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" Wagalexa Conka, he heap careful for things belong where they stay," Annie-Many-Ponies observed in her musical contralto voice which always

THE HERITAGE OF THE SIOUX

irritated Applehead with its very melodj. " I think plenty wire all fold up neat in prop-room. Wagalexa Conka, he all time clean this studio front trash lie around everywhere."

" He does, hey ?" Applehead's sunburnt mustache bristled like the whiskers of Compadre when he was snarling defiance at the little black dog. The feud was asserting itself. "Well, this here danged place ain't no studio! It's a ranch, and it b'longs to me, Nip Furnnan. And any balin' wire on this ranch is my balin' wire, and it's got a right to lay around wherever I want it t' lay. And I don't need no danged squaw givin' me hints about how my place oughta be kept — now I'm tellin' yuh!"

Annie-Many-Ponies did not reply in words. She sat on her horse, straight as any young war-chief that ever led her kinsmen to battle, and looked down at Applehead with that maddening half smile of hers, inscrutable as the Sphinx her features sometimes resembled. Shunka Chistala (which is Sioux for Little Dog) came bounding over the low ridge that hid the ranch buildings from sight, and wagged himself dislocatinglj up to

WHEN GREEN GRASS COMES

her. Annie-Many-Ponies frowned at his approach until she saw that Applehead was aiming a clod at the dog, whereupon she touched her heels to the horse and sent him between Applehead and her pet, and gave Shunka Chistala a sharp command in Sioux that sent him hack to the house with his tail dropped.

For a full half minute she and old Applehead looked at each other in open antagonism. For a squaw, Annie-Many-Ponies was remarkably unsubmissive in her bearing. Her big eyes were frankly hostile; her half smile was, in the opinion of Apple-head, almost as frankly scornful. He could not match her in the subtleties of feminine warfare. He took refuge behind the masculine bulwark of authority.

" Where yuh bin with that horse uh mine ? " he demanded harshly. "Purty note when I don't git no say about my own stock. Got him all het up and heavin' like he'd been runnin' cattle; I ain't goin' to stand for havin' my horses run to death, now I'm tellin' yuh! Fer a squaw, I must say you're gittin' too danged uppish in your ways around here. Xext time you want to go traipsin*

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around the mesa, you kin go afoot. I'm goin' to need my horses fer roundup."

A white girl would have made some angry retort; but Annie-Many-Ponies, without looking in the least abashed, held her peace and kept that little inscrutable smile upon her lips. Her eyes, however, narrowed in their gaze.

f( Yuh hear me ?" Poor old Applehead had never before attempted to browbeat a woman, and her unsubmissive silence seemed to his bachelor mind uncanny.

" I hear what Wagalexa Conka tell me." She turned her horse and rode composedly away from him over the ridge.

" You'll hear a danged sight more'n that, now I'm tellin' yuh! " raved Applehead impotently. " I ain't sayin' nothin' agin Luck, but they's goin' to be some danged plain speakin' done on some subjects when he comes back, and givin' squaws a free rein and lettin' 'em ride rough-shod over everybody and everything is one of 'em. Things is gittin' mighty funny when a danged squaw kin straddle my horses and ride 'em to death, and sass me when I say a word agin it — now I'm tellin' yuh! " 18

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He went mumbling rebellion that was merely the effervescing of a mood which would pass with the words it bred, to the store-room which Annie-Many-Ponies had called the prop-room. He found there, piled upon a crude shelf, many little bundles of wire folded neatly and with the outer end wound twice around to keep each bundle separate from the others. Applehead snorted at what he chose to consider a finicky streak in his secret idol, Luck Lindsay; but he took two of the little bundles and went and wired the wagon tongue. And in the work he found a salve of anticipatory pleasure, so that he ended the task to the humming of the tune he had heard a movie theatre playing in town as he rode by on his way home.

CHAPTEK II

THE DAUGHTER OP A CHIEF

IN spite of Andy Green's plea for delay until they knew what Luck meant to do, Applehead went on with his energetic preparations for a spring roundup of his own. Some perverse spirit seemed to possess him and drive him out of his easy-going shiftlessness. He offered to hire the Happy Family by the day, since none of them would promise any permanent service until they heard from Luck. He put them to work gathering up the saddle-horses that had been turned loose when Luck's picture was finished, and repairing harness and attending to the numberless details of reorganizing a ranch long left to slipshod makeshifts.

The boys of the Flying U argued while they worked, but in spite of themselves the lure of the mesa quickened their movements. They were supposed to wait for Luck before they did anything;

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they all knew that. But, on the other hand, Luck was supposed to keep them informed as to his movements; which he had not done. They did not voice one single doubt of Luck's loyalty to them — but human nature is more prone to suspicion than to faith, as every one knows. And Luck had the power and the incentive to " double-cross " them if he was the kind to do such a thing. He was manager for their little free-lance picture company which did not even have a name to call itself by. They had produced one big feature film, and it was supposed to be a co-operative affair from start to finish. If Luck failed to make good, they would all be broke together. If Luck cleared up the few thousands that had been their hope, why — they would all profit by the success, if Luck —

I maintain that they showed themselves of pretty good metal, in that not even Happy Jack, confirmed pessimist that he was, ever put the least suspicion of Luck's honesty into words. They were not the kind to decry a comrade when his back was turned. And they had worked with Luck Lindsay and had worked for him. They had slept under the same roof with him, had shared his worries,

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his hopes, and his fears. They did not believe that Luck had appropriated the proceeds of The Phantom Herd and had deliberately left them there to cool their heels and feel the emptiness of their pockets in New Mexico, while he disported himself in Los Angeles; they did not believe that — they would have resented the implication that they harbored any doubt of him. But for all that, as the days passed and he neither came nor sent them any word, they yielded more and more to the determination of Applehead to start out upon his own business, and they said less and less about Luck's probable plans for the future.

And then, just when they were making ready for an early start the next morning; just when Apple-head had the corral full of horses and his chuck-wagon of grub; just when the Happy Family had packed their war-bags with absolute necessities and were justifying themselves in final arguments with Andy Green, who refused point-blank to leave the ranch — then, at the time a dramatist would have chosen for his entrance for an effective " curtain," here came Luck, smiling and driving a huge seven-passenger machine crowded to the last folding seat

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and with the chauffeur riding on the running board where Luck had calmly banished him when he skidded on a sharp turn and came near upsetting them.

Applehead, stowing a coil of new rope in the chuck-wagon, took off his hat and rubbed his shiny, pink pate in dismay. He was, for the moment, a culprit caught in the act of committing a grave misdemeanor if not an actual felony. He dropped the rope and went forward with dragging feet — ashamed, for the first time in his life, to face a friend.