“Have your fun now!” Father roared from our apartment. “When there are guests here, you can’t have the run of the place.”
Lilly found me in Ronda Ray’s room and helped me put Ronda’s clothes back in the chest of drawers. Father caught us leaving Ronda’s room and took Lilly back to our apartment and put her to bed; he was irritable because he’d just tried to call the electric company to complain that the power was off and had discovered that our phones weren’t connected, either. Mother had volunteered to take a walk with Egg and make the call from the railroad station.
I went looking for Franny, but she had made it back to the lobby, undetected; she switched all the intercoms to “Broadcasting” and broadcast an announcement throughout the hotel.
“Now hear this!” Franny boomed. “Now hear this! Everyone out of bed for a sex check!”
“What’s a sex check?” I wondered, running down the stairwell to the lobby.
Frank fortunately missed the message; he was hiding in the fourth-floor utility closet, where there was no squawk box installed: when he heard Franny’s announcement, the message was garbled. He probably thought that Father was pacing us through another fire drill; in his haste to leave the utility closet, Frank stepped in a pail and fell on all fours, his head hitting the floor and one hand touching, this time, a dead mouse.
We heard him scream again, and Max Urick opened his door at the end of the fourth-floor hall and bellowed as if he were out to sea and going down.
“Shut up your God-awful screeching, or I’ll hang you by your little fingers off the fire escape!”
That put Frank in a bad mood; he declared that our games were “childish” and he went to his room. Franny and I watched out over Elliot Park from the big corner window in 3F; that would be Coach Bob’s bedroom, but Bob was out at an Athletic Department banquet, celebrating all but the last game—yet to be played.
Elliot Park was typically deserted, and the unused playground facilities stuck up like dead trees against the dull glow from the one streetlight. The last of the construction equipment was still there, the diesel machines and the workmen’s shack, but the Hotel New Hampshire was finished, now, except for landscaping, and the only machine that had been in use, for days, was the backhoe that crouched near the front flagstone path like a starving dinosaur. There were still a few stumps from the dead elms to dig out of the ground, and a few holes to fill around the periphery of the new parking lot. A soft, glossy light came from the windows of our apartment, where Father was putting Lilly to bed, by candlelight, and Frank was, no doubt, looking at himself in his band uniform in the mirror of his room.
Franny and I saw the squad car come into Elliot Park—like a shark cruising forsaken waters for an unlikely meal. We speculated that the old patrolman, Howard Tuck, would “arrest” Mother and Egg as they were walking back from the railroad station. We speculated that the candle-light in the Hotel New Hampshire would convince Patrolman Tuck that there were ghosts of old Thompson Female Seminary students haunting the hotel. But Howard parked the patrol car behind the most obvious pile of construction rubble and shut off his engine and his lights.
We saw the head of his cigar, like the shimmering red eye of an animal, in the dark car.
We saw Mother and Egg crossing the playground undetected. They came out of the darkness, and out of the scant light, as if their time on earth were that brief and that dimly illuminated; it gave me a twinge, to see them like that, and I felt Franny shudder beside me.
“Let’s go turn all the lights on,” Franny suggested. “In all the rooms.”
“But the electricity is out,” I said.
“It is now, dummy,” she said, “but if we turn on all the lights, the whole hotel will light up when they turn the power on.”
That sounded like a fine idea, so I helped her do it—even the hall lights outside Max Urick’s room—and the outdoor floodlights, which would one day illuminate a patio extending from the restaurant but now would shine only on the backhoe, and a yellow steel hard hat that dangled by its chin strap from a small tree the back-hoe had left alone. The workman whose hat it was seemed gone forever.
The abandoned hat reminded me of Struthers, strong and dull; I knew Franny hadn’t seen him in a while. I knew she had no favourite boyfriends, and she seemed sullen on the subject. Franny was a virgin, she’d told me, not because she wanted to be but because there wasn’t a boy at the Dairy School who was (as she put it) “worth it.”
“I don’t mean I think I’m so great,” she told me, “but I don’t want some clod ruining it for me, and I don’t want someone who’d laugh at me, either. It’s very important, John,” she told me, “especially the first time.”
“Why?” I asked.
It just is,” Franny said. “It’s the first time, that’s why. It stays with you forever.”
I doubted it; I hoped not. I thought of Ronda Ray: what had the first time meant to her? I thought of her night-clothes, smelling—ambiguously—like her wrist under her watchband, like the back of her knee.
Howard Tuck and the patrol car hadn’t moved by the time Franny and I accomplished turning on all the lights. We snuck outdoors; when the power went on, we wanted to see the whole hotel ablaze. We climbed into the driver’s seat of the backhoe and waited.
Howard Tuck sat so still in the squad car, he looked as if he were waiting for his retirement. In fact, Iowa Bob was fond of saying that Howard Tuck always looked “at death’s door.”
When Howard Tuck cranked the ignition of the squad car, the hotel lit up as if he’d done it. When the patrol car’s headlights bunked on, every light in the hotel came to life, and Howard Tuck seemed to lurch the car forward and stall—as if the sight of the bright hotel had dazed him and his foot had slipped off the gas or off the clutch. Actually, the sight of the Hotel New Hampshire blazing with light the instant he started his car had been too much for old Howard Tuck. His life in Elliot Park had been less illuminated—only occasional sexual discoveries, inexpert teen-agers caught in his spotlight, and the odd vandal interested in doing trivial damage to the Thompson Female Seminary. Once the Dairy School students had stolen one of the school’s token cows and tied it to the goal at one end of the field-hockey field.
What Howard Tuck saw when he started his car had been a four-storey shock of light—the way the Hotel New Hampshire might look the precise second it was bombed. Max Urick’s radio came on with a blast of music that caused Max to shriek in alarm; a stove tuner chimed in Mrs. Urick’s underground kitchen; Lilly cried out in her sleep; Frank came to life in the dark mirror; Egg, anxious at the hum of electricity he felt throb through the hotel, shut his eyes; Franny and I, in the backhoe, held our hands over our ears—as if the sight of this much sudden light could only be accompanied by an explosion. And the old patrolman, Howard Tuck, felt his foot slip off the clutch at the moment his heart stopped and he departed a world where hotels could spring to life so easily.
Franny and I were the first to get to the squad car. We saw the policeman’s body slumped against the steering wheel and heard the horn blaring. Father and Mother and Frank ran out of the Hotel New Hampshire, as if the police car were sounding the signal for another fire drill.
“Jesus, Howard, you’re dead!” Father said to the old man, shaking him.
“We didn’t mean to, we didn’t mean to,” Franny said.
Father thumped old Howard Tuck on the chest and stretched him out on the police car’s front seat; then he struck him on the chest again.