That night, and for two days and nights thereafter, Charlotte Corday lay in the Prison of the Abbaye, supporting with fortitude the indignities that for a woman were almost inseparable from revolutionary incarceration. She preserved throughout her imperturbable calm, based now upon a state of mind content in the contemplation of accomplished purpose, duty done. She had saved France, she believed; saved Liberty, by slaying the man who would have strangled it. In that illusion she was content. Her own life was a small price to pay for the splendid achievement.
Some of her time of waiting she spent in writing letters to her friends, in which tranquilly and sanely she dwelt upon what she had done, expounding fully the motives that had impelled her, dwelling upon the details of the execution, and of all that had followed. Among the letters written by her during those "days of the preparation of peace "—as she calls that period, dating in such terms a long epistle to Barbaroux—was one to the Committee of Public Safety, in which she begs that a miniature-painter may be sent to her to paint her portrait, so that she may leave this token of remembrance to her friends. It is only in this, as the end approaches, that we see in her conduct any thought for her own self, any suggestion that she is anything more than a instrument in the hands of Fate.
On the 15th, at eight o'clock in the morning, her trial began before the Revolutionary Tribunal. A murmur ran through the hall as she appeared in her gown of grey-striped dimity, composed and calm—always calm.
The trial opened with the examination of witnesses; into that of the cutler, who had sold her the knife, she broke impatiently.
"These details are a waste of time. It is I who killed Marat."
The audience gasped, and rumbled ominously. Montane turned to examine her.
"What was the object of your visit to Paris?" he asks.
"To kill Marat."
"What motives induced you to this horrible deed?"
"His many crimes."
"Of what crimes do you accuse him?"
"That he instigated the massacre of September; that he kept alive the fires of civil war, so that he might be elected dictator; that he sought to infringe upon the sovereignty of the People by causing the arrest and imprisonment of the deputies to the Convention on May 31st."
"What proof have you of this?"
"The future will afford the proof. Marat hid his designs behind a mask of patriotism."
Montane shifted the ground of his interrogatory.
"Who were your accomplices in this atrocious act?"
"I have none."
Montane shook his head. "You cannot convince anyone that a person of your age and sex could have conceived such a crime unless instigated by some person or persons whom you are unwilling to name."
Charlotte almost smiled. "That shows but a poor knowledge of the human heart. It is easier to carry out such a project upon the strength of one's own hatred than upon that of others." And then, raising her voice, she proclaimed: "I killed one man to save a hundred thousand; I killed a villain to save innocents; I killed a savage Wild-beast to give repose to France. I was a Republican before the Revolution. I never lacked for energy."
What more was there to say? Her guilt was completely established. Her fearless self-obssession was not to be ruffled. Yet Fouquier-Tinville, the dread prosecutor, made the attempt. Beholding her so virginal and fair and brave, feeling perhaps that the Tribunal had not had the best of it, he sought with a handful of revolutionary filth to restore the balance. He rose slowly, his ferrety eyes upon her.
"How many children have you had?" he rasped, sardonic, his tone a slur, an insult.
Faintly her cheeks crimsoned. But her voice was composed, disdainful, as she answered coldly:
"Have I not stated that I am not married?"
A leer, a dry laugh, a shrug from Tinville to complete the impression he sought to convey, and he sat down again.
It was the turn of Chauveau de la Garde, the advocate instructed to defend her. But what defence was possible? And Chauveau had been intimidated. He had received a note from the jury ordering him to remain silent, another from the President bidding him declare her mad.
Yet Chauveau took a middle course. His brief speech is admirable; it satisfied his self-respect, without derogating from his client. It uttered the whole truth.
"The prisoner," he said, "confesses with calm the horrible crime she has committed; she confesses with calm its premeditation; she confesses its most dreadful details; in short, she confesses everything, and does not seek to justify herself. That, citizens of the jury, is her whole defence. This imperturbable calm, this utter abnegation of self, which displays no remorse even in the very presence of death, are contrary to nature. They can only be explained by the excitement of political fanaticism which armed her hand. It is for you, citizens of the jury, to judge what weight that moral consideration should have in the scales of justice."
The jury voted her guilty, and Tinville rose to demand the full sentence of the law.
It was the end. She was removed to the Conciergerie, the antechamber of the guillotine. A constitutional priest was sent to her, but she dismissed him with thanks, not requiring his ministrations. She preferred the painter Hauer, who had received the Revolutionary Tribunal's permission to paint her portrait in accordance with her request. And during the sitting, which lasted half an hour, she conversed with him quietly on ordinary topics, the tranquillity of her spirit unruffled by any fear of the death that was so swiftly approaching.
The door opened, and Sanson, the public executioner, came in. He carried the red smock worn by those convicted of assassination. She showed no dismay; no more, indeed, than a faint surprise that the time spent with Hauer should have gone so quickly. She begged for a few moments in which to write a note, and, the request being granted, acquitted herself briskly of that task, then announcing herself ready, she removed her cap that Sanson might cut her luxuriant hair. Yet first, taking his scissors, she herself cut off a lock and gave it to Hauer for remembrance. When Sanson would have bound her hands, she begged that she might be allowed to wear gloves, as her wrists were bruised and cut by the cord with which she had been pinioned in Marat's house. He answered that she might do so if she wished, but that it was unnecessary, as he could bind her without causing pain.
"To be sure," she said, "those others had not your experience," and she proffered her bare wrists to his cord without further demur. "If this toilet of death is performed by rude hands," she commented, "at least it leads to immortality."
She mounted the tumbril awaiting in the prison yard, and, disdaining the chair offered her by Sanson, remained standing, to show herself dauntless to the mob and brave its rage. And fierce was that rage, indeed. So densely thronged were the streets that the tumbril proceeded at a crawl, and the people surging about the cart screamed death and insult at the doomed woman. It took two hours to reach the Place de la Révolution, and meanwhile a terrific summer thunderstorm had broken over Paris, and a torrential rain had descended upon the densely packed streets. Charlotte's garments were soaked through and through, so that her red smock, becoming glued now to her body and fitting her like a skin, threw into relief its sculptural beauty, whilst a reflection of the vivid crimson of the garment faintly tinged her cheeks, and thus heightened her appearance of complete composure.
And it is now in the Rue St. Honoré that at long last we reach the opening of our tragic love-story.
A tall, slim, fair young man, named Adam Lux—sent to Paris by the city of Mayence as Deputy Extraordinary to the National Convention—was standing there in the howling press of spectators. He was an accomplished, learned young gentleman, doctor at once of philosophy and of medicine, although in the latter capacity he had never practiced owing to an extreme sensibility of nature, which rendered anatomical work repugnant to him. He was a man of a rather exalted imagination, unhappily married—the not uncommon fate of such delicate temperaments—and now living apart from his wife. He had heard, as all Paris had heard, every detail of the affair, and of the trial, and he waited there, curious to see this woman, with whose deed he was secretly in sympathy.