1 Main Staircase
2 Saltykov Staircase
3 State Councillors’ Staircase
4 Main Staircase of the New Hermitage
5 Commandant’s Staircase
6 October Staircase
• Prehistoric Culture
Art of the Peoples of Central Asia
Art of Ancient Egypt
Classical Antiquity
• • Western European Art
Russian Culture
• • • Western European and American Art
Oriental Art
Numismatics
The Hermitage Guide
AURORA ART PUBLISHERS
LENINGRAD
Introduction by Boris Piotrovsky
Texts by Boris Asvarishch, Alice Bank, Xenia Gorbunova, Galina Komelova, Vladimir Lukonin, Vsevolod Potin, Irina Saverkina, Galina Smirnova, and Vladimir Vasilyev
Translated from the Russian by Vladimir Vezey and Yuri Pamfilov
Layout and design by Galina and Yuri Dyshlenko
© Aurora Art Publishers, Leningrad, 1981
Printed and bound in the USSR
The Hermitage, one of the oldest museums in the Soviet Union, has travelled the long road from a small picture gallery in the palace of the Russian Empress to a major national repository of art treasures and an important research and educational centre. Every year the Hermitage is visited by over three and a half million people.
The Museum occupies five buildings situated on the left bank of the Neva in the central part of Leningrad: the Winter Palace, built in 1762 by Francesco Bartolommeo Rastrelli; the Small Hermitage, designed in 1796 by Vallin de La Mothe; the Big (or Old) Hermitage, designed by Yuri Velten and completed in 1784; and the Hermitage Theatre, erected by Giacomo Quarenghi in the late 1780s and linked to the Big Hermitage by an arch over the Winter Canal. The New Hermitage was built in 1851 from a design by Leo von Klenze to accommodate the steadily growing collections of the Museum.
The Hermitage's foundation date is considered the year 1764, when 225 canvases bought by Catherine II from the German merchant Johann Ernest Gotzkowsky were delivered to the Winter Palace.
Prior to the February 1917 Revolution the Winter Palace was the residence of the royal family, then served as the headquarters of the bourgeois Provisional Government whose members were arrested by the workers during the October Revolution of 1917.
During the Soviet period the Hermitage collections have increased more than fourfold. The Hermitage today is a veritable museum of the history of world culture and art — from the Stone Age to modern times. Its collection of Western European paintings enjoys world fame.
In recent years the Hermitage has acquired works by Bellange, Boudin, Dufy, Matisse, Guttuso, Teniers, Ostade, Friedrich, and Grundig. The collection of Rockwell Kent, the artist's gift to the Soviet people, laid the beginnings of the Section of American Painting. In 1972 the American collector Armand Hammer presented to the Hermitage The Portrait of the Actress Antonia Zarate by Francisco Goya. The Museum continues to receive canvases by contemporary Polish, Hungarian, Rumanian, and German artists.
The Hermitage comprises six major departments. Their collections, arranged in 350 rooms, contain over 2,700,000 items.
Boris Piotrovsky,
Academician, Director-General of the Hermitage
The Department of Prehistoric Culture
The main part of the infinitely rich archaeological collection of the Hermitage, some 450,000 odd items, is housed in the Department of Prehistoric Culture. Its stocks contain finds from a vast territory stretching from the Carpathians in the west to the Pacific coast in the east, and from the shores of the Black Sea and the Tien Shan foothills in the south, to the Taimyr Peninsula in the north. The materials preserved cover an enormous period in the ancient history of the peoples inhabiting this territory — a period embracing the Paleolithic Age and the beginnings of Russian statehood.
The origin of the Hermitage’s archaeological fund dates back to the early nineteenth century. In the middle of the nineteenth century the Museum acquired the famous Tmutarakan Stone bearing the oldest known Russian inscription, dated 1068 A.D. About the same time the Hermitage received, by transfer from the Kunstkammer (Russia’s first public museum), the country’s oldest archaeological collection, known as the Siberian Collection of Peter the Great. This collection consisted of numerous gold articles excavated by barrow-diggers in West Siberia and Kazakhstan in the late seventeenth and early eighteenth centuries. Many such articles found their way into the hands of Nikita Demidov, a wealthy Urals industrialist, who presented them to Tsar Peter’s wife, Catherine. They were greatly prized by the tsar, who initiated a further search for such finds, so that the collection grew and came, in time, to number more than 250 gold articles: massive cast plaques that served as belt buckles, torques, bracelets, animal figurines, and various other ornamental objects.
The articles of ancient goldwork composing the main body of the Department’s collection were furnished by the systematic excavations carried on in Russia during the second half of the nineteenth century and the early years of the twentieth. After the Imperial Archaeological Commission was founded in 1859, all finds of outstanding interest were usually placed in the Hermitage. Thus the objects yielded by the barrows and necropoli along the northern Black Sea coast and in the Northern Caucasus — the famous burials of Scythian and Sarmatian nobles in the barrows of Kelermes, Solokha, Chertomlyk, Khokhlach, and many others — reached the Museum, forming a collection of Scytho-Sarmatian antiquities which, judged by its scope and artistic value, remains unsurpassed to this day. As for relics of earlier date, brilliant examples are provided by the Maikop Barrow with its unique specimens of third millennium B.C. toreutics, and the Koban culture complexes of metal artefacts, dating back to the late Bronze Age (early first millennium B.C.). Towards the end of the nineteenth century the Museum acquired a great hoard of objects in precious metals, discovered in the vicinity of the Malaya Pereshchepina village near Poltava, and numerous pieces of jewellery from old Russian hoards found at Nevel, Gniozdovo and other places.
It was not until after the October Revolution of 1917, however, that the Hermitage collections of archaeological objects began to be studied and arranged on a strictly scientific basis. A new department was created, in 1931, named initially the Pre-class Society Department but later renamed the Department of Prehistoric Culture. Its nucleus was composed of the archaeological collections of the Helleno-Scythian and, partially, of the Byzantine sections of the former Department of Antiquities, comprising, to begin with, some 20,000 items.
Subsequently, the new department received archaeological material unearthed by pre-Revolution excavations and previously housed in other museums, such as the Leningrad Artillery Museum, the Moscow Regional Museum, the Moscow University Institute of Anthropology, and in private collections, belonging to the Stroganovs, Romanchenkos, Alexeyevs, and to Nikolai Roerich. A substantial increment came after the War of 1941—45, when the Russian Museum transferred to the Hermitage the collection of its former Ethnography Department.