian personage would receive the visitor in the darkest corner of the salon, with her back to the light, and a big bonnet on her head-an imposing figure repeated duskily in the gold mirrors. These visits, instead of a relief, became a terror. Even a provincial knows it is not convenable for an old woman to wear a brown wig. And Tonnerre kept strict record of birthdays.