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  Suddenly the Navajo sent the roan at Silvermane and threw his halter.  It spread out like a lasso, and the loop went over the head of the stallion, slipped to the knot and held fast, while the rope tightened.  Silvermane leaped up, forehoofs pawing the air, and his long shrill cry was neither whistle, snort, nor screech, but all combined.  He came down, missing Charger with his hoofs, sliding off his haunches.  The Indian, his bronze muscles rippling, close-hauled on the rope, making half hitches round his bony wrist.

  In a whirl of dust the roan drew closer to the gray, and Silvermane began a mad race around the corral.  The roan ran with him nose to nose.  When Silvermane saw he could not shake him, he opened his jaws, rolled back his lip in an ugly snarl, his white teeth glistening, and tried to bite. But the Indian's moccasined foot shot up under the stallion's ear and pressed him back.  Then the roan hugged Silvermane so close that half the time the Navajo virtually rode two horses.  But for the rigidity of his arms, and the play and sudden tension of his leg-muscles, the Indian's work would have appeared commonplace, so dexterous was he, so perfectly at home in his dangerous seat.  Suddenly he whooped and August Naab hauled back the gate, and the two horses, neck and neck, thundered out upon the level stretch.

  "Good!" cried August.  "Let him rip now, Navvy.  All over but the work, Jack.  I feared Silvermane would spear himself on some of those dead cedar spikes in the corral.  He's safe now."

  Jack watched the horses plunge at breakneck speed down the stretch, circle at the forest edge, and come tearing back.  Silvermane was pulling the roan faster than he had ever gone in his life, but the dark Indian kept his graceful seat.  The speed slackened on the second turn, and decreased as, mile after mile, the imperturbable Indian held roan and gray side to side and let them run.

  The time passed, but Hare's interest in the breaking of the stallion never flagged.  He began to understand the Indian, and to feel what the restraint and drag must be to the horse.  Never for a moment could Silvermane elude the huge roan, the tight halter, the relentless Navajo. Gallop fell to trot, and trot to jog, and jog to walk; and hour by hour, without whip or spur or word, the breaker of desert mustangs drove the wild stallion.  If there were cruelty it was in his implacable slow patience, his farsighted purpose.  Silvermane would have killed himself in an hour; he would have cut himself to pieces in one headlong dash, but that steel arm suffered him only to wear himself out.  Late that afternoon the Navajo led a dripping, drooping, foam-lashed stallion into the corral, tied him with the halter, and left him.

  Later Silvermane drank of the water poured into the corral trough, and had not the strength or spirit to resent the Navajo's caressing hand on his mane.

  Next morning the Indian rode again into the corral on blindfolded Charger.  Again he dragged Silvermane out on the level and drove him up and down with remorseless, machine-like persistence.  At noon he took him back, tied him up, and roped him fast.  Silvermane tried to rear and kick, but the saddle went on, strapped with a flash of the dark-skinned hands.  Then again Silvermane ran the level stretch beside the giant roan, only he carried a saddle now.  At the first, he broke out with free wild stride as if to run forever from under the hateful thing.  But as the afternoon waned he crept weariedly back to the corral.

  On the morning of the third day the Navajo went into the corral without Charger, and roped the gray, tied him fast, and saddled him.  Then he loosed the lassoes except the one around Silvermane's neck, which he whipped under his foreleg to draw him down.  Silvermane heaved a groan which plainly said he never wanted to rise again.  Swiftly the Indian knelt on the stallion's head; his hands flashed; there was a scream, a click of steel on bone; and proud Silvermane jumped to his feet with a bit between his teeth.

  The Navajo, firmly in the saddle, rose with him, and Silvermane leaped through the corral gate, and out upon the stretch, lengthening out with every stride, and settling into a wild, despairing burst of speed.  The white mane waved in the wind; the half-naked Navajo swayed to the motion. Horse and rider disappeared in the cedars.

  They were gone all day.  Toward night they appeared on the stretch.  The Indian rode into camp and, dismounting, handed the bridle-rein to Naab. He spoke no word; his dark impassiveness invited no comment.  Silvermane was dust-covered and sweat-stained.  His silver crest had the same proud beauty, his neck still the splendid arch, his head the noble outline, but his was a broken spirit.

  "Here, my lad," said August Naab, throwing the bridle-rein over Hare's arm.  "What did I say once about seeing you on a great gray horse?  Ah!

  Well, take him and know this: you've the swiftest horse in this desert country."

IX - The Scent Of Desert-Water

   Soon the shepherds were left to a quiet unbroken by the whistle of wild mustangs, the whoop of hunters, the ring of iron-shod hoofs on the stones.  The scream of an eagle, the bleating of sheep, the bark of a coyote were once more the only familiar sounds accentuating the silence of the plateau.  For Hare, time seemed to stand still.  He thought but little; his whole life was a matter of feeling from without.  He rose at dawn, never failing to see the red sun tip the eastern crags; he glowed with the touch of cold spring-water and the morning air; he trailed Silvermane under the cedars and thrilled when the stallion, answering his call, thumped the ground with hobbled feet and came his way, learning day by day to be glad at sight of his master.  He rode with Mescal behind the flock; he hunted hour by hour, crawling over the fragrant brown mats of cedar, through the sage and juniper, up the grassy slopes.  He rode back to camp beside Mescal, drove the sheep, and put Silvermane to his fleetest to beat Black Bolly down the level stretch where once the gray, even with freedom at stake, had lost to the black.  Then back to camp and fire and curling blue smoke, a supper that testified to busy Piute's farmward trips, sunset on the rim, endless changing desert, the wind in the cedars, bright stars in the blue, and sleep–so time stood still.

  Mescal and Hare were together, or never far apart, from dawn to night. Until the sheep were in the corral, every moment had its duty, from camp-work and care of horses to the many problems of the flock, so that they earned the rest on the rim-wall at sundown.  Only a touch of hands bridged the chasm between them.  They never spoke of their love, of Mescal's future, of Jack's return to hearth; a glance and a smile, scarcely sad yet not altogether happy, was the substance of their dream. Where Jack had once talked about the canyon and desert, he now seldom spoke at all.  From watching Mescal he had learned that to see was enough.  But there were moments when some association recalled the past and the strangeness of the present faced him.  Then he was wont to question Mescal.

  "What are you thinking of?" he asked, curiously, interrupting their silence.  She leaned against the rocks and kept a changeless, tranquil, unseeing gaze on the desert.  The level eyes were full of thought, of sadness, of mystery; they seemed to look afar.

  Then she turned to him with puzzled questioning look and enigmatical reply.  "Thinking?" asked her eyes.  "I wasn't thinking," were her words.

  "I fancied–I don't know exactly what," he went on.  "You looked so earnest. Do you ever think of going to the Navajos?"

  "No."

  "Or across that Painted Desert to find some place you seem to know, or see?"

  "No."

  "I don't know why, but, Mescal, sometimes I have the queerest ideas when I catch your eyes watching, watching. You look at once happy and sad. You see something out there that I can't see.  Your eyes are haunted. I've a feeling that if I'd look into them I'd see the sun setting, the clouds coloring, the twilight shadows changing; and then back of that the secret of it all–of you–Oh! I can't explain, but it seems so."