Early in July the newspapers oddly supplement Blake's entries, though in so brief and casual a way that only the diary has called general attention to their contribution. It appears that a new fear had been growing on Federal Hill since a stranger had entered the dreaded church. The Italians whispered of unaccustomed stirrings and bumpings and scrapings in the dark windowless steeple, and called on their priests to banish an entity which haunted their dreams. Something, they said, was constantly watching at a door to see if it were dark enough to venture forth. Press items mentioned the longstanding local superstitions, but failed to shed much light on the earlier background of the horror. It was obvious that the young reporters of today are no antiquarians. In writing of these things in his diary, Blake expresses a curious kind of remorse, and talks of the duty of burying the Shining Trapezohedron and of banishing what he had evoked by letting daylight into the hideous jutting spire. At the same time, however, he displays the dangerous extent of his fascination, and admits a morbid longing– pervading even his dreams– to visit the accursed tower and gaze again into the cosmic secrets of the glowing stone.
Then something in the Journal on the morning of 17 July threw the diarist into a veritable fever of horror. It was only a variant of the other half-humorous items about the Federal hill restlessness, but to Blake it was somehow very terrible indeed. In the night a thunderstorm had put the city's lighting-system out of commission for a full hour, and in that black interval the Italians had nearly gone mad with fright. Those living near the dreaded church had sworn that the thing in the steeple had taken advantage of the street lamps' absence and gone down into the body of the church, flopping and bumping around in a viscous, altogether dreadful way. Towards the last it had bumped up to the tower, where there were sounds of the shattering of glass. It could go wherever the darkness reached, but light would always send it fleeing.
When the current blazed on again there had been a shocking commotion in the tower, for even the feeble light trickling through the grime-blackened, louvre-boarded windows was too much for the thing. It had bumped and slithered up into its tenebrous steeple just in time– for a long dose of light would have sent it back into the abyss whence the crazy stranger had called it. During the dark hour praying crowds had clustered round the church in the rain with lighted candles and lamps somehow shielded with folded paper and umbrellas– a guard of light to save the city from the nightmare that stalks in darkness. Once, those nearest the church declared, the outer door had rattled hideously.
But even this was not the worst. That evening in the Bulletin Blake read of what the reporters had found. Aroused at last to the whimsical news value of the scare, a pair of them had defied the frantic crowds of Italians and crawled into the church through the cellar window after trying the doors in vain. They found the dust of the vestibule and of the spectral nave ploughed up in a singular way, with pits of rotted cushions and satin pew-linings scattered curiously around. There was a bad odour everywhere, and here and there were bits of yellow stain and patches of what looked like charring. Opening the door to the tower, and pausing a moment at the suspicion of a scraping sound above, they found the narrow spiral stairs wiped roughly clean.
In the tower itself a similarly half-swept condition existed. They spoke of the heptagonal stone pillar, the overturned Gothic chairs, and the bizarre plaster images; though strangely enough the metal box and the old mutilated skeleton were not mentioned. What disturbed Blake the most– except for the hints of stains and charring and bad odours– was the final detail that explained the crashing glass. Every one of the tower's lancet windows was broken, and two of them had been darkened in a crude and hurried way by the stuffing of satin pew-linings and cushion-horsehair into the spaces between the slanting exterior louvre-boards. More satin fragments and bunches of horsehair lay scattered around the newly swept floor, as if someone had been interrupted in the act of restoring the tower to the absolute blackness of its tightly curtained days.
Yellowish stains and charred patches were found on the ladder to the windowless spire, but when a reporter climbed up, opened the horizontally-sliding trap-door and shot a feeble flashlight beam into the black and strangely foetid space, he saw nothing but darkness, and a heterogeneous litter of shapeless fragments near the aperture. The verdict, of course, was charlatanry. Somebody had played a joke on the superstitious hill-dwellers, or else some fanatic had striven to bolster up their fears for their own supposed good. Or perhaps some of the younger and more sophisticated dwellers had staged an elaborate hoax on the outside world. There was an amusing aftermath when the police sent an officer to verify the reports. Three men in succession found ways of evading the assignment, and the fourth went very reluctantly and returned very soon without adding to the account given by the reporters.
From this point onwards Blake's diary shows a mounting tide of insidious horror and nervous apprehension. He upbraids himself for not doing something, and speculates wildly on the consequences of another electrical breakdown. It had been verified that on three occasions– during thunderstorms– he telephoned the electric light company in a frantic vein and asked that desperate precautions against a lapse of power be taken. Now and then his entries show concern over the failure of the reporters to find the metal box and stone, and the strangely marred old skeleton, when they explored the shadowy tower room. He assumed that these things had been removed– whither, and by whom or what, he could only guess. But his worst fears concerned himself, and the kind of unholy rapport he felt to exist between his mind and that lurking horror in the distant steeple– that monstrous thing of night which his rashness had called out of the ultimate black spaces. He seemed to feel a constant tugging at his will, and callers of that period remember how he would sit abstractedly at his desk and stare out of the west window at that far-off spire-bristling mound beyond the swirling smoke of the city. His entries dwell monotonously on certain terrible dreams, and of a strengthening of the unholy rapport in his sleep. There is mention of a night when he awakened to find himself fully dressed, outdoors, and headed automatically down College Hill towards the west. Again and again he dwells on the fact that the thing in the steeple knows where to find him.
The week following 30 July is recalled as the time of Blake's partial breakdown. He did not dress, and ordered all his food by telephone. Visitors remarked the cords he kept near his bed, and he said that sleep-walking had forced him to bind his ankles every night with knots which would probably hold or else waken him with the labour of untying. In his diary he told of the hideous experience which had brought the collapse. After retiring on the night of the 30th, he had suddenly found himself groping about in an almost black space. All he could see were short, faint, horizontal streaks of bluish light, but he could smell an overpowering foetor and hear a curious jumble of soft, furtive sounds above him. Whenever he moved he stumbled over something, and at each noise there would come a sort of answering sound from above– a vague stirring, mixed with the cautious sliding of wood on wood.