He had spent a part of the evening at billiards, and among the players had been La Rochefoucauld, of whom he was fond, and who had left him with a jest at eleven o'clock, little dreaming that it was for the last time.
The three of them crossed to the window overlooking the river. They opened it, and peered out fearfully. Even Catherine trembled now that the hour approached. The air was fresh and cool, swept clean by the stirring breeze of the dawn, whose first ghostly gleams were already in the sky. Suddenly, somewhere near at hand, a pistol cracked. The noise affected them oddly. The King fell into an ague and his teeth chattered audibly. Panic seized him.
"By the Blood, it shall not be! It shall not be!" he cried suddenly.
He looked at his mother and his brother and they looked at him; ghastly were the faces of all three, their eyes wide and staring with horror.
Charles swore in his terror that he would cancel all commands. And since Catherine and Anjou made no attempt to hinder him, he summoned an officer and bade him seek out the Duke of Guise at once and command him to stay his hand.
The messenger eventually found the Duke in the courtyard of the Admiral's house, standing over the Admiral's dead body, which his assassins had flung down from the bedroom window. Guise laughed, and stirred the head of the corpse with his foot, answering that the message came too late. Even as he spoke the great bell of Saint-Germain l'Auxerrois began to ring for matins.
The royal party huddled at that window of the Louvre heard it at the same moment, and heard, as if in immediate answer, shots of arquebus and pistol, cries and screams near at hand, and then, gradually swelling from a murmur, the baying of the fierce multitude. Other bells gave tongue, until from every steeple in Paris the alarm rang out. The red glow from thousands of torches flushed the heavens with a rosy tint as of dawn, the air grew heavy with the smell of pitch and resin.
The King, clutching the sill of the window, poured out a stream of blasphemy from between his chattering teeth. Then the hubbub rose suddenly near at hand. The neighbourhood of the Louvre was populous with Huguenots, and into it now poured the excited Catholic citizens and soldiers. Soon the quay beneath the palace windows presented the fiercest spectacle of any quarter, of Paris.
Half-clad men, women, and children fled screaming before the assassins, until they were checked by the chains that everywhere had been placed across the streets. Some sought the river, hoping to find a way of escape. But with Satanic foresight, the boats usually moored there had been conveyed to the other side. Thus some hundreds of Huguenots were brought to bay, and done to death under the very eyes of the King who had unleashed this horror. Doors were crashed open, flames rose to heaven, men and women were shot down under the palace wall, bodies were flung from windows, and on every side—in the words of D'Aubigne—the blood now flowed, seeking the river.
The King watched a while, screams and curses pouring from his lips to be lost in the horrible uproar. He turned, perhaps to upbraid his mother and his brother, but found that they were no longer at his side. Behind him in the room a page was crouching, watching him with a white, horrified face.
Suddenly the King laughed—it was the fierce, hysterical laugh of a madman. His eyes fell on the arquebuses flanking the picture of the Mother of Mercy. He took one of them down, then caught the boy by the collar of his doublet and dragged him forward to the window.
"Hither, and load for me!" he bade him, between peals of his terrible laughter. Then he levelled the weapon across the sill of the window. "Parpaillots! Parpaillots!" he screamed. "Kill! Kill!" and he discharged the arquebus into a fleeing group of Huguenots.
Five days later, the King—who by now had thrown the blame of the whole affair, with its slaughter of some two thousand Huguenots, upon the Guises and their hatred of Coligny—rode out to Montfaucon to behold the decapitated body of the Admiral, which hung from the gallows in chains. A courtier of a poor but obtrusive wit leaned towards him.
"The Admiral becomes noisome, I think," he said.
The King's green eyes considered him, his lips curling grimly.
"The body of a dead enemy always smells sweet," he said.
VI. THE NIGHT OF WITCHCRAFT
Louis XIV and Madame De Montespan
If you scrape the rubbish-heap of servile, coeval flattery that usually smothers the personality of a monarch, you will discover a few kings who have been truly great; many who have achieved greatness because they were wisely content to serve as masks for the great intellects of their time; and, for the rest, some bad kings, some foolish kings, and some ridiculous kings. But in all that royal gallery of history you will hardly find a more truly absurd figure than that of the resplendent Roi Soleil, the Grand Monarque, the Fourteenth Louis of France.
I am not aware that he has ever been laughed at; certainly never to the extent which he deserves. The flatterers of his day, inevitable products of his reign, did their work so thoroughly that even in secret they do not appear to have dared to utter—possibly they did not even dare to think—the truth about him. Their work survives, and when you have assessed the monstrous flattery at its true worth, swept it aside and come down to the real facts of his life, you make the discovery that the proudest title their sycophancy could bestow and his own fatuity accept—Le Roi Soleil, the Sun-King—makes him what indeed he is: a king of opera bouffe. There is about him at times something almost reminiscent of the Court buffoons of a century before, who puffed themselves out with mock pride, and aped a sort of sovereignty to excite laughter; with this difference, however, that in his own case it was not intended to be amusing.
A heartless voluptuary of mediocre intelligence, he contrived to wrap himself in what Saint-Simon has called a "terrible majesty." He was obsessed by the idea of the dignity, almost the divinity—of kingship. I cannot believe that he conceived himself human. He appears to have held that being king was very like being God, and he duped the world by ceremonials of etiquette that were very nearly sacramental. We find him burdening the most simple and personal acts of everyday life with a succession of rites of an amazing complexity. Thus, when he rose in the morning, princes of the blood and the first gentlemen of France were in attendance: one to present to him his stockings, another to proffer on bended knee the royal garters, a third to perform the ceremony of handing him his wig, and so on until the toilette of his plump, not unhandsome person was complete. You miss the incense, you feel that some noble thurifer should have fumigated him at each stage. Perhaps he never thought of it.
The evil fruits of his reign—evil, that is to say, from the point of view of his order, which was swept away as so much anachronistic rubbish—did not come until a hundred years later. In his own day France was great, and this not because but in spite of him. After all, he was not the absolute ruler he conceived himself. There were such capable men as Colbert and Louvois at the King's side'; there was the great genius of France which manifests itself when and as it will, whatever the regime—and there was Madame de Montespan to whose influence not a little of Louis's glory may be ascribed, since the most splendid years of his reign were those between 1668 and 1678 when she was maitresse en titre and more than Queen of France. The women played a great part at the Court of Louis XIV, and those upon whom he turned his dark eyes were in the main as wax under the solar rays of the Sun-King. But Madame de Montespan had discovered the secret of reversing matters, so that in her hands it was the King who became as wax for her modelling. It is with this secret—a page of the secret history of France that we are here concerned.