‘It’s a Cafe Rouge, in the French-style. On the corner of Batoum Gardens.’ Randall spelt out ‘Batoum’ very slowly, saying ‘B for Bertie’ and ‘A for Apple’ in a way that tested Keen’s patience. ‘There are tables there which can’t be seen from the street. We’re not likely to be spotted. Would that be suitable for you, or do you have a specific procedure that you like to follow?’
Keen made a note of the date in his desk diary and smiled: first-time buyers were often like this, jumpy and prone to melodrama, wanting codewords and gadgets and chalkmarks on walls.
‘There is no specific procedure,’ he said. ‘I can find the cafe’.
‘Good. But how will I recognize you?’
As he asked the question Bob Randall was sitting in Thames House staring at a JPEG of Keen taken in western Afghanistan in 1983, but it was necessary cover.
‘I’m tall,’ Keen said, switching the phone to his other ear. ‘I’ll be wearing a darkblue suit, most probably. My experience is that in circumstances such as these two people who have never met before very quickly come to recognize one another. Call it one of the riddles of the trade.’
‘Of course,’ Randall replied. ‘Of course. And when shall we say? Perhaps six o’clock?’
‘Fine,’ Keen said. He was already hanging up. ‘Six o’clock.’
Two days later, the businessman calling himself Bob Randall arrived at the cafe on Shepherd’s Bush Road half an hour early and picked out a secluded table, his backfacing the busy street. At 17.55 he tooka call from Ian Boyle, informing him in a jumble of code and double-speakthat the BA flight from Moscow had eventually landed some ninety-five minutes late. The subject had used a public telephone box — not a mobile — after clearing passport control, and was now picking up his luggage in the hall. The call had been made to a west London number that was already being traced.
‘Understood,’ he told him. ‘And was there any sign of Duchev?’
‘Nothing.’
‘Well keep on it, please. And brief Paul Quinn. I’m going to be walking the dog for the next two hours. Contact me again at eight.’
And at that moment he saw Christopher Keen coming into the cafe, indeed wearing a darkblue suit, a striking man possessed of a languid self-confidence. Demonstrably public school, he thought, and felt the old prejudice kick in like a habit. The photograph at Thames House had not done justice to Keen’s well-preserved good looks, nor to his travelled, evidently disdainful manner. The two men made eye contact and Randall gave a thin smile, his moustache lifting slightly to reveal stained yellow teeth.
Keen sensed immediately that there was something unconvincing about his prospective client. The suit was off the peg, and the shirt, bought as white but now greyed by repeated launderings, looked cheap and untailored. This was not a businessman with ‘minor difficulties in the former Soviet Union’, far less someone who could afford to employ the services of Divisar Corporate Intelligence.
‘Mr Randall,’ he said, with a handshake that deliberately crushed his knuckles. Keen looked quickly at the ground and registered his shoes. Grey-possibly fake-patent leather, tasselled and scuffed. Further evidence. ‘How can I help?’
‘I’m very pleased to meet you.’ Randall was trying to release his hand. ‘Let me start by getting you a drink.’
‘That would be very kind, thank you.’
‘Did you find the cafe OK?’
‘Easily.’
Keen placed a black Psion Organiser and a mobile telephone on the table in front of him and sat down. Freeing the trapped vents of his suit jacket, he looked out of the window and tried to ascertain if he was being watched. It was an instinct, no more than that, but something was out of place. A crowd of office workers had gathered at a table on the other side of the window and an elderly man with a limp was walking into the cafe alone. The traffic heading north towards Shepherd’s Bush Green had been slowed by a van double-parked outside a mini-supermarket. Its rear doors were flung open and two young Asian men were unloading boxes from the back.
‘It’s part of a chain, I believe,’ Randall said.
‘What’s that?’
‘The cafe. Part of a chain.’.
‘I know.’
A waitress came and tooktheir order for two beers. Keen wondered if he would have to stay long.
‘So, I very much appreciate your meeting me at such short notice.’ The businessman had a laboured, slightly self-satisfied way of strangling words, an accent located somewhere near Bracknell. ‘Had you far to come?’
‘Not at all. I had a meeting in Chelsea. Caught a fast black.’
Randall’s eyes dropped out of character, as if Keen had made a racist remark. ‘Excuse me?’
‘A fast black,’ he explained. ‘A taxi.’
‘Oh.’ In the uneasy silence that followed the waitress returned and poured lager into his glass.
‘So, how long have you worked in your particular field?’
‘About seven or eight years.’
‘And in Russia before that?’
‘Among other places, yes.’ Keen thanked the waitress with a patrician smile and picked up his glass. ‘I take it you’ve been there?’
‘Not exactly, no.’
‘And yet you told me on the telephone that you have a problem in the former Soviet Union. Tell me, Mr Randall, what is it that you think I can do for you?’
Leaning back in his seat, Randall nodded and swallowed a mouthful of lager. He blinked repeatedly and a small amount of foam evaporated into his moustache. After a momentary pause he said, ‘Forgive me. It was necessary to employ a little subterfuge to prevent your employers becoming suspicious. My name is not Bob Randall, as perhaps you may have guessed. It is Stephen Taploe. I workacross the river from your former Friends.’
Keen folded his arms and muttered, ‘You don’t say,’ as Taploe pushed his tongue into the side of his cheek, his feet moving involuntarily under the table. ‘And you thinkthat I can help you with something…’
‘Well, it’s a good deal more complicated than that,’ he said. ‘To come straight to the point, Mr Keen, this has become something of a family matter.’
5
‘It’s possible, Jenny, that one day you’ll walkinto a public art gallery and lookat nothing at all. A total absence. Something with no texture, no shape, no solidity. No materials will have been used up in its construction, not even light or sound. Just a room full of nothing. That will be the exhibit, the gimmick, the thing you’re encouraged to look at and talk about over cranberry juice at Soho House. Emptiness. Actually the opposite of art.’
Jenny was glad that Ben wasn’t talking about his father any more. She preferred it when his mood was less anxious and abrasive. It was another side to him, more relaxed and quick-witted; she wondered if it was even flirtatious. But Ben looked like the faithful type: he was only thirty-two, after all, and there were pictures of his wife all over the studio walls, nudes and portraits of a quality that had persuaded her to sit for him in the first place.
‘Have you lived here long?’ she asked, and began gathering up her clothes. Ben was cleaning his brushes at the sink, wrapping the bristles in a rubber band and covering any exposed paint with small wraps of cling film.
‘Since we got engaged,’ he said. ‘About three years.’
‘It’s such a great house.’ Jenny’s stomach flattened out as she stretched into a thick woollen polo neck, her head disappearing in the struggle to find sleeves.
‘Alice’s father bought it cheap in the late seventies. Thought it would make a good investment.’
The head popped out, like somebody breaking free of a straitjacket.
‘Well he thought right,’ she said, shaking out her hair. ‘And it’s useful for you to be able to work from home.’
‘It is,’ Ben said. ‘It is. It’s a great space. I’m very lucky.’
‘A lot of artists have to rent studios.’
‘I know that.’