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"No. Naw," Durand seemed embarrassed. "It was a long time ago, at a fair when I was a kid. In a little white trailer covered with dust, hooked to a battered old Caddy. She said that thirty-two was my number,and that foxgloves would be important to me."

"Foxgloves?"

"You know, kind of a pinkish flower, grows by the roads some places."

Stepovich stared at his partner, waiting.

Durand stood. "So." He cleared his throat, folded his arms. "Maybe we should call bunko, maybe they'd recognize her."

"Maybe. And maybe we should let homicide do it,so we don't have to repeat everything bunko says to us to them." Most homicide cops Stepovich knew got bent out of shape if they thought a regular cop was trying to muscle in on their work. No, it was better to just take it easy and wait here, protect the scene until the homicide dicks got here and took over. Then it would be time for their afternoon break, and then there'd be another couple of hours of riding around,and then he could go home. He walked to the room's single window and stared down at the street, wondering how long it would take for homicide to arrive.And how many questions they'd ask, and how long they'd keep him and Durand here. It seemed to Stepovich that time had stopped, and wouldn't start again until they got here. It would never start again for the old woman. But when the detectives got here, it would be the end of the "waiting by a body" time and the beginning of the "waiting for the shift to be over" time. He wanted to go home. And then he could get rid of that knife. The thing was sticking in his brain, bugging him.He wished he'd never seen the damn thing. Just touching it made him feel crawly. He should have left it on the sidewalk, he should have gone ahead and booked the gypsy for concealed weapon. He thought of all the times he'd leaned switchblades up against the curb and stomped them so he wouldn't have to book a kid for concealed weapon. Well, the gypsy's knife wouldn't have yielded to that sort of treatment.Thick blade, at least two inches across at the hilt. And a weird hilt. On the surface of the hilt, toward the blade, there were these three little pins or pegs,shaped like stars. All three stars were enclosed in an engraving of a crescent moon. He'd never seen anything like it. He had it at home, in the bottom drawer,with his socks. It had been there since that night he'd gone to the tank and the gypsy hadn't been there. No one had sorted that out yet; all the paperwork said he should still have been there. What the hell. Stepovich was betting he wouldn't see the gypsy again.

So maybe the best thing to do was to take the knife back to the cemetery gates where they'd rattled the gypsy. Dump it there, kick it under the bushes. He sure as hell didn't want to keep it. He'd thought about tossing it into a dumpster or slipping it down a sewer. But those solutions didn't feel right either. No, he'd take it to the cemetery, and toss it in the bushes,where it would have ended up if they'd overlooked it when they shook the gypsy down.

"Step?"

"Yeah?" He didn't look away from the street. He was kind of watching their car, and kind of watching the loungers in front of the motorcycle shop down the street. Were they lounging, or were they watching?Looking out for what? Protecting what? And was it worth his while to make an effort to find out?

"Step. you think maybe this dead gypsy's got anything to do with the one we booked last week?"

He shrugged. "City's full of gypsies this time of year. Come in from God knows where, renting old storefronts, selling cheap tapestries from Japan in rundown bars, making up futures for people who don't have any. A week or a month from now,whoosh, they're all gone to God knows where. Makes you wonder if they were really here in the first place. And that's why we'll never know who killed this one,or where the other one went."

"Step?"

"No, I doubt if they're connected." He sighed and turned away from the window.

"Wish we knew what happened to that one we dragged in. I got a gut feeling he was the one blew away the liquor store clerk."

"Yeah? Well, I got a gut feeling he wasn't."

"How come?"

"Just because." He turned back to the window. An unmarked car pulled in behind theirs. A man in a, for God's sake, trench coat got out. He didn't know him,but the other detective was Scullion, Good. Scullion was fast and thorough. They'd be out of there in no time. A meat wagon was turning the corner.

"You know," said Durand softly. "I really think she was the same gypsy. The one that told my fortune."

TWENTIETH CENTURY

Walkin' down an empty street

In a city I don't know,

Whistlin' something catchy

As I make my way through snow.

Ain't got no gloves so

I keep my hands

Balled up in fists;

I'm trying not to think

How it all came down to this.

"NO PASSENGER"

The Coachman awoke, realizing that he'd been drunk again. This made him laugh, until it came to him that he was no longer drunk, and yet he was awake. This puzzled him. Next to him was a bottle labeled Mr. Boston Five-Star Brandy. There was about a third of the bottle left. He started to unscrew the cap, then closed it again. He blinked.

He remembered that he had dreamed that he'd had a passenger.

And now he was suddenly, inexplicably sober. He stood up, looked around the shabby room he could afford from money he begged and what he didn't drink, and suddenly laughed. Something was happening, somewhere.

He unscrewed the cap, smelled it, and decided it wasn't good enough. If it had been, he'd have poured a shot into a glass and drunk it that way, to celebrate,but it wasn't so he didn't. He checked his pockets and found almost three dollars in change, which would be enough to get him coffee and a Danish.Good. He whistled as he showered, no longer minding the low water pressure and he wondered how and where he would find his coach.

LATE FALL, EARLY EVENING

I haven't seen or heard from them

In far too many years,

But banging from the copper pans

Still echoes in my ears.

"RAVEN, OWL, AND I"

The Gypsy went walking, as he had so often before,not so much looking for anything as just looking, only he was walking where there was nothing to see and nowhere to go. He wore yellow, but it was brighter than he thought it should be, and his boots felt softer,although it was too much effort to look at them.

A hand halted him, and he, oddly, recognized the ring on it; he couldn't remember from where. A pair of familiar dark eyes locked with his, but then the light in them went out. The thought came to him that he'd just been saved from something.

He walked further, and there was a wolf, growling and bristling. He paused, and looked closer; the wolf's foot was trapped. He thought that he would release the foot, but the wolf snapped at him. He stopped then, puzzled. "Why snap at me?" he said."Am I your enemy? No. I'm the one who is trying to help you."

The wolf stared at him with old, intelligent eyes.He continued, "I will let you go, but you must not attack me; you must find your proper prey. Will you do that?"

The wolf studied him carefully, suspiciously, and it occurred to him that the wolf wondered, not if he could be trusted, but if he were capable of releasing him. The Wolf is no fool, he thought to himself, staring into its eyes.

The eyes contracted and became one, against a field of darkness, then they resolved until they became a single pinpoint of light, which became the universe,and it pulsed a very pale blue. His concentration was total, his questions, none. A moment ago, it had seemed, he could hear that pinpoint, that blue, that pulsing. A moment ago it had been the beat of the tambourine, zils laughing merrily, head thrumming. It had been that way forever, a moment ago, and now it was a pinpoint of light, and had been that, too,forever.