"Yeah. Slap that on one deltoid, maybe get a bright red Hot Stuff devil for the other, put on a tank top, and I'll be set."
"Don't forget the earring."
"Right. One of those dangly ones, maybe with the Metallica logo."
"That's you, Jack. A speedmetal dude."
Jack sighed. "Adorned… accessorized… I was brought up thinking that real men didn't bother with fashion."
"So was I," Gia said. "But I have an excuse: I grew up in semi-rural Iowa. You… you're a northeasterner."
"True, but all the adult males I knew as a kid—my father and the men he knew—were plain dressers. Most had fought in Korea. They dressed up for things like weddings and funerals, but mostly they wore functional clothes. Nobody accessorized. You stayed in front of the mirror long enough to shave and comb the hair out of your eyes. Anything more and you were some sort of peacock."
"Welcome to twenty-first-century Peacockville," Gia said.
Nick drifted by again.
"What's Nick paint?" Jack asked.
"He doesn't paint. He's a performance artist. His stage name is Harry Adamski."
"Swell." Jack hated performance art. "What's his performance?"
Gia bit her upper lip. "He calls it stool art. Let's just say it's a very personal form of sculpture and, um, let it go at that."
Jack stared at her. What was Gia—?
"Oh, jeez. Really…?"
She nodded.
"Christ," he said, letting loose, "is there anything out there that can't claim it's an art? There's the art of war, the art of the deal, the art of the shoe shine, the Artist Formerly Known As Prince—"
"I think he's back to calling himself Prince now."
"—the art of motorcycle maintenance. Smearing yourself with chocolate is art, hanging a toilet on a wall is art—"
"Come on, Jack. Lighten up. I was hoping a night out would lift your spirits. You've got to rejoin the living. Lately your life's consisted of eating, sleeping, and watching movies. You haven't worked out or taken a job or even returned calls. I'm sure Kate wouldn't want you to spend the rest of your life moping around."
Jack knew Gia was right and looked away. He saw a willowy blonde in her mid twenties swaying in their direction. She carried a martini glass filled with reddish fluid, probably a cosmo. The bottom of her short, zebra-striped blouse did not meet the top of her low riding, skintight leopard miniskirt; in the interval a large diamond stud gleamed from her navel.
"Maybe I should pierce my navel," Jack said.
"Fine, but don't show me until you've shaved your belly."
"How about a pierced tongue?"
Gia gave him a sidelong glance and a sultry smile. "Now that could be interesting." She looked up and saw the blonde. "Oh, here comes Junie Moon, the guest of honor."
"That her real name?"
"Not sure. But that's the one she's used since I've known her. She was struggling along just like the rest of us until Nathan Lane bought one of her abstracts last year and started talking her up. Now she's about as hot as you can get."
"What's a Junie Moon original go for?"
"Twenty and up."
Jack blinked. "Twenty thou? She's that good?"
"Big difference between hot and good, but I like Junie's work. She creates this unique mix of hot and cold. Sort of a cross between De Kooning and Mondrian, if you can imagine such a thing."
Jack couldn't, because he couldn't recall any works by either.
"You sound happy for her."
"I am. She's a good kid. I've got almost ten years on her and she sort of adopted me as a surrogate mother over the past few years. Phones me a couple of times a week to chat, asks advice."
"And no hard feelings that she hit it and you haven't?"
"Not a bit. I won't say I don't wish it were me instead, but if it had to happen to someone else, I'm glad it was Junie. She's ditzy but she's got talent, and I like her."
That was Gia. The nurturer without a jealous bone in her body. Another of the many reasons he loved her. But even if it didn't bother her, it rankled Jack to see the crap that hung in the galleries and exhibits she was always dragging him to, while her own canvases remained stacked in her studio.
"Bet her stuff's not half as good as yours."
"Mine are different."
Gia made her living in commercial art. She did a lot of advertising work, but over the years she'd developed a reputation among the art directors at the city's publishing houses as a talented and reliable artist. She'd walked Jack through a Barnes and Noble last week, pointing out her work on half a dozen hardcovers and trade paperbacks.
Nice stuff, but nothing like the paintings Gia did for herself. Jack loved those. He didn't know a lot about art, but he'd picked up a little following Gia around, and her urban roofscapes reminded him of Edward Hopper, one of the few artists he'd pay to see.
Junie dropped into the narrow space next to Gia on the couch, spilling a few drops of her drink. Her blue-shadowed lids drooped slightly. He wondered how many she'd had.
"Hey," she said, and kissed Gia on the cheek.
Gia introduced her to Jack and they shook hands across Gia. She looked about as down in the dumps as Jack felt.
Gia nudged her. "Why so glum? This party's for you."
"Yeah, I'd better enjoy it now." She took a gulp of her cosmopolitan. "My fifteen minutes are so over."
"What are you talking about?"
"My lucky bracelet. It's gone. It's the whole reason for my success."
"You think it was stolen?" Jack said, glancing at her bare wrists and then at the partygoers. No shortage of jealousy here, he'd bet. "When did you last see it?"
"Tuesday. I remember taking it off after finishing a painting. I took a shower, then went out shopping. Next morning I went to put it on before starting a new work, and it was gone."
"Anything else missing?" Jack said.
"Not a thing." She tossed back the rest of her drink. "And it's not valuable. It's an old piece of junk jewelry I picked up at a secondhand store. It looks homemade—I mean, it's set with a cat's eye marble, of all things—but I liked it. And as soon as I started wearing it, my paintings began to sell. The bracelet made it happen."
"Is that so?" Jack said. He felt Gia's hand grip the top of his thigh and begin to squeeze, trying to head off what she knew he was going to say, but he spoke anyway. "So it's got nothing to do with talent."
Junie shook her head and shrugged. "I never changed my style, but I started wearing the bracelet while I worked, and the first painting I finished with it was the one Nathan Lane bought. After that, everything started happening for me. It changed my luck. I've so got to find it."
"You've looked for it, I presume," Gia said.
"Turned my place upside down. But tomorrow I'm getting professional help."
"A bloodhound?" Jack offered, which earned him another squeeze.
"No. I've got an appointment with my psycho." She giggled. "I mean my psychic."
Gia's fingers became a vise, so Jack decided to heed her. "I'm sure he'll be a big help."
"Oh, I know he will! He's wonderful! I left my old seer for Ifasen a couple of months ago and am I ever glad. The man's absolutely incredible."
"Ifasen?" Jack knew most of the major players in the local psychic racket, if not personally, at least by rep, and the name Ifasen didn't ring a bell.
"He's new. Just moved into Astoria and—oh, my God! I just realized! That's just up the road from here! Maybe I can see him tonight!"
"It's pretty late, Junie. Will he—?"
"This is an emergency! He's got to see me!"
She pulled out her cell phone and speed-dialed a number, listened for a moment, then snapped it closed.
"Damn! His answering service! So what. I'm going up there anyway." She pushed herself up from the couch and staggered a step. "Gotta find a cab."
Gia glanced at Jack, concern in her eyes, then back to Junie. "You'll never get one around here."