In the center of the workshop was an old-fashioned blacksmith’s anvil that must have weighed half a ton. Propped up against it was a man with a broken neck. He wore tan shoes and gray slacks and a white shirt. There was no tie. He was about fifty, I thought, although it was hard to tell because his head hung down at such an acute angle that his gray eyes seemed to peer up at me almost upside-down.
Although it was my second dead body of the day, I wasn’t sure what I should do. So I stood there in the neat workshop and felt my palms grow slippery and the sweat gather in my armpits.
After a long moment, I made myself kneel down and touch his hand. For some reason then it was important that I touch him, as if it were the least that I could do for him, now that he was dead. The warmth had gone from his hand. It wasn’t cold, but the warmth had gone from it.
I patted his rear pocket. There was a wallet in it. I took it out, opened it, and looked at the photograph of the woman who was too carefully posed with the five- or six-year-old child. The woman looked as though she were forty-five or forty-six, almost too old to be the mother of the child, a girl, but I somehow knew that she was and that she had left with the child on Christmas Eve and that now neither she nor her daughter would ever open the presents that lay waiting for them underneath the aging Christmas tree upstairs.
There were some cards of identification in the wallet that said that it belonged to William Wordsworth Curnutt, locksmith, who was fifty-one, and a resident of 14-B Beauclerc Street, London, W.6. Other facts pertaining to the deceased included the information that he was a member of the Basic Baptist Breakfast Club, that he was male, five feet seven inches tall, weighed ten stone, had gray eyes, gray hair, no prominent scars, and that a gray suit was ready at the cleaners.
I put all the cards and scraps of paper and mementos that accumulate in a man’s wallet back into the compartments that they had come from, after rubbing each one on my pants knee — to confound Scotland Yard, I suppose. Then, because I’m nosy, I opened the wallet lengthwise to find out how much money Billy Curnutt carried. There were four one-pound notes and the torn half of a playing card. It was the one-eyed jack of spades. It was poker size, rather than bridge size, but I thought that any kind of playing card would be a strange thing for a Basic Baptist to be carrying around, until I turned it over and saw the white letters that were reversed into its deep red front. The large letters spelled out SHIELDS and then in smaller letters underneath, A Gambling Emporium.
I stuffed the wallet back into the dead man’s hip pocket and stood up holding the half card. I stood there, my back to the front of the shop, and I remember thinking that what I should do was to hurry with the card down to 221 Baker Street and knock up the principal resident there, tell him my tale, let him figure out what the card meant, and if he couldn’t, perhaps he wouldn’t mind giving his brother a ring.
That was the London I really wanted, of course, the London of clopping hansom cabs, and killing fog, and Sherlock Holmes, and bad drainage, mass poverty, a thirty-two-year life expectancy, and Queen Victoria.
What I had was London of the seventies with roaring inflation, a fading youth cult, a housing pinch, a Parliament that seemed to have lost its way, Queen Elizabeth, and a church-going Baptist forger with a touch of genius who preserved old Christmas trees and who lay dead at my feet of a broken neck at age fifty-one.
I like to think that I was lost in thought, but I’m afraid that it was fantasy again. Whatever it was, it kept me from hearing them. They must have been in the front of the shop, which was separated from the work area by a heavy tan curtain. I think I might have heard the curtain rustle. I sometimes still pretend that I did and that I carefully planned what followed.
But I don’t think that I ever really heard them. I don’t even think that I knew that they were there until they grabbed me from behind and slipped the cloth sack over my head. But I remembered what had happened the last time somebody had grabbed me from behind. I had used a couple of gutter tricks and I’d wound up in jail. I didn’t use any gutter tricks this time, not even any pseudo-karate. I fainted. Or pretended to.
It wasn’t easy, pretending to faint. I had to make my body go completely limp. The body doesn’t want to do that because if it does, it’s going to fall, and if it falls, it’s going to hit something hard, and that’s going to hurt. But I fell anyway and whoever had been holding me let me fall, out of surprise or out of hope that I would hurt myself and thus save them the trouble.
One of them said shit and the other one shhh. Then I heard them moving across the room. A door opened and closed. I took the cloth sack off my head and got up. Then somebody started pounding at the shop’s street door. A voice yelled, “Mr. Curnutt! You in there?” It was a policeman’s voice. I’m not sure how I knew that. I just know that I knew.
I didn’t want to talk to any more policemen. Not just then. So I went the way that those who had grabbed me had gone. I went out the back door and down the alley. I didn’t run. I wanted to, but I didn’t run. And I didn’t stop shaking until I was sitting in the bar at the very top of the Hilton with a double shot of I. W. Harper in front of me and another one already inside. I still don’t know why I ordered bourbon. I really don’t much like it.
Chapter Nineteen
They were pushing the roast beef at the Mirabelle that night, probably on the presumption that since I was American I would prefer hearty British fare to something French and funny. I ordered something French and funny anyhow, the blanquette of veal, because I wanted to see if they did it better than I did and, of course, they did.
Earlier at the Hilton I had called Eddie Apex and made what arrangements I had to for the next day. Then I settled down with the Evening Standard and read all about the Marble Piano Tomb Murder in Highgate Cemetery. It was the Standard’s kind of story and it had even pushed an old standby, GUARD DOG SAVAGES CHILD, back to page seven or eight. I read the dog story, too, only to learn that the child was a sixteen-year-old girl who had been teasing the dog who had nipped her. Once.
The Standard didn’t have too many facts on the Highgate murder either, but it had gone with what it had. One William W. Batts, twenty-seven, of some place in Islington, had been found dead with his throat cut in Highgate Cemetery, tucked up underneath the open lid of a marble grand piano. A mysterious Bulgarian tourist was helping police with their inquiries. That was about all they could dig up on the late Billie Batts, so they had turned to the other dead man, the one who lay buried beneath the piano, and I learned that my ex-wife had been right. He had been an Armenian and so there went another illusion.
I kept seeing Billie Batts’s dead gray eyes and there was something about them that bothered me. So I telephoned the Standard, was given a sub-editor who sounded knowledgeable, and asked if he happened to know what the W in William W. Batts stood for.
“Why?” he said.
“Because a William Winston Batts owes me a lot of money,” I said.
“I’ll check,” he said. After a few moments he came back on the line. “You’re in luck,” he said. “The dead chap in Highgate’s name was William Wordsworth Batts.”