She waved as he drove away, watching till the vehicle was out of sight. He was a good man, Dominic was.
She turned toward the Museum. She intended to call on the director and tell him that she was still here and available, if he needed help. It would probably fall on deaf ears, but at least she could offer. He was acting funny, and maybe a conversation with him would shine some light on the reason for his strange behavior. He had some secrets of his own.
As she walked the path to the Museum, she worried about her career. She had come out on the losing end before when a sneaky colleague had accused her of plagiarism, then had used her work in his book without giving her credit. What a scandal that had caused in her department before it was all straightened out. She wondered if the inspector and the director were in cahoots since they both seem to have it in for her. What if she were framed again? The thought made her insides twist into a tangle of jungle vines.
She hadn’t planned anything else for the summer. The Hieroglyphic Staircase project was to last until the middle of August. If the project was incomplete, she wouldn’t have anything definitive on which to write an article that would enhance her credibility in her field. Solving the mystery of the correct order of the hieroglyphs in the Staircase would be a real career boost. The solution was to persuade the director to let her keep on working.
Armando was sweeping the path, and she stopped to say hello.
“Cómo va, Armando?” she said. She found his bashful smile and humble manner of speaking endearing.
He pulled off his hat. “Hola, doctora. I am well. How are you today?”
“As well as can be expected. And your wife and children?”
His face drooped along with the bushy mustache he sported. “Ay, the little ones, they are sick. La señora she is not feeling well either.”
“I’m sorry to hear that.” She made a mental note to prepare a basket of food for them. She knew where they lived in the San Pedrito barrio in a tiny tin structure more like a shed than a real house.
“I’ll visit your family this evening and bring them some food. Do you need medicine for the children?”
Armando smiled. “They like when you visit. My wife goes to the clinic today to get some medicines. We will look forward to your visit. Gracias, doctora.”
She continued on, crossing the shaded section of the walk where tall trees formed arches and cast dappled sunlight on the path. She trudged into the cool interior of the Museum, whose doors stood wide open even though there were no visitors.
The floor guard named Edmundo winked at her as she walked to the back corner where the director’s office was located. Why did she feel like she was approaching the guillotine every time she came to see him? She pressed on her solar plexus to calm the butterflies that had taken wing there. The man tried to intimidate her and that made her hackles rise. Why did he have to be so difficult? Or was she the one being difficult?
She almost turned around and left. Why go through this? But a little do-gooder voice inside said, well, maybe she could help. And she needed to finish the project to keep her career on track. She kept going.
The outer office was abandoned. No secretary in residence. Maybe she had quit. She hadn’t seen the girl in more than a week. She could understand why she had, if the director treated her like he did Elena.
The door stood slightly ajar. Elena pushed on it with her fingertips. She peeked around the door. No one in. She pushed the door open further. There was a small lavatory off the office. The door was closed. Maybe he was taking a bathroom break. She retreated to the secretary’s desk in the outer office and sat down to wait.
But she couldn’t shake a feeling that something wasn’t right. Everything was too quiet.
After a few minutes, not hearing any stirrings from the director, she walked back into his office and gazed about. Everything seemed in order. Nothing amiss. No books on his desk but that was not out of the ordinary. All the books on the shelves behind were neatly lined up. No magazines, no papers lying about.
But something was wrong.
Should she knock on the narrow lavatory door? Maybe he was having a seizure, or an attack of some kind. He hadn’t looked well the last time she saw him. Maybe if she knocked to ask if he were okay. She stepped to the door and was just about to raise her hand when her foot slipped.
She glanced down, expecting to see water. Instead she saw a smattering of red on her boots. She patted her vest for a tissue and stooped to clean the tip of her boot. The stain wiped off in a bright red streak. Her knees weakened like someone had hit them from behind with a baseball bat.
“Oh dear God,” she said. “Not the director.”
She rapped on the door. “Director. Director. Are you okay?”
No sound. Nothing.
She rapped again, harder. “Director, are you sick? Are you okay?”
Maybe she should call the guard. But what if the director were okay? He would be furious with her. What if he were just having a long session in the lavatory, and she interrupted him? That would be embarrassing.
But what about the red stain?
She backed away and hurried out the door, leaving little red smudges on the floor in her wake.
“Hello, hello,” she called into the vast space of the Museum. “Is anyone there?”
The guard, Edmundo, popped his head around a stela and waved.
“Please could you help? I think something may have happened to the director.”
He hurried toward her. “Sí, doctora.” He delighted in teasing her, and his laughing eyes said he thought she was playing with him.
“Please,” she said, “can you check the lavatory to see if maybe the director is sick? I think there is blood under the door.” She pointed to her foot.
Edmundo glanced at her foot. The smiled disappeared from his face. He strode into the office, his hand on the holstered gun at his side. Elena followed but kept her distance.
Edmundo pounded on the door. “Director? Are you all right?”
When no one answered he eased open the door an inch, but it would not budge more. He pushed harder. The door didn’t move. He placed an eye to the narrow opening, trying to see what was stopping the door. He sniffed the air and jerked back.
“Ay, there’s a funny smell,” he said, pinching his nose.
“You don’t think …” she said, finding it impossible to finish the thought.
“Something heavy is blocking the door. I’m going to push harder.” He braced his body against the unwilling door and shoved, throwing his entire weight into it. After several more shoves, the door moved several inches, enough that Edmundo could wedge his shoulder into the opening to push more. It gave enough that he was able to ease his head into the space. He gasped and backed away into the room.
“The director is behind this door, or what is left of him,” he said.
Elena tried to look, but Edmundo pulled her back. “No, don’t look. I will send for help. You must not look.”
Eight
Dominic ran into the Museum with Dr. Hidalgo. His one thought was for Elena. Word arrived at the clinic via a messenger from the Museum, one of the guards. There had been a mishap involving Elena and the director. That was all he knew. Déjà vu.
Edmundo waved them into the director’s office. Dominic did a quick sweep of the room, looking for Elena, not sure what to expect. She was standing at the window, looking out. Alive with no visible signs of injury.
Dr. Hidalgo shoved past him exchanging words with Edmundo. One word caught his ear. Muerto. A peculiar odor hung in the air, coming from the section of the room where a door stood open. The doctor squeezed in and knelt behind it.