That is some measure of vengeance. But if I am spared I shall not leave it there. Henry of Navarre is on the point of turning Catholic that his interests may be better served. Elizabeth of England remains. In her dominions, where thrives the righteous hatred of Philip and all the evil that he stands for, I shall find a welcome and a channel for the activities that are to show him that Antonio Perez lives. I have sent him word that when he is weary of the conflict he can signify his surrender by delivering from their prison my wife and children, upon whom he seeks still to visit some of the vengeance I have succeeded in eluding. When he does that, then will I hold my hand. But not before.
"That, madame, is my story," said Don Antonio, after a pause, and from narrowing eyes looked at the beauty who had heard him through.
Daylight had faded whilst the tale was telling. Night was come, and lights had long since been fetched, the curtains drawn over the long windows that looked out across the parkland to the river.
Twice only had he paused in all that narrative. Once when he had described the avowal of his love for Anne, Princess of Eboli, when a burst of sobs from her had come to interrupt him; again when a curious bird-note had rung out upon the gathering dusk. Then he stopped to listen.
"Curious that," he had said—"an eagle's cry. I have not heard it these many months, not since I left the hills of Aragon."
Thereafter he had continued to the end.
Considering her now, his glance inscrutable, he said:
"You weep, madame. Tell me, what is it that has moved you—the contemplation of my sufferings, or of your own duplicity?"
She started up, very white, her eyes scared.
"I do not understand you. What do you mean, sir?"
"I mean, madame, that God did not give you so much beauty that you should use it in the decoying of an unfortunate, that you should hire it at an assassin's fee to serve the crapulous King of Spain."
He rose and towered before her, a figure at once of anger, dignity, and some compassion.
"So much ardour from youth and beauty to age and infirmity was in itself suspicious. The Catholic King has the guile of Satan, I remembered. I wondered, and hoped my suspicions might be unfounded. Yet prudence made me test them, that the danger, if it existed, should manifest itself and be destroyed. So I came to tell you all my story, so that if you did the thing I feared, you might come to the knowledge of precisely what it was you did. I have learnt whilst here that what I suspected is—alas! quite true. You were a lure, a decoy sent to work my ruin, to draw me into a trap where daggers waited for me. Why did you do this? What was the bribe that could corrupt you, lovely lady?"
Sobs shook her. Her will gave way before his melancholy sternness.
"I do not know by what wizardry you have discovered it!" she cried. "It was true; but it is true no longer. I knew not what I did. By that window, across the meadows, you can reach the river in safety." She rose, controlling her emotion that she might instruct him. "They wait for you in the enclosed garden."
He smiled wistfully.
"They waited, madame. They wait no longer, unless it be for death. That eagle's cry, thrice repeated, was the signal from my faithful Gil, not only that the trap was discovered, but that those who baited it were taken. Suspecting what I did, I took my measures ere I came. Antonio Perez, as I have told you, is not an easy man to murder. Unlike Philip, I do not make war on women, and I have no reckoning to present to you. But I am curious, madame, to know what led you to this baseness."
"I—I thought you evil, and—and they bribed me. I was offered ten thousand ducats for your head. We are very poor, we Chantenacs, and so I fell. But, sir—sir"—she was on her knees to him now, and she had caught his hand in hers—"poor as I am, all that I have is yours to do with as you will, to help to avenge yourself upon that Spanish monster. Take what you will. Take all I have."
His smile grew gentler. Gently he raised her.
"Madame," he said, "I am myself a sinner, as I have shown you, a man unequal to resisting temptation when it took me in its trammels. Of all that you offer, I will take only the right to this kiss."
And bending, he bore her hand to his lips.
Then he went out to join Gil and his men, who waited in the courtyard, guarding three prisoners they had taken.
Perez considered them by the light of the lantern that Gil held aloft for him.
"One of you," he announced, "shall return to Castile and give tidings to Philip, his master, that Antonio Perez leaves for England and the Court of Elizabeth, to aid her, by his knowledge of the affairs of Spain, in her measures against the Catholic King, and to continue his holy work, which is to make the name of Philip II stink in the nostrils of all honest men. One of you I will spare for that purpose. You shall draw lots for it in the morning. The other two must hang."
IV. THE NIGHT OF CHARITY
The Case Of The Lady Alice Lisle
Of all the cases tried in the course of that terrible circuit, justly known as the Bloody Assizes, the only one that survives at all in the popular memory is the case of the Lady Alice Lisle. Her advanced age, the fact that she was the first woman known in English history to have suffered death for no worse an offence than that of having exercised the feminine prerogative of mercy, and the further fact that, even so, this offence—technical as it was—was never fully proved against her, are all circumstances which have left their indelible stamp of horror upon the public mind. There is also the further circumstance that hers was the first case tried in the West by that terrible Chief Justice, Baron Jeffreys of Wem.
But the feature that renders her case peculiarly interesting to the historical psychologist—and it is a feature that is in danger of being overlooked—is that she cannot really be said to have suffered for the technical offence for which she took her trial. That was the pretext rather than the cause. In reality she was the innocent victim of a relentless, undiscerning Nemesis.
The battle of Sedgemoor had been fought and lost by the Protestant champion, James, Duke of Monmouth. In the West, which had answered the Duke's summons to revolt, there was established now a horrible reign of terror reflecting the bigoted, pitiless, vindictive nature of the King. Faversham had left Colonel Percy Kirke in command at Bridgwater, a ruthless ruffian, who at one time had commanded the Tangier garrison, and whose men were full worthy of their commander. Kirke's Lambs they were called, in an irony provoked by the emblem of the Paschal Lamb on the flag of this, the First Tangier Regiment, originally levied to wage war upon the infidel.
From Bridgwater Colonel Kirke made a horrible punitive progress to Taunton, where he put up at the White Hart Inn. Now, there was a very solid signpost standing upon a triangular patch of green before the door of the White Hart, and Colonel Kirke conceived the quite facetious notion of converting this advertisement of hospitality into a gallows—a signpost of temporal welfare into a signpost of eternity. So forth he fetched the prisoners he had brought in chains from Bridgwater, and proceeded, without any form of trial whatsoever, to string them up before the inn. The story runs that as they were hoisted to that improvised gibbet, Kirke and his officers, standing at the windows, raised their glasses to pledge their happy deliverance; then, when the victims began to kick convulsively, Kirke would order the drums to strike up, so that the gentlemen might have music for their better dancing.
The colonel, you see, was a humorist, as humour was then understood upon the northern shores of Africa, where he had been schooled.
When, eventually, Colonel Kirke was recalled and reprimanded, it was not because of his barbarities many of which transcend the possibilities of decent print—but because of a lenity which this venal gentleman began to display when he discovered that many of his victims were willing to pay handsomely for mercy.