"But won't it be difficult for people to find that information again?" Klaus asked. "They won't know whether to look under D, W, or P."
"Then they'll have to look under all three letters," Hal said. "Sometimes the information you need is not in the most obvious place. Remember, paperwork is the most important thing we do at this hospital, so your job is very important. Do you think you can file these papers correctly? I'd like you to start right away."
"I think we can," Violet said. "But what will the third volunteer do?"
Hal looked embarrassed and held up the loop of string with all the keys on it. "I lost some of the keys to the file cabinets," he admitted, know why you three seem so familiar." Hal continued to lead Sunny down another aisle of file cabinets to show her where her teeth could be handy, so his voice floated over to the two older Baudelaires as if he were speaking on an intercom. "I didn't read it, of course, but there was some information about you in the file about the Snicket fires."
Chapter Five
“I just don't understand it," said Klaus, which was not something he said very often.
Violet nodded in agreement, and then said something she didn't say very frequently either. "It's a puzzle I'm not sure we can solve."
"Pietrisycamollaviadelrechiotemexity," Sunny said, which was something she had said only once before. It meant something along the lines of "I must admit I don't have the faintest idea of what is going on," and the first time the youngest Baudelaire had said it, she had just been brought home from the hospital where she was born, and was looking at her siblings as they leaned over her crib to greet her. This time, she was sitting in the unfinished wing of the hospital where she worked, and was looking at her siblings as they tried to guess what Hal had meant when he had mentioned "the Snicket fires." If I had been with the children, I would have been able to tell them a long and terrible story about men and women who joined a noble organization only to find their lives wrecked by a greedy man and a lazy newspaper, but the siblings were alone, and all they had of the story were a few pages from the Quagmire notebooks. It was night, and after working all day in the Library of Records, the Baudelaire orphans had made themselves as comfortable as they could in the half-finished section of Heimlich Hospital, but I'm sorry to say the phrase "as comfortable as they could" here means "not very comfortable at all." Violet had found a few flashlights designed to be used by builders working in dark corners, but when she arranged them to light up their surroundings, the light only made clear just how filthy their surroundings really were. Klaus had found some dropcloths, designed to be used by painters who did not want to drip paint on the floor, but when he wrapped them around himself and his sisters, the warmth only made clear just how freezing it was when the evening wind blew through the sheets of plastic that were nailed to the wooden boards. And Sunny had used her teeth to chop up some of the fruit in Hal's bowl, to make a sort of fruit salad for dinner, but each handful of chopped fruit only made clear just how inappropriate it was to be living in such a bare and lonely place. But even though it was clear to the children how filthy, freezing, and inappropriate their new living quarters were, nothing else seemed clear at all.
"We wanted to use the Library of Records to learn more about Jacques Snicket," Violet said, "but we might end up learning more about ourselves. What in the world do you think is written about us in that file Hal mentioned?"
"I don't know," Klaus replied, "and I don't think Hal knows, either. He said he doesn't read any of the files."
"Seerg," Sunny said, which meant "And I was afraid to ask him any more about it."
"Me, too," Violet said. "We simply can't call attention to ourselves. Any minute now, Hal could learn that we're wanted for murder, and we'd be dragged off to jail before we learned anything more."
"We've already escaped from one jail cell," Klaus said. "I don't know if we could do it again."
"I thought that if we had a chance to look over these pages from Duncan's and Isadora's notebooks," Violet said, "we would find the answers to our questions, but the Quagmires' notes are very difficult to read."
Klaus frowned, and moved a few fragments of the Quagmire pages around as if they were pieces of a jigsaw puzzle. "The harpoon gun tore these pages to shreds," he said. "Look what Duncan has written here: 'Jacques Snicket worked for V.F.D., which stands for Volunteer--' and then it's ripped, right in the middle of the sentence."
"And on this page," Violet said, picking up a page I cannot bear to think about, "it reads, "In photographs, and in each public place, Snicket rarely shows his face.
"Isadora must have written that one--it's a rhyming couplet."
"This scrap says 'apartment,'" Klaus said, "and has what looks like half of a map. That might have to do with the apartment where we lived with Jerome and Esmé Squalor."
"Don't remind me," Violet said, shuddering at the thought of all the misfortune the children had encountered at 667 Dark Avenue.
"Rabave," Sunny said, pointing to one of the pieces of paper.
"This page has two names on it," Violet said. "One name is Al Funcoot."
"That's the man who wrote that horrible play Olaf forced us to perform," Klaus said.
"I know," Violet said, "but the other name I don't recognize: 'Ana Gram.'"
"Well, the Quagmires were researching Count Olaf and his sinister plot," Klaus said. "Maybe Ana Gram is one of Olaf's associates."
"It's probably not the hook-handed man," Violet said, "or the bald man with the long nose. Ana is not usually a man's name."
"It could be the name of one of the white-faced women," Klaus said.
"Orlando!" Sunny said, which meant "Or the one who looks like neither a man nor a woman."
"Or someone we haven't even met yet," Violet said with a sigh, and turned her attention to another piece of paper. "This page isn't ripped at all, but all it has on it is a long list of dates. It looks like something was going on every twelve weeks or so."
Klaus picked up the smallest piece and held it up for his sisters to see. Behind his glasses his eyes looked very sad. "This piece just says 'fire,'" he said quietly, and the three Baudelaires looked down sadly at the dusty floor. With any word, there are subconscious associations, which simply means that certain words make you think of certain things, even if you don't want to. The word "cake," for example, might remind you of your birthday, and the words "prison warden" might remind you of someone you haven't seen in a very long time. The word "Beatrice" reminds me of a volunteer organization that was swarming with corruption, and the word "midnight" reminds me that I must keep writing this chapter very quickly, or else I will probably drown. But the Baudelaires had all sorts of subconscious associations with the word "fire," and none of them were pleasant to think about. The word made the children think of Hal, who had mentioned something about the Snicket fires that afternoon in the Library of Records. "Fire" made the youngsters think of Duncan and Isadora Quagmire, who had lost their parents and their brother, Quigley, in a fire. And, of course, the word "fire" made the Baudelaires think of the fire that had destroyed their home and had begun the unfortunate journey that had led them to the half-finished wing of Heimlich Hospital. The three children huddled quietly together under their dropcloths, getting colder and colder as they thought about all the fires and subconscious associations that were in the Baudelaire lives.