Brill nodded. “I know you will,” she said. And Miriam nodded right back at her, her mind awash with all the other family children, her distant relatives—the siblings and cousins she’d never known, might never have known of, who would live and die in gilded poverty if she failed.
A woman dressed in black stepped out of the winter twilight.
She looked around curiously, one hand raised to cover her mouth. “I’m in somebody’s garden by the look of things. Hedge to my left, dilapidated shed in front of me—and a house behind. Can’t be sure, but it looks a mess. The hedge is wildly overgrown and the windows are boarded up.”
She glanced around, but couldn’t see into the neighboring gardens. “Seems like an expensive place.” She furtively scratched an arrowhead on the side of the shed, pointing to the spot she’d arrived on, then winced. “This light is hurting my head. Ow…” She hitched her coat out of the grayish snow then stumbled toward the house, crouching below the level of the windows.
She paused. “It looks empty,” she muttered to the dictaphone. “Forward ho.” She walked around to the front of the house, where the snow was banked in deep drifts before the doors and blank-eyed wooden window shutters. Nobody had been in or out for days, that much was clear. There was a short uphill driveway leading to a road, imposing iron gates chained in front. “Damn. How do I get out?” She glanced round, saw a plaque on the front of the house—BLACKSTONES, 1923. A narrow wooden gate next to the pillar supporting one of the cast-iron gates was bolted on the inside. Miriam waded toward it, shivering from the snow, shot the bolt back, and glanced round one final time to look at the house.
It was big. Not as big as the palace in Niejwein, or Angbard’s fortress, but bigger than anything she’d ever lived in. And it was clearly mewed up, shutters nailed across those windows that weren’t boarded, gates chained tight. She grinned, gritting her teeth against the cold. “Right, you’re mine.” Then she slipped through the wooden door and onto the sidewalk. The street here was partially swept. On the other side of it lay an open field in the middle of what was dense forest in world one and downtown Cambridge in world two. She could see other big town houses on the other side of the field, but that didn’t matter. She turned left and began walking toward the crossroads she could see at the far corner of the quadrangle.
Her teeth were chattering by the time she reached the clock tower on the strange traffic circle at the crossroads. There was almost no traffic on this bitterly cold morning. A lone pony-trap clattered past her, but the only vehicles she saw out and about were strange two-deck streetcars, pantographs sparking occasionally as they whirred down the far side of the field and paused at a stand in the middle of the traffic circle. Miriam blinked back the instinctive urge to check her watch. What day is it? she wondered. A sign in heavy classical lettering at the empty tram stop answered her question: Sunday service only. Oh. Below it was a timetable as bemusingly exact as anything she’d seen at an airport back home—evidently trams from this stop ran into the waterfront and over something called Derry Bridge once every half hour on Sundays, for a fare of 3d, whatever that meant. She shivered some more and stepped inside the wooden shelter, then fidgeted with the handful of copper change that she had left. Second thoughts began to occur to her. Was it normal for a single woman to catch a tram, unaccompanied, on a Sunday? What if Burgeson’s shop was closed? What if—
A streetcar pulled up beside the shelter with a screech of abused steel wheels. Miriam plucked up her courage and climbed aboard. The driver nodded at her, then without warning moved off. Miriam stumbled, almost losing her footing before she made it into the passenger cabin. She sat down without looking around. The wooden bench was cold but there seemed to be a heater running somewhere. She surreptitiously examined her fellow passengers, using their reflections in the windows when she couldn’t look at them directly without being obvious. They were an odd collection—a fat woman in a ridiculous bonnet who looked like a Salvation Army collector, a couple of thin men in oddly cut, baggy suits with hats pulled down over their ears, a twenty-something mother, bags under her eyes and two quietly bickering children by her side, and a man in what looked like a Civil War uniform coming toward her, a ticket machine hung in front of his chest. Miriam took a deep breath. I’m going to manage this, she realized.
“I’m going to Highgate, for Holmes Alley. How much is it, please, and what’s the closest stand? And what’s this stop called?”
“That’ll be fourpence, miss, and I’ll call you when it’s your stop. This is Roundgate interchange.” He looked at her slightly oddly as she handed him a sixpence, but wound off a strip of four penny tickets and some change, then turned away. “Tickets, please.”
Ouch. Miriam examined the tickets in her hand. Is nothing simple? she wondered. Even buying streetcar tickets was a minor ordeal of anticipation and surprise. Brill did very well, she began to realize. Maybe too well. Hmm. That would explain why Angbard is letting me run…
The tram trundled downhill at not much better than walking pace, the driver occasionally ringing an electric bell then stopping next to a raised platform. The houses were much closer together here, in terraces that shared side walls for warmth, built out of cheap red brick stained black from smoke. There was an evil smell of half-burned coal in the air, and chimneys belched from every roofline. She hadn’t noticed it in the nob hill neighborhood of Blackstones, but the whole town smelled of combustion, as if there’d been a house fire a block away. The air was almost acrid, a nasty sour taste undercutting the cold and coating her throat when she tried to breathe. Even the cloud above was yellowish. The tram turned into a main road, rattled around a broad circle with a snow-covered statue of a man on a horse in the middle, then turned along an alarmingly skeletal box-section bridge that jutted out over the river. Miriam, watching the waterfront through the gray-painted girders, felt a most unsettling wave of claustrophobia—as if she was being taken into police custody for a crime she hadn’t committed. She forced herself to shrug it off. Everything will be alright, she told herself.
The town center was almost empty compared to its state the last time she’d visited. It smelled strongly of smoke—chimneys on every side bespoke residents in the upstairs flats—but the shop windows were dark, their doors locked. A distant church bell clattered numbly. Scrawny pigeons hopped around near the gutter, exploring a pile of horse dung. The conductor tapped Miriam on the shoulder, and she started. “You’ll be wanting the next stop,” he explained.
“Thank you,” she replied with a wan smile. She stood up, waiting on the open platform as the stop swung into view, then pulled the string threaded through brass eyeholes that she’d seen the other passengers use. A bell dinged behind in the driver’s partition and he threw on the brakes. Miriam hopped off the platform, shook her coat out, hiked her bag up onto her shoulder, and stepped back from the tram as it moved off with a loud whirr and a gurgle of slush. Then she took stock of her surroundings.
Everything looked different in the chilly gloom of a Sunday morning. The shop fronts, comparatively busy last time she’d been here, looked like vacant eyes, and the peddlars hawking roast chestnuts and hand-warmers had disappeared. Do they have Sunday trading laws here? she wondered vaguely. That could be a nuisance—
Burgeson’s shop was closed, too, a wooden shutter padlocked into place across the front window. But Miriam spotted something she hadn’t noticed before, a solid wooden door next to the shop with a row of bell-pull handles set in a tarnished plaque beside it. She peered at them. E. Burgeson, esq. “Aha,” she muttered, and pulled the handle.