It rained for eight days without taking a breath. No dank December drizzle this, but rain with attitude. The rogue progeny of some sweet-named Caribbean hurricane had come north, liked it and stayed. Rivers in the Midwest burst their banks and the TV news was awash with images of people crouched on rooftops and the bloated bodies of cattle twirling like abandoned airbeds in swimming-pool fields. In Missouri a family of five drowned in their car while waiting in line at McDonald's and the President flew in and declared it a disaster, as some on the rooftops had already guessed.
Ignorant of all this, her battered cells silently regrouping, Grace Maclean lay in the privacy of her coma. After a week, they had removed the air tube down her throat and inserted one instead through a little hole cut neatly in her neck. They fed her plastic bags of brown milky liquid through the tube that went up her nose and down into her stomach. And three times a day a physical therapist came and worked her limbs like a puppeteer to stop her muscles and joints from wasting away.
After the first week, Annie and Robert took turns at the bedside, one keeping vigil while the other either went back down to the city or tried to work from home in Chatham. Annie's mother offered to fly in from London but was easily dissuaded. Elsa came up and mothered them instead, cooking meals, fielding calls and running errands to and from the hospital. She watched Grace for them on the only occasion Annie and Robert were absent at the same time, the morning of Judith's funeral. Upon the sodden turf of the village cemetery they had stood with others under a canopy of black umbrellas, then driven all the way back to the hospital in silence.
Robert's partners at the law firm had as always been kind, taking as much off his shoulders as they could. Annie's boss, Crawford Gates, the group president, had called her as soon as he heard the news.
'My dear, dear Annie,' he said, in a voice more sincere than both of them knew him to be. 'You mustn't even think of coming back here till that little girl's one hundred percent better, do you hear me?'
'Crawford…'
'No, Annie, I mean it. Grace is the only thing that matters. There's nothing on this earth so important. If anything crops up we can't handle, we know where you are.'
Far from reassuring her, this only made Annie feel so paranoid that she had to fight a sudden urge to catch the next train to town. She liked the old fox -it was he after all who had wooed her and given her the job - but she trusted him not a jot. Gates was a recidivist plotter and couldn't help himself.
Annie stood at the coffee machine in the corridor outside the intensive care unit and watched the rain gusting in great swathes across the parking lot. An old man was having a fight with a recalcitrant umbrella and two nuns were being swept like sailboats toward their car. The clouds looked low and mean enough to bump their wimpled heads.
The coffee machine gave a last gurgle and Annie extracted the cup and took a sip. It tasted just as revolting as the other hundred cups she'd had from it. But at least it was hot and wet and had caffeine in it. She walked slowly back into the unit, saying hello to one of the younger nurses coming off shift.
'She's looking good today,' the nurse said as they passed.
'You think?' Annie looked at her. All the nurses knew her well enough by now not to say such things lightly.
'Yes, I do.' She paused at the door and it seemed for a moment as if she wanted to say something else. But she thought better of it and pushed the door open, going.
'Just you keep working those muscles!' she said.
Annie saluted. 'Yes, ma'am!'
Looking good. What did looking good mean, she wondered as she walked back to Grace's bed, when you were in your eleventh day of coma and your limbs were as slack as dead fish? Another nurse was changing the dressing on Grace's leg. Annie stood and watched. The nurse looked up and smiled and got on with the job. It was the only job Annie couldn't bring herself to do. They encouraged parents and relatives to get involved. She and Robert had become quite expert at the physical therapy and all the other things that had to be done, like cleaning Grace's mouth and eyes and changing the urine bag that hung down beside the bed. But even the thought of Grace's stump sent Annie into a sort of frozen panic. She could barely look at it, let alone touch it.
'It's healing nicely,' the nurse said. Annie nodded and forced herself to keep watching. They had taken the stitches out two days ago and the long, curved scar was a vivid pink. The nurse saw the look in Annie's eyes.
'I think her tape's run out,' she said, nodding toward Grace's Walkman on the pillow.
The nurse was giving her an escape from the scar and Annie gratefully took it. She ejected the spent tape, some Chopin suites, and found a Mozart opera in the locker, The Marriage of Figaro. She slotted it into the Walkman and adjusted the earphones on Grace's head. She knew this was hardly the choice Grace would have made. She always claimed she hated opera. But Annie was damned if she was going to play the doom-laden tapes Grace listened to in the car. Who knew what Nirvana or Alice in Chains might do to a brain so bruised? Could she even hear in there? And if so, would she wake up loving opera? More likely, just hating her mother for yet another act of tyranny, Annie concluded.
She wiped a trickle of saliva from the corner of Grace's mouth and tidied a strand of hair. She let her hand rest there and stared down at her. After a while she became aware that the nurse had finished dressing the leg and was watching her. They smiled at each other. But there was a trace of something perilously close to pity in the nurse's eyes and Annie swiftly broke the moment.
'Workout time!' she said.
She pushed up her sleeves and pulled a chair closer to the bed. The nurse gathered up her things and soon Annie was alone again. She always started with Grace's left hand and she took it now in both of hers and began working the fingers one by one then all of them together. Backward and forward, opening and closing each joint, feeling the knuckles crack as she squeezed them. Now the thumb, revolving it, squashing the muscle and kneading it with her fingers. She could hear the tinny sound of the Mozart spilling from Grace's earphones and she found a rhythm in the music and worked to it, manipulating the wrist now.
It was oddly sensual this new intimacy she had with her daughter. Not since Grace was a baby had Annie felt she knew this body so well. It was a revelation, like coming back to a land loved long ago. There were blemishes, moles and scars she had never known were there. The top of Grace's forearm was a firmament of tiny freckles and covered with a down so soft that Annie wanted to brush her cheek against it. She turned the arm over and studied the translucent skin of Grace's wrist and the delta of veins that coursed beneath it.
She moved on to the elbow, opening and closing the joint fifty times, then massaging the muscles. It was hard work and Annie's hands and arms ached at the end of every session. Soon it was time to move around to the other side. She laid Grace's arm gently down on the bed and was about to get up, when she noticed something.
It was so small and so quick that Annie thought she must have imagined it. But after she had put Grace's hand down, she thought she saw one of the fingers quiver. Annie sat there and watched to see if it happened again. It didn't. So she picked the hand up again and squeezed it.